Rebecca

I sat still, my hands in my lap, not knowing whether he meant it or not.
'Well,' he said, 'what are you going to do about it?'

Had I been a year or two younger I think I should have cried. Children's tears are very near the surface, and come at the first crisis. As it was I felt them prick behind my eyes, felt the ready colour flood my face, and catching a sudden glimpse of myself in the glass above the windscreen saw in full the sorry spectacle that I made, with troubled eyes and scarlet cheeks, lank hair flopping under broad felt hat.

'I want to go home,' I said, my voice perilously near to trembling, and without a word he started up the engine, let in the clutch, and turned the car round the way that we had come.

Swiftly we covered the ground, far too swiftly, I thought, far too easily, and the callous countryside watched us with indifference. We came to the bend in the road that I had wished to imprison as a memory, and the peasant girl was gone, and the colour was fiat, and it was no more after all than any bend in any road passed by a hundred motorists. The glamour of it had gone with my happy mood, and at the thought of it my frozen face quivered into feeling, my adult pride was lost, and those despicable tears rejoicing at their conquest welled into my eyes and strayed upon my cheeks.

I could not check them, for they came unbidden, and had I reached in my pocket for a handkerchief he would have seen I must let them fall untouched, and suffer the bitter salt upon my lips, plumbing the depths of humiliation. Whether he had turned his head to look at me I do not know, for I watched the road ahead with blurred and steady stare, but suddenly he put out his hand and took hold of mine, and kissed it, still saying nothing, and then he threw his handkerchief on my lap, which I was too ashamed to touch.

I thought of all those heroines of fiction who looked pretty when they cried, and what a contrast I must make with blotched and swollen face, and red rims to my eyes. It was a dismal finish to my morning, and the day that stretched ahead of me was long. I had to lunch with Mrs Van Hopper in her room because the nurse was going out, and afterwards she would make me play bezique with all the tireless energy of the convalescent. I knew I should stifle in that room. There was something sordid about the tumbled sheets, the sprawling blankets, and the thumped pillows, and that bedside table dusty with powder, spilt scent, and melting liquid rouge. Her bed would be littered with the separated sheets of the daily papers folded anyhow, while French novels with curling edges and the covers torn kept company with American magazines. The mashed stubs of cigarettes lay everywhere — in cleansing cream, in a dish of grapes, and on the floor beneath the bed. Visitors were lavish with their flowers, and the vases stood cheek-by-jowl in any fashion, hot-house exotics crammed beside mimosa, while a great beribboned casket crowned them all, with tier upon tier of crystallised fruit. Later her friends would come in for a drink, which I must mix for them, hating my task, shy and ill-at-ease in my corner hemmed in by their parrot chatter, and I would be a whipping-boy again, blushing for her when, excited by her little crowd, she must sit up in bed and talk too loudly, laugh too long, reach to the

The gulf that lay between us was wider now than it had ever been, and he stood away from me, with his back turned, on the further shore. I felt young and small and very much alone, and now, in spite of my pride, I found his handkerchief and blew my nose, throwing my drab appearance to the winds. It could never matter.

'To hell with this,' he said suddenly, as though angry, as though bored, and he pulled me beside him, and put his arm round my shoulder, still looking straight ahead of him, his right hand on the wheel. He drove, I remember, even faster than before. 'I suppose you are young enough to be my daughter, and I don't know how to deal with you,' he said. The road narrowed then to a corner, and he had to swerve to avoid a dog. I thought he would release me, but he went on holding me beside him, and when the corner was passed, and the road came straight again he did not let me go. 'You can forget all I said to you this morning,' he said; 'that's all finished and done with. Don't let's ever think of it again. My family always call me Maxim, I'd like you to do the same. You've been formal with me long enough.' He felt for the brim of my hat, and took hold of it, throwing it over his shoulder to the back seat, and then bent down and kissed the top of my head. 'Promise me you will never wear black satin,' he said. I smiled then, and he laughed back at me, and the morning was gay again, the morning was a shining thing. Mrs Van Hopper and the afternoon did not matter a flip of the finger. It would pass so quickly, and there would be tonight, and another day tomorrow. I was cocksure, jubilant; at that moment I almost had the courage to claim equality. I saw myself strolling into Mrs Van Hopper's bedroom rather late for my bezique, and when questioned by her, yawning carelessly, saying, 'I fo

