This Faux Ostrich Leather Bedside Table can add a touch of sophistication to your room. The bedside is carefully handmade by skilled artisans so it's guaranteed to be well-made and of high quality. It features a sturdy stainless steel stem and a square drawer made from faux ostrich skin. The drawer is great for keeping various important items near you while you sleep. Meanwhile, the top portion is great for holding a lamp, a book or two and even an alarm clock.Use this inside your bedroom or maybe display it in your living room. It's stylish and would look wonderful inside modern or contemporary spaces. Materials Used: Faux ostrich skin, Stainless steel This item is sold and dispatched directly by Out There Interiors. England - standard delivery Scotland - standard delivery Wales - standard delivery We offer a 14 day no-quibble money-back guarantee, so if you're not delighted with your purchase you can return it for a refund. Note that bespoke and made-to-order items are excluded.
Read more about our returns policy... Out There Interiors is a dynamic interiors company committed to delivering not only gorgeous furniture but also an unbeatable customer service experience. More about Out There Interiors...Maitland Smith Furniture offers vast array of luxury, high quality, fine home furnishings and unique handcrafted art pieces for as home accessories. Many of these handcrafted treasures are "limited editions" and are destined to become family heirlooms and quite possibly valuable antiques for future generations. Items 1 to 36 of 842 total Maitland-Smith Vintage Chestnut Finished Serpentine Console Table, Mother Of Pearl Drawer Pull Maitland-Smith Aged Regency Mahogany Finished Corner Cabinet, Crotch Veneer, Regency Brass, Cabinet Base Maitland-Smith Carved Aged Regency Finished Mahogany Chippendale Side Chair, Woven Caramel Fabric 4030-596 Maitland-Smith Carved Aged Regency Finished Mahogany Chippendale Straight Leg Side Chair, Caramel Fabric
Maitland-Smith Carved Antique Mahogany And Black Chinoiserie Finished Side Chair, Neutral Fabric Uph Maitland-Smith Avignon Cottage Finished Counter Stool With Abaca Rope Rush Seat, Brass Foot Rest Maitland-Smith Umber Finished Mahogany Ladderback Side Chair, Abaca Rope Rush Seat Maitland-Smith Dark Wellington Cottage Finished Side Chair, Abaca Rope Rush Seat Maitland-Smith Carved Polished Mahogany Finish Hepplewhite Shield Back Side Chair, Neutral Uph Maitland-Smith Carved Polished Mahogany Finish Chippendale Side Chair, Cabriole Leg, Neutral Uph Maitland-Smith Aged Regency Finished Game Chair, Chocolate Leather Upholstery, Brass Tack Accents Maitland-Smith Sherwood Brass Urn Candelabra With Gold Agate Stone Inlaid Base Maitland-Smith Carved Aged Regency Finished Mahogany Chippendale Side Chair, Woven Caramel Fabric 4030-599 Maitland-Smith Carved Aged Regency Finished Mahogany Chippendale Armchair, Woven Caramel Fabric Maitland-Smith Golden Bronze Patina Brass Female Figure Table Torchere, White Stone Shade, Stone Base
Maitland-Smith Soft Finished Cast Brass Peacock Wall Sconce With Various Shell Inlay Maitland-Smith Finely Cast Antique Patina Brass Cherub Wall Sconce, Hand Sewn Silk Shades Maitland-Smith Tiger Penshell Inlaid Occasional Table Maitland-Smith Regency Finished Mahogany Occasional Table, Sienna Leather, Pompeian Brass Mounts Maitland-Smith Mahogany Finished Double Pedestal Dining Table With Carved Gilded Accents Maitland-Smith Mahogany Finished Center Table, Marquetry Veneer Top, Gold Gilded And Brass Accents Maitland-Smith Hand Carved Dark Antique Lido Finished Side Chair, Brompton Brown Leather, Oval Pattern Maitland-Smith Dark Wellington Cottage Finished Side Chair, Kodiak Leather And Paisley Upholstery Maitland-Smith Carved Regency Mahogany Finish Chippendale Straight Leg Armchair, Neutral Upholstery Maitland-Smith Carved Antique Mahogany And Black Chinoiserie Finished Armchair, Neutral Fabric Uph Maitland-Smith Carved Polished Mahogany Finish Chippendale Armchair, Cabriole Leg, Neutral Uph
Maitland-Smith Mahogany Finished Swivel Barstool, Lion's Head Motif, Bentley Chocolate Leather Uph Maitland-Smith Hand Carved Mahogany Empire Armchair, Gold Metal Leaf Swan Accents, Neutral Uph Maitland-Smith Dusty Grey Finished Cast Brass Beetle Paperweight, White And Violet Oyster Shell Inlay Maitland-Smith Decorative Black Lip Shell Inlaid Conch Shell Maitland-Smith Set Of Two Solid Golden White Marble Dolphins With White Brass Accents Maitland-Smith Antique Finished Cast Brass Rooster With Tiger Penshell Inlay Maitland-Smith Set Of Antique Nickel Finished Cast Brass Walrus And Sea Lion With Paua Shell Inlay Maitland-Smith Polished Cast Brass Penguin With Black Penshell And Mother Of Pearl Inlay Maitland-Smith Nickel Plated Finished Cast Brass Owl With White Oyster Shell InlayThis June, on the mezzanine of the Planet Hollywood Casino in Las Vegas, Julien’s Auctions presented their 2010 Summer Sale, merging the belongings of various deceased celebrities into a public exhibition.
