Enter the boat, then kill all enemies stationed in the area. Demolish all lying on the left side of the room, then build a from the . Use it as , so you can arrange the in the pattern showed above (you must create a connection between two power points). When it is done, approach to the and it with your - in this way you will create a proper passage to the next room. Enter it and switch into to use his . Climb up, then use your instincts once more, uncovering two . Jump down and approach to the . Use to unlock an , then with your . Wait for flames to become extinguished, then destroy all and build a from the . it with () and go to the next room. Defeat another group of enemies, heading to the right side of the hangar. Approach to the boat with lying at it, then destroy them using . After that once more and uncovered . Now switch into and use his to uncover two placed on the . them and build a from the scattered . Use the as to take control over the -. Now you must touch two located on both sides of the laser gate.
When it is done, you can go to the room that you've just unlocked. Melt on the right side of the location, then build a from the . it as usual and wait for explosion to occur. After that you can go to the corridor on the left. Notice that in the following location you will fight with - so prepare yourself. At the beginning of the duel is invincible - so fight with his minions for some time and wait for the malfunction of the enemy's shield. When it occurs, switch into and your at the villain, so you can hit him during conventional melee fight. After first hit, the criminal will jump to the water - so you must spend some time struggling with his troops. Notice that the whole sequence described above must be repeated for three times - only then the talking head will be finally vanquished. After the fight you will be moved to the next location - underwater. At the beginning destroy the vessel lying on the left side, then build a from the (only can do that!). Then approach to the gates and use to uncover an .
it and you can go to the further part of the stage. Go forth, reaching to the sunken building. Use once more, uncovering an . with your , so you can see a on the construction. it with to clear the way, then defeat some enemies. The way to the next part of the location will be blocked by the with a . using , then another on the building with . After that you can approach to the and attached to it. Now you should use to uncover two and them, so you can go forth. Reach to and defeat all enemies hidden there, so you can finally the located on the vessels surface. it with to end this level.“Life doesn’t give you seat belts.” The LEGO Batman Movie “Everything is (almost) ” in The LEGO Batman Movie, a spinoff from the 2014 surprise critical and box office hit The LEGO Movie. While LEGO Batman never quite achieves the warmhearted, dizzyingly progressive whimsy of its predecessor, it compensates with a bonkers absurdity that wouldn’t have been misplaced in a Road Runner cartoon.
Will Arnett returns to gravelly-voice the titular anti-hero, a Trump-esque (by way of Alec Baldwin) billionaire egomaniac whose idea of a good time is fighting (alone) an endlessly looped (and loopy) war on crime where the criminals never actually get locked up and the Batman soaks up a debatably earned shower of community accolades. Arnett is a one-note hoot, and the filmmakers (director Chris McKay working with a mixed grab-bag of screenwriters Seth Grahame-Smith, Chris McKenna, Erik Sommers, Jared Stern, and John Whittington) wisely supplement his singular focus with a sweet-natured supply of supporting characters. Cast MVPs include a sparklingly feminist Rosario Dawson as Barbara Gordon (later dubbed “Batgirl,” who quips to Arnett, “Does that make you BatBOY, then?”), a gleefully earnest and utterly over-caffeinated Michael Cera as Dick Grayson (relishing every glimmering, discofied sequin of his admittedly peculiar but comic book accurate “Robin” costume), and a dry-as-a-martini Ralph Fiennes as Bruce Wayne/Batman’s dutiful, shaken-but-not-stirred majordomo Alfred Pennyworth.
Like The LEGO Movie (and just about any children’s movie made. ever.), The LEGO Batman Movie posits a primary thesis that family is everything, even if that family is made up of a collection of well-intentioned, mentally-suspect oddballs (so it’s a fact-based film). Arnett’s Batman comically resists any and all overtures by his friends (and enemies) to connect, collaborate, and love, driven in part by a lightly-touched-upon reference to Batman’s origins losing both of his parents to a gun-toting mugger in Gotham City’s aptly named “Crime Alley.” Alfred cautions Master Bruce, “You can’t be a hero if you only care about yourself.” This sets up a tortured bromance between Batman and his (sometimes) chief nemesis The Joker, voiced with consummate crazed sweetness by an unrecognizable Zach Galifianakis. The Joker just wants Batman to acknowledge that they have a special bond, but the Dark Knight’s cuddly sociopathy prevents him from admitting that they truly need each other.
“I don’t currently have a bad guy. I’m fighting a few different people. I like to fight around,” . The Joker then sets on a path to flip this script, bringing a spilled toybox rogues’ gallery of delightfully random villains (King Kong, Harry Potter‘s Voldemort, The Wicked Witch of the West and her Flying Monkeys, The Lord of the Rings’ Sauron, Steven Spielberg’s Jaws, Dr. Who‘s Daleks, Clash of the Titans‘ Medusa and Kraken, Jurassic Park‘s velociraptors, Dracula, Joe Dante’s cinematic Gremlins, and a bunch of glowing skeletons) to destroy Gotham City, reclaim Batman’s attention, and re-establish their dotingly dysfunctional affection for one another. What made The LEGO Movie such fun was its childlike ability to (s)mash-up incongruous genres (and intellectual properties), much like little boys and girls do with their actual toy collections, wherein it might not be uncommon for Darth Vader, Lex Luthor, and Barbie to team up against Captain America, He-Man, and Papa Smurf.
It was nice to see this bit of anarchic, cross-promotional foolishness continue from one film to another. For middle-aged comic books buffs, there are Easter Eggs galore. We get obscure Batman villains rarely seen in print, let alone film (Calendar Man? There is a SuperFriends house party, hosted by Superman (Channing Tatum’s adorably frat boy-ish take on the character continued from The LEGO Movie) at his “Fortress of (Not-So) Solitude” complete with a DJ-ing Wonder Dog, a groovy Martian “Dance”-hunter, and an “It’s a Small World”-esque conga line of Apache Chief, Black Vulcan, El Dorado, Samurai, and the Wonder Twins. Perhaps most impressively, The LEGO Batman Movie manages to telescope nearly 80 years of Bat-history (comics, television, film) into a handful of nifty and very funny montages, simultaneously justifying LEGO’s iconically cracked take on the character while honoring all that has come before. Upon Robin’s first joy ride in a hot rod-drawn-on-the-back-of-a-Trapper-Keeper version of The Batmobile, Batman turns to him, with his nails-on-a-chalkboard growl, and warns, “Life doesn’t give you seat belts.”