I was still child enough to consider a Christian name like a plume in the hat, though from the very first he had called me by mine. The morning, for all its shadowed moments, had promoted me to a new level of friendship, I did not lag so far behind as I had thought. He had kissed me too, a natural business, comforting and quiet. Not dramatic as in books. Not embarrassing. It seemed to bring about an ease in our relationship, it made everything more simple. The gulf between us had been bridged after all. I was to call him Maxim. And that afternoon playing bezique with Mrs Van Hopper was not so tedious as it might have been, though my courage failed me and I said nothing of my morning. For when, gathering her cards together at the end, and reaching for the box, she said casually, 'Tell me, is Max de Winter still in the hotel?' I hesitated a moment, like a diver on the brink, then lost my nerve and my tutored self-possession, saying, 'Yes, I believe so — he comes into the restaurant for his meals.'

Someone has told her, I thought, someone has seen us together, the tennis professional has complained, the manager has sent a note, and I waited for her attack. But she went on putting the cards back into the box, yawning a little, while I straightened the tumbled bed. I gave her the bowl of powder, the rouge compact, and the lipstick, and she put away the cards and took up the hand glass from the table by her side. 'Attractive creature,' she said, 'but queer-tempered I should think, difficult to know. I thought he might have made some gesture of asking one to Manderley that day in the lounge, but he was very close.'

I said nothing. I watched her pick up the lipstick and outline a bow upon her hard mouth. 'I never saw her,' she said, holding the glass away to see the effect, 'but I believe she was very lovely. Exquisitely turned out, and brilliant in every way. They used to give tremendous parties at Manderley. It was all very sudden and tragic, and I believe he adored her. I need the darker shade of powder with this brilliant red, my dear: fetch it, will you, and put this box back in the drawer?'

And we were busy then with powder, scent, and rouge, until the bell rang and her visitors came in. I handed them their drinks, dully, saying little; I changed the records on the gramophone, I threw away the stubs of cigarettes.
'Been doing any sketching lately, little lady?' The forced heartiness of an old banker, his monocle dangling on a string, and my bright smile of insincerity: 'No, not very lately; will you have another cigarette?'

It was not I that answered, I was not there at all. I was following a phantom in my mind, whose shadowy form had taken shape at last. Her features were blurred, her colouring indistinct, the setting of her eyes and the texture of her hair was still uncertain, still to be revealed.

She had beauty that endured, and a smile that was not forgotten. Somewhere her voice still lingered, and the memory of her words. There were places she had visited, and things that she had touched. Perhaps in cupboards there were clothes that she had worn, with the scent about them still. In my bedroom, under my pillow, I had a book that she had taken in her hands, and I could see her turning to that first white page, smiling as she wrote, and shaking the bent nib. Max from Rebecca. It must have been his birthday, and she had put it amongst her other presents on the breakfast table. And they had laughed together as he tore off the paper and string. She leant, perhaps, over his shoulder, while he read. Max. She called him Max. It was familiar, gay, and easy on the tongue. The family could call him Maxim if they liked. Grandmothers and aunts. And people like myself, quiet and dull and youthful, who did not matter. Max was her choice, the word was her possession; she had written it with so great a confidence on the fly-leaf of that book. That bold, slanting hand, stabbing the white paper, the symbol of herself, so certain, so assured.

How many times she must have written to him thus, in how many varied moods.
Little notes, scrawled on half-sheets of paper, and letters, when he was away, page after page, intimate, their news. Her voice, echoing through the house, and down the garden, careless and familiar like the writing in the book.
And I had to call him Maxim.
Chapter six

Packing up. The nagging worry of departure. Lost keys, unwritten labels, tissue paper lying on the floor. I hate it all. Even now, when I have done so much of it, when I live, as the saying goes, in my boxes. Even today, when shutting drawers and flinging wide an hotel wardrobe, or the impersonal shelves of a furnished villa, is a methodical matter of routine, I am aware of sadness, of a sense of loss. Here, I say, we have lived, we have been happy. This has been ours, however brief the time. Though two nights only have been spent beneath a roof, yet we leave something of ourselves behind. Nothing material, not a hair-pin on a dressing-table, not an empty bottle of Aspirin tablets, not a handkerchief beneath a pillow, but something indefinable, a moment of our lives, a thought, a mood.

