same day pick up(10) chair + ottoman sets(8) price low - high price high - low ratings high - low items per page: | Recliners and Chairs: Kick Back and Relax in Style Sometimes we want something that can offer a bit more comfort than sofas and couches. That’s why you should make sure that your current chairs of choice are up to the task—and if it’s time for an upgrade, let JCPenney help out! Want something that features premium comfort along with flexibility? Then it’s time to Indulge in a soft and luxurious leather recliner and ottoman set! What about something that can offer the ultimate in at-home relaxation? Try a cozy and pillowy fabric-lined recliner chair with built-in massaging and heating! Once you sink into one these you’ll never want to get back up! Let the smooth back and forth motion of a rocker recliner lull you into a nice sleep. It’s also a good chair for new parents to have. Both you and the baby will be off to dream land in a flash.
A handsome leather chair or recliner is perfect for filling in that empty space in the corner or around your living room set. They’re great for their unbeatable comfort—and they don’t take up much space at all! Pair it with useful ottomans for kicking your feet up on those lazy weekends. It’s such a cozy arrangement that soon your family and guests might end up fighting over their turn in the chair! Affordable prices, great styles, and top brands – you’ll all of this and more when you shop with us. Make JCPenney your furniture store of choice. You’ll walk away with the right pieces without breaking the bank!Top 7 Features of Fisher-Price Little People Toys imageFour-wheel drive pickup trucks are expensive, and although a new truck can run upwards of 30,000 dollars, you can often get a bargain if you consider buying one that has been rebuilt. To find a deal on...Read More about Top 7 Features of Fisher-Price Little People ToysDesigns for Spring Are Here. Hundreds of New Styles Added.
Accent & Coffee Tables Fireplace Screens & Tools HomeSpiritsRumKenny Chesney Blue Chair Bay Key Lime Rum Cream 750ml Kenny Chesney Blue Chair Bay Key Lime Rum Cream 750ml Buy in bulk - save On Shipping This luscious rum cream will take you right to the Florida Keys. From the first fresh key lime notes to the rich, buttery middle, right up to the graham cracker crust finish, it's as though you're visiting Key West without leaving your beach chair.30 Proof Rum Find Similar Products by Category Posted by Jenn on 21st Feb 2017 The Key Lime is my favorite of the Blue Chair Bay rums. It's great in a Pina Colada! Customers Who Viewed This Product Also Viewed Kenny Chesney Blue Chair Bay Coconut Rum 750ml Kenny Chesney Blue Chair Bay Banana Rum Cream 750ml Kenny Chesney Blue Chair Bay Banana Rum 750ml Kenny Chesney Blue Chair Bay Coconut Spiced Rum Cream 750ml Click the button below to add the Kenny Chesney Blue Chair Bay Key Lime Rum Cream 750ml to your wish list.
Kenny Chesney Blue Chair Bay White Rum 750ml Kenny Chesney Blue Chair Bay Coconut Spiced Rum 750mlDesigner: Gerrit Thomas Rietveld Design: 1918 Production: since 1918 Manufacturer: Gerard van de Groenekan, Utrecht Size: 86 x 66 x 82.5; seat height 32 cms Material: varnished wood Gerrit Rietveld conceived each piece of furniture as an ideal, abstract composition of surfaces and lines in space. The rigor with which he put this into practice makes “Roodblauwe stoel” a key object in modern furniture design. The form of abstraction Rietveld adopts here bears comparison to painter Piet Mondrian. Mondrian, and later Rietveld, were among the artists and architects who grouped around Theo van Doesburg and his journal De Stijl, and whose radical concepts had a lasting impact on twentieth- century art. Both Mondrian and Rietveld reduced given realities to their linear and planar characteristics: where Mondrian took landscapes as his model, Rietveld focused on the concept of a traditional, massive armchair, which he transformed into a geometric entity.
In doing so, as Rietveld himself explained, he was concerned with joining “the components without crippling them, so that to the greatest degree possible the one is not dominated or made dependent on the other; most importantly, the work in its entirety must be able to stand freely and brightly on its own two feet, and the form must triumph over the material.”1 The followers of De Stijl adopted the “Roodblauwe stoel,” at that point still in its first, unpainted version, as their manifesto. It was the initial object which served to illustrate the principles of the group to the public at large, and provided Theo van Doesburg with an outstanding example of furniture as “abstract, realistic sculptures for our future interiors.” However, Rietveld’s own remarks raise doubts as to whether he, like van Doesburg, actually claimed to be pursuing the social utopia of universal harmony. He apparently did not believe that his furniture could contribute to causing universal social change, and built it primarily for himself and his private acquaintances.
As a result, there is no specific prototype of the chair, only a number of variations which have relatively little in common. As Reyer Kras, former curator of the Stedelijk Museum in Amsterdam, writes, Rietveld was evidently conscious of the fact “that formal order has nothing to do with precalculated, strictly repeated sizes and proportions, but rather is exclusively the domain of a good eye.”3 However, Rietveld felt it should in principle be possible to produce his chair on an industrial scale. The elements used were excellently suited both for self-assembly furniture and for mass production, as they could be manufactured with the simplest mechanical means and were already available as standardized wood lengths. The first version of the “Roodblauwe stoel”, still unpainted and somewhat larger than the later model, as well as having side panels under the armrests, was built by Rietveld around 1918, in other words shortly before he joined De Stijl. The well-known version - from which the design took its final name – with its red back, blue seat, and yellow front on black struts, first appeared alongside different-colored variations around 1923, when Rietveld already belonged to the inner circle of the group.