Almost all objects for sale were linked by the perceived value of their relationships with Hollywood icons. The most bizarre collection within this ostentatious pop culture Wunderkammer was the set of furniture Michael Jackson purchased for the home in Kent, England he would never live to occupy. While the musician commissioned the twenty-two lots slated for auction, it is unlikely he ever physically encountered any of them. The value of the cultural icon’s estranged domestic objects was not, like the other handled and worn celebrity objects in the exhibition, the result of their use by the icon. The auction exhibition was housed within a labyrinth of black curtains, each gallery secluded from the next, creating a dark path of interlocking showrooms. Jackson’s colossal red velvet and 24-karat gold couch was given center stage in the first gallery. Handmade in Italy by Colombostile, the sofa was sixteenfeet in length, upholstered in shimmering red velvet and embellished with gold scrolls.
The other pieces in the space were similar in style and excess, many described as “Baroque/eclectic” in the catalog. Three bergere chairs christened by designer Hierro Desvilles formed a group in one section of the display: “Wild Cat” was swathed in faux leopard skin with ostrich feathers protruding from its back; the pastel green “Shells” was encrusted with hundreds of sea shells; and “Swarovski,” said to have been commissioned for Elizabeth Taylor’s use during house calls, was upholstered in metallic silver leather and rhinestones. A set of metallic silk armchairs and matching sofa stood in a corner of the room, accented with golden candelabras. Anyone who has seen the residences on MTV’s celebrity-home tour show, Cribs, is familiar with the extravagance typical of celebrity furniture preferences. The auction’s press release promised to “execute the recreation of Jackson’s Kent home for public viewing,” but there was little to suggest any sense of personal residence.
Most pieces were grouped by designer rather than by taste. The collection’s unused state provided an inherent lifelessness; attempts to picture Michael Jackson reading in the sixteen-foot sofa, or his children watching television from the silk armchairs, felt like exercises in theatrics. Although most of the furniture shown on Cribs easily falls into the “Baroque/eclectic” category and belongs to jet-setting stars who rarely use it, Jackson’s pieces maintained a particularly curious distance from their utilitarian roles. The royal motifs of crowns and double-headed eagles found throughout the collection reflected Jackson’s constructed identity, the “King of Pop,” while simultaneously questioning the degree to which Jackson separated his personal life from his career. The sixteen-foot sofa was most emblematic of this dichotomy; standing alone under the spotlights, its excess in scale and décor seemed more like an overblown performance of furniture than furniture itself.
Yet, Jackson was often said to be most comfortable while performing. During his public memorial service on July 7, 2009, Magic Johnson, describing a dinner at Neverland Ranch, noted that while the musician’s chef prepared grilled chicken for Johnson, Jackson came to the meal with a bucket of Kentucky Fried Chicken. This was an at-home lifestyle performance: Jackson staged a meal for his guest while indulging in his own standard fare. Similarly, Elizabeth Taylor would have been offered her rhinestone chair in the Kent home, leaving other guests to lounge in the communal gargantuan sofa or sit among ostrich feathers and seashells. We are then left to wonder where, among this performed opulence, would Michael Jackson have sat? It is tempting to believe the items in the exhibition would have been used by the superstar, if not for his death. However, the end of Magic Johnson’s story suggests otherwise. He recounted having the greatest time, “sitting on the floor, eating that bucket of Kentucky Fried Chicken,” providing an image of Michael truly at ease, away from the furniture and prepared food of his own home.