This house sheltered us, we spoke, we loved within those walls. That was yesterday. Today we pass on, we see it no more, and we are different, changed in some infinitesimal way. We can never be quite the.same again. Even stopping for luncheon at a wayside inn, and going to a dark, unfamiliar room to wash my hands, the handle of the door unknown to me, the wallpaper peeling in strips, a funny little cracked mirror above the basin; for this moment, it is mine, it belongs to me. We know one another. This is the present. There is no past and no future. Here I am washing my hands, and the tracked mirror shows me to myself, suspended as it were, in time; this is me, this moment will not pass.

And then I open the door and go to the dining-room, where he is sitting waiting for me at a table, and I think how in that moment I have aged, passed on, how I have advanced one step towards an unknown destiny.
We smile, we choose our lunch, we speak of this and that, but — I say to myself — I am not she who left him five minutes ago. She stayed behind. I am another woman, older, more mature…

I saw in a paper the other day that the Hotel Cote d'Azur at Monte Carlo had gone to new management, and had a different name. The rooms have been redecorated, and the whole interior changed. Perhaps Mrs Van Hopper's suite on the first floor exists no more. Perhaps there is no trace of the small bedroom that was mine. I knew I should never go back, that day I knelt on the floor and fumbled with the awkward catch of her trunk. The episode was finished, with the snapping of the lock. I glanced out of the window, and it was like turning the page of a photograph album. Those roof-tops and that sea were mine no more. They belonged to yesterday, to the past. The rooms already wore an empty air, stripped of our possessions, and there was something hungry about the suite, as though it wished us gone, and the new arrivals, who would come tomorrow, in our place. The heavy luggage stood ready strapped and locked in the corridor outside. The smaller stuff would be finished later. Waste-paper baskets groaned under litter. All her half empty medicine bottles and discarded face-cream jars, with torn-up bills and letters. Drawers in tables gaped, the bureau was stripped bare.

She had flung a letter at me the morning before, as I poured out her coffee at breakfast. 'Helen is sailing for New York on Saturday. Little Nancy has a threatened appendix, and they've cabled her to go home. That's decided me. We're going too. I'm tired to death of Europe, and we can come back in the early fall. How d'you like the idea of seeing New York?'
The thought was worse than prison. Something of my misery must have shown in my face, for at first she looked astonished, then annoyed.

'What an odd, unsatisfactory child you are. I can't make you out. Don't you realise that at home girls in your position without any money can have the grandest fun? Plenty of boys and excitement. All in your own class. You can have your own little set of friends, and needn't be at my beck and call as much as you are here. I thought you didn't care for Monte?'
'I've got used to it,' I said lamely, wretchedly, my mind a conflict.

'Well, you'll just have to get used to New York, that's all. We're going to catch that boat of Helen's, and it means seeing about our passage at once. Go down to the reception office right away, and make that young clerk show some sign of efficiency. Your day will be so full that you won't have time to have any pangs about leaving Monte!' She laughed disagreeably, squashing her cigarette in the butter, and went to the telephone to ring up all her friends.

I could not face the office right away. I went into the bathroom and locked the door, and sat down on the cork mat, my head in my hands. It had happened at last, the business of going away. It was all over. Tomorrow evening I should be in the train, holding her jewel case and her rug, like a maid, and she in that monstrous new hat with the single quill, dwarfed in her fur-coat, sitting opposite me in the waggon-lit. We would wash and clean our teeth in that stuffy little compartment with the rattling doors, the splashed basin, the damp towel, the soap with a single hair on it, the carafe half-filled with water, the inevitable notice on the wall 'Sous le lavabo se trouve une vase', while every rattle, every throb and jerk of the screaming train would tell me that the miles carried me away from him, sitting alone in the restaurant of the hotel, at the table I had known, reading a book, not minding, not thinking.

I should say goodbye to him in the lounge, perhaps, before we left. A furtive, scrambled farewell, because of her, and there would be a pause, and a smile, and words like 'Yes, of course, do write', and 'I've never thanked you properly for being so kind', and 'You must forward those snapshots', 'What about your address?'

