Contemporary armchair / with footrest / fabric / by Eero Saarinen Eero Saarinens 1948 Womb chair, made exclusively for Knoll, displays the Finnish-born designers flair for challenging rules, breaking molds and setting new standards for modern design. The Womb chair is available in three sizes: standard, medium and small. The standard and medium size have an accompanying ottoman. The Knoll logo is stamped into the structure of the chair and the ottoman. The chair is constructed of foam over a moulded, reinforced fibreglass shell. The ottoman is constructed of foam cushion over moulded plywood platform. Includes separate seat, back and ottoman cushions of polyester fibre with foam core. Both chair and ottoman feature stainless steel and nylon articulating glides. The base features a steel rod legs with polished chrome finish. Upholstered in a range of fabrics. These products are available with foam that meets requirements for BS5852.It was way back in 1948 that Florence Knoll requested her architect and designer friend to come up with a chair “like a great big basket of pillows, that I can curl up in”.
It did not take much time for the famous Finnish designer to come up with an iconic design that pretty much brought her words to life in uncompromising style. The designer was Eero Saarinen and the chair he crafted is the fabulous Womb Chair. Just like many of his lasting furniture pieces, the womb chair has grown into a recognizable and loved décor addition that has made multiple appearances across cinema and television.From Set Decorator Don Diers vibrant replica of the 60s in ‘Down with Love’, to the sets of Legally Blonde, the womb chair has played some colorful and stylish roles on the big screen. In company with stars like Reese Witherspoon and Renée Zellweger is indeed a chair fit for the stars! Placing it within the walls of your homes is not as difficult as an Arco floor lamp.Here are a few contemporary inspirations that showcase this modern design classic –by sagemodernby Pepe Calderin Designby Design Line Constructionby CONTENT Architectureby Sheri Olson ArchitectureCreative and ColorfulIn a world where we are constantly being surrounded by clean and well defined lines, blandness can often sit in pretty quickly.
Varying geometric patterns and textures are an absolute must to create interiors that are complete and engaging. The curvy design of the womb chair offers the much needed contrast. Despite its rounded design, the chair itself as a whole is compact and contemporary in form. It is this enveloping design that brings together coziness and elegance that makes the Womb chair truly inimitable and sought-after.by m.a.p. interiors / Sylvia Beezby Shirley MeiselsOne of the additional perks of opting for the womb chair is the array of bright colors and varying shades it is available in. This is an option that the likes of Eames Lounger (no disrespect intended!) simply do not offer. When it comes to visual impact as an accent décor addition, few match the rich sophistication offered by the womb chair.by Chloe Warnerby Cathy Schwabe Architectureby John K. Anderson Designby Phil Kean Designsby Dijeau Poage Constructionby Balfoort ArchitecturePhotography by Michael J LeeFunctionality ahead of FormOne of the trademark features of the great Finnish designer is the sense of frugality in his designs.
It is well known that Saarinen disliked the ‘slum of legs’ in the US furniture scene at the time. He made it a point to not just ensure that his designs were aesthetically pleasing, but they carried a distinct design that put ergonomics above all else. The pencil thin legs of the womb chair are a wonderful case in the point. Despite all the comfort it offers, the sculptural quality of the womb chair makes it a standout addition no matter where it is placed in the room.by Northbrook Designby Patrick Perez Architectby Glenn Gissler DesignA chair should not only look well as a piece of sculpture in a room when no one is in it. It should also be a flattering background when someone is sitting in it. While designing a piece of furniture its significance is as important as the design of the décor item itself. This philosophy of Saarinen is showcased in the womb chair.by Griffin Enright Architectsby Cathy Schwabe Architectureby HP Rovinelli Architectsby Chuck Mills Residential Design & Developmentby Andrew Snow Photographyby Jennifer Weiss Architectureby West Chin ArchitectA Plush Focal Point to Pamper Your SensesAvailable in three different sizes and in a multitude of shades, the womb chair is pure and unadulterated seating ecstasy.
Coming with a matching Ottoman, the chair is still best described by the requirement put forward by Florence Knoll. It is a seating option which instantly tempts you to curl and take refuge in its enveloping form irrespective of whether it is placed in a minimalist living space or a quiet reading nook next to the fireplace. Fashionable and luxurious to the core, it seems to carry all the traits ideal for a glittering life in tinsel town.by Fine Focus Photographyby Kaufman Segal DesignThe womb chair has inspired several generations of designers. It has become an indispensable part of many homes and a décor superstar that many aspire to bring home one day. Accentuating interiors of various styles, themes and colors for decades, the womb chair instantly makes you feel like a celebrity. Therein lies the real secret of this timeless Eero Saarinen creation!by ALTUS Architecture + Designby Webber + Studio, Architectsby the Construction Zoneby Baltis Architectsby Martha O’Hara Interiors Liked the story?
