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The latest in Melville Houses Last Interview series, this collection compiles several interviews that David Foster Wallace gave—including the last before his death. I certainly make no claims to be a DFW expert, so Im unsure whether these pieces are collected here for the first time or if theyre just reprinted from other sources: the only information Melville House offers in the press release is that this is a unique selection of [DFWs] best interviews.For the DFW completist, here are the interviews collected in this volume:- Something Real American: Interview by Laura Miller, Salon, 9 March 1996- There Can Be No Spokesperson: Interview by Tom Scocca, Boston Phoenix, 20 February 1998- A Brief Interview with a Five-Draft Man: Interview by Stacey Schmeidel, Amherst Magazine, Spring 1999- To Try Extra Hard to Exercise Patience, Politeness, and Imagination: Interview by Dave Eggers, The Believer, November 2003- Some Kind of Terrible Burden: Interview by Steve Paulson, To the Best of Our Knowledge, 19 June 2004- The Last Interview: Interview by Christopher Farley, Wall Street Journal, May 2008In these interviews, DFW speaks about a range of subjects, but the ones to which he keeps returning (along with some quotes of his):- His teaching career: I was hired to teach creative writing, which I dont like to teach.- Pop culture: I use a fair amount of pop stuff in my fiction, but what I mean by it is nothing different than what other people mean in writing about trees and parks and having to walk to the river to get water a hundred years ago. Its just the texture of the world I live in.- Magazine editors: God love magazines, but the editor picks the title [of the piece], and they dont even really consult with you about it. And if you protest, theyll invoke house style, blah blah blah blah...- Writing book reviews: In my opinion its far more difficult to write a review of something that you dont like because if youre a fiction writer you know how hard you work even on something that seems really crummy to somebody else.- The film Good Will Hunting: I think its the ultimate nerd fantasy movie.- The role of footnotes in Infinite Jest: the footnotes were an intentional, programmatic part of Infinite Jest, and they get to be kind of—you get sort of addicted to em... And in a way, the footnotes, I think, are better representations of, not really stream-of-consciousness, but thought patterns and fact patterns.- The difference between his fiction and nonfiction: Fictions more important to me. So Im also more scared and tense about fiction, more worried about my stuff, more worried about whether Im any good or not... I guess nonfiction seems a lot more like play. For me.- Loneliness and alienation: ... there is this existential loneliness in the world. I dont know what youre thinking or what its like inside you and you dont know what its like inside me.- Writing for an audience: The project thats worth trying is to do stuff that has some of the richness and challenge and emotional and intellectual difficulty of avant-garde literary stuff, stuff that makes the reader confront things rather than ignore them, but to do that in such a way that its also pleasurable to read.- The role of fiction in our lives: I feel human and unalone and that Im in a deep, significant conversation with another consciousness in fiction and poetry in a way that I dont with other art.
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