'Well, I'll have to let you know". And he would light a cigarette casually, asking a passing waiter for a light, while I thought, 'Four and a half more minutes to go. I shall never see him again.'

Because I was going, because it was over, there would suddenly be nothing more to say, we would be strangers, meeting for the last and only time, while my mind clamoured painfully, crying 'I love you so much. I'm terribly unhappy. This has never come to me before, and never will again.' My face would be set in a prim, conventional smile, my voice would be saying, 'Look at that funny old man over there; I wonder who he is; he must be new here.' And we would waste the last moments laughing at a stranger, because we were already strangers to one another. 'I hope the snapshots come out well,' repeating oneself in desperation, and he 'Yes, that one of the square ought to be good; the light was just right.' Having both of us gone into all that at the time, having agreed upon it, and anyway I would not care if the result was fogged and black, because this was the last moment, the final goodbye had been attained.

'Well,' my dreadful smile stretching across my face, 'thanks most awfully once again, it's been so ripping…" using words I had never used before. Ripping: what did it mean? — God knows, I did not care; it was the sort of word that schoolgirls had for hockey, wildly inappropriate to those past weeks of misery and exultation. Then the doors of the lift would open upon Mrs Van Hopper and I would cross the lounge to meet her, and he would stroll back again to his corner and pick up a paper.

Sitting there, ridiculously, on the cork mat of the bathroom floor, I lived it all, and our journey too, and our arrival in New York. The shrill voice of Helen, a narrower edition of her mother, and Nancy, her horrid little child. The college boys that Mrs Van Hopper would have me know, and the young bank clerks, suitable to my station. 'Let's make Wednesday night a date.'

'D'you like Hot music?' Snub-nosed boys, with shiny faces. Having to be polite. And wanting to be alone with my own thoughts as I was now, locked behind the bathroom door…
She came and rattled on the door. 'What are you doing?'
'All right — I'm sorry, I'm coming now,' and I made a pretence of turning on the tap, of bustling about and folding a towel on a rail.

She glanced at me curiously as I opened the door. 'What a time you've been. You can't afford to dream this morning, you know, there's too much to be done.'

He would go back to Manderley, of course, in a few weeks; I felt certain of that. There would be a great pile of letters waiting for him in the hall, and mine amongst them, scribbled on the boat. A forced letter, trying to amuse, describing my fellow passengers. It would lie about inside his blotter, and he would answer it weeks later, one Sunday morning in a hurry, before lunch, having come across it when he paid some bills. And then no more. Nothing until the final degradation of the Christmas card. Manderley itself perhaps, against a frosted background. The message printed, saying 'A happy Christmas and a prosperous New Year from Maximilian de Winter.' Gold lettering. But to be kind he would have run his pen through the printed name and written in ink underneath 'from Maxim', as a sort of sop, and if there was space, a message, 'I hope you are enjoying New York'. A lick of the envelope, a stamp, and tossed in a pile of a hundred others.

'It's too bad you are leaving tomorrow,' said the reception clerk, telephone in hand; 'the Ballet starts next week, you know. Does Mrs Van Hopper know?' I dragged myself back from Christmas at Manderley to the realities of the waggon-lit.

Mrs Van Hopper lunched in the restaurant for the first time since her influenza, and I had a pain in the pit of my stomach as I followed her into the room. He had gone to Cannes for the day, that much I knew, for he had warned me the day before, but I kept thinking the waiter might commit an indiscretion and say: 'Will Mademoiselle be dining with Monsieur tonight as usual?' I felt a little sick whenever he came near the table, but he said nothing.

The day was spent in packing, and in the evening people came to say goodbye. We dined in the sitting-room, and she went to bed directly afterwards. Still I had not seen him. I went down to the lounge about half past nine on the pretext of getting luggage labels and he was not there. The odious reception clerk smiled when he saw me. 'If you are looking for Mr de Winter we had a message from Cannes to say he would not be back before midnight.'

'I want a packet of luggage labels,' I said, but I saw by his eye that he was not deceived. So there would be no last evening after all. The hour I had looked forward to all day must be spent by myself alone, in my own bedroom, gazing at my Revelation suit-case and the stout hold-all. Perhaps it was just as well, for I should have made a poor companion, and he must have read my face.

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