Share it with friends. I can afford a genuine Eames Lounge Chair (approx. $3000). Well, I kinda sorta can afford it. Is it worth the expense? Obviously, this is just personal opinion, but before I buy, I'm soliciting reasons why I should (or should not) take the plunge. Saarinen Womb Chair & Ottoman Saarinen Womb Chair & Ottoman Knoll Saarinen Womb Chair and Ottoman The Womb Chair and Ottoman with shell of moulded fibreglass and polyurethane foam is available upholstered in the fabrics of the Knoll collection. The steel rod base is available in polished chrome or black powdercoated finish. The Ottoman has a foam cushion over a plywood shell. Seat, back and ottoman cushions are polyester fiber with foam core. Feet are stainless steel with protective nylon glides.Compare replica fiberglass Eero Saarinen womb chair with ottoman for living room Foshan Master Living Co., Ltd. US $275-550 1 Piece Transaction Level Going Out of Business Sale HomeSaleWomb Chair and Ottoman - Floor Sample - SOLD
Womb Chair and Ottoman - Floor Sample - SOLD Womb Chair and Ottoman - Floor Sample Fabric: Knoll Circa/ Ivory (17.0% Cotton, 32.0% Polyester, 51.0% Viscose) Eero Saarinen designed the groundbreaking Womb Chair at Florence Knoll's request for "a chair that was like a basket full of pillows, something I could really curl up in." Eero Saarinen's 1948 Womb chair, made exclusively for Knoll, displays the Finnish-born designer's flair for challenging rules, breaking molds and setting new standards for modern design. After winning the Museum of Modern Art Organic Design Competition with Charles Eames for their experiments with bent plywood in 1941, Eero Saarinen was eager to continue exploring the possibilities of a chair that achieved comfort through the shape of its shell, not the depth of its cushioning. Initially, he began the investigation with designs for smaller fiberglass task chairs, but changed direction when Florence Knoll approached him and asked, “Why not take the bull by the horns and do the big one first?
I want a chair that is like a basket full of pillows…something I can curl up in.” While that’s not exactly where Saarinen ended up, the suggestion inspired one of the most iconic, and comfortable, chairs of the modern furniture movement. Like many of Saarinen’s furniture designs, the Womb Chair required production techniques and materials still in the infancy of their existence. Saarinen and Florence Knoll found a boat builder in New Jersey who was experimenting with fiberglass and resin to help develop manufacturing methods for the new chair. Florence Knoll: “He was very skeptical. We just begged him. I guess we were so young and so enthusiastic he finally gave in and worked with us. We had lots of problems and failures until they finally got a chair that would work.” Overall: 40"W x 34"D x 35.5"H Seat Height (SH): 16" Arm Height (AH): 20.5" Overall: 25.5"W x 20"D x 16"H Seat shell is foam-covered molded, reinforced fiberglass. Foam cushion over molded plywood platform on ottoman.
Separate seat, back and ottoman cushion constructed of polyester fiber with foam core. Base is steel rod with polished chrome finish. Stainless steel and nylon articulating glides. GREENGUARD Indoor Air Quality Certified® Click here to view shipping / delivery options Click here for return & exchange information Frame showing minor scuffing in polished chrome from contact. Born to world famous architect and Cranbrook Academy of Art Director Eliel Saarinen and textile artist Loja Saarinen, Eero Saarinen was surrounded by design his whole life. By the time he was in his teens, Eero was helping his father design furniture and fixtures for the Cranbrook campus. After studying sculpture in Paris and architecture at Yale, Saarinen returned to Cranbrook in 1934.It was at Cranbrook that Saarinen met Charles Eames. The two young men, both committed to exploring new materials and processes, quickly became great friends and creative collaborators. They worked together on several projects, most notably their groundbreaking collection of molded plywood chairs for 1940 competition Organic Design in Home Furnishings, sponsored by MoMA.At Cranbrook, Saarinen also met Florence Knoll, who at that time was a promising young protégé of Eliel Saarinen.
When Florence joined Knoll in the 1940s, she invited Eero to design for the company. Saarinen went on to design many of Knoll's most recognizable pieces, including the Tulip chairs and tables, the Womb chair, and the 70 Series of seating. In addition to these achievements, Saarinen became a leader of the second-generation modernists. Among his outstanding projects are the Dulles International Airport in Washington, D.C., the Gateway Arch in St. Louis, and New York's CBS Building and TWA Terminal at Kennedy International Airport. With proper care, your KnollStudio furniture should last for years to come. To help ensure the longevity of your purchase, below are helpful hints on routine cleaning for your KnollStudio piece. Most basic maintenance can be performed with common household cleaning products. Optional Scotchgard treatment protects fibers from dirt and staining. Wipe all spills immediately. Brush and vacuum every three to four months. Cleaning Code: S: Only mild, pure water-free dry cleaning solvents may be used for cleaning this fabric.
Try a hidden area to test for color fastness. Clean with Windex or an automotive chrome cleaner such as Semi-Chrome twice a month. Apply a coat of hard paste wax to protect against moisture. This product hasn't received any reviews yet. Be the first to review this product! Write your own product review Knoll warrants to original buyer only that the products Knoll manufactures and sells to original buyer are free of defects in workmanship and materials for 5 years. Should any failure to conform to this limited warranty appear to a Knoll product during the applicable warranty period from the date of shipment, Knoll shall, upon prompt written notice, repair or replace, at its option and cost, the affected part or parts. Seating upholstery, textiles, leathers and finishes by Knoll carry a 3 year warranty. This warranty does not apply to: Normal wear and tear or acts or omissions of parties other than Seller (including user modification, improper use or installation of Products).