Lego DC Comics: Batman Be-Leaguered Superman wants Batman to join his new superhero team, but Batman prides himself on being a self-sufficient loner. Lego Marvel Super Heroes: Maximum Overload Spider-Man and Marvel's Super Heroes take on a mischievous Loki and a team of super villains in an all-new LEGO adventure Lego Star Wars: The Empire Strikes Out Luke Skywalker embarks on a mission to find and destroy an Imperial base on Naboo, but is relentlessly chased by a group of fanatic girls, who think of him as a celebrity for destroying the... See full summary » Lego Scooby-Doo!: Haunted Hollywood The Scooby gang try to rescue an old movie studio, which is not only threatened by developers, but a series of movie monsters too. Shrek gets in the Halloween spirit by challenging his fairytale friends to come up with scary stories for a contest. But the gang learn that they'll have to spend the night in Lord Farquaad's haunted castle before the winner is named.
The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show. From RT Users Like You! The Tomatometer is 60% or higher. The Tomatometer is 59% or lower. Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics. Percentage of users who rate a movie or TV show positively. LEGO DC Super Heroes: Justice League - Attack of the Legion of Doom! Get ready for the bricks to fly when Superman, Batman, Wonder Woman and the rest of the Justice League face off against the world's greatest super villains! Lego DC Comics Superheroes: Justice League - Gotham City Breakout
Batman goes on vacation and chaos erupts in Gotham. Lego DC Comics Super Heroes: Justice League vs. Bizarro League It's up to the Justice League to team up with their bizarre counterparts to stop Darkseid and save the galaxy! Lego Batman: The Movie - DC Super Heroes Unite When the Joker and Lex Luthor form an alliance, Batman must team up with the Justice League in order to stop them. Lego Star Wars: The Padawan Menace Ian,a young boy,Commander Cody and Yoda must go to rescue the secret battle plans.However,when substitute teacher C-3PO and a class of padawans go too,things become more complicated.... Batman, Superman and Wonder Woman will lead the DC Super Heroes against their most infamous foes. Iron Man and Captain America: Heroes United Iron Man and Captain America battle to keep the Red Skull and his triggerman, Taskmaster, from unleashing an army of Hydra Brutes on the world. The Scooby Gang go to the grand reopening of Grimsly Mansion and find themselves in a mystery to find a lost treasure.
A Lego Brickumentary (2014) 31 July 2015 (USA) 1 more credit » See full cast & crew » See more awards » 40 news articles » See full cast » Of all the toys arising from the 20th century, there has never been one like Lego bricks. This film covers the history of this product of Denmark and how it arose from a toy company with an owning family that refused to let either hard times or multiple fiery disasters get them down. Furthermore, we also explore the various aficionados of the product like the collectors, hobbyists, artists, architects, engineers, scientists and doctors who have found uses for this classic construction toy that go far beyond children's playtime. See All (20) » See all certifications » Add content advisory for parents » Release Date: 31 July 2015 (USA) Also Known As: Beyond the Brick: A Lego Brickumentary See full technical specs » References Pulp Fiction (1994) This FAQ is empty.
Add the first question. Contribute to This Page Check out our Oscars guide for the full list of winners, videos, and more. Oscars 2017 Red Carpet Photos 2017 Academy Award Highlights Stars' Favorite Performances of the Year Browse our Guide to the OscarsLooking for movie tickets? Enter your location to see which movie theaters are playing Raman Raghav 2.0 near you. Published on Nov 18. The Avengers are forced to "party" with Ultron when he seeks to disassemble the team by taking control of Iron Man's armor and enact a nefarious scheme to take over the world.Fantastic Beasts and Where to Find Them (2016)Two radically different women fending for themselves in a remote seaside town discover that no man is an island in “The Furthest End Awaits.” Directing a wholly Nipponese cast and crew, Taiwanese helmer Chiang Hsiu-chiung proves finely attuned to the cultural sensibilities of the story and characters, all of which are firmly rooted in the desolate beauty of Japan’s Noto Peninsula.
Though far less ambitious than the masterpieces of her mentors Edward Yang and Hou Hsiao Hsien, Chiang’s modest femme-centric drama still brims with warmth and gentle optimism. While biz is limited to small Asian releases, a long line of festival invitations awaits before the pic opens in Japan in February. Chiang entered the industry while still in college, when her professor Yang cast her as the second sister in “A Brighter Summer Day.” She continued to assist Yang and later Hou on several of their projects. Her experience on Hou’s productions led to an acquaintance with his lenser Mark Lee Ping-bing, who became the subject of Chiang’s award-winning documentary “Let the Wind Carry Me,” co-helmed with Hong Kong lenser Kwan Pun-leung. Her intimate approach in that film, as well as in her debut feature, the telefilm “Artemisia,” revealed a natural disposition toward character-driven storytelling. In “The Further End Awaits,” scribe Nako Kakinoki plays to the helmer’s strengths with a screenplay that allows the plot to develop organically alongside the characters’ maturing sense of self, without disclosing too much all at once.
Little is known about the adult life of Misaki Yoshida (Hiromi Nagasaku), a 40-ish woman living in Tokyo, but her proud and independent nature can be gleaned from the opening scene. When a private lending agent (Issey Ogata) tells her that her father (Jun Murakami) is officially presumed dead after having disappeared for eight years, making her liable for his debts, she makes no attempt to dodge responsibility. Misako travels to Suzu City at the tip of Noto Penninsula, to claim her only inheritance — an abandoned boathouse where she spent her childhood. At first, she tries to get a room in the rundown lodge overlooking the boathouse, but the surly owner, single mom Eriko Yamazaki (Nozomi Sasaki), shuts the door on her. So she camps out in her weatherbeaten shack, and lovingly transforms it into the cozy Yodaka Cafe. Misako runs into Eriko’s kids — teenage girl Arisa (Hiyori Sakurada) and perky younger brother, Shota (Kaisei Hatomori) — at the supermarket, where she turns a blind eye to their shoplifting.
Eriko warns the kids to stay away from Misako, whom she regards as a sort of freak, but curiosity about the mysterious neighbor who owns a “steam engine” (industrial coffee grinder) gets the better of them. Eriko’s deplorable neglect of Arisa and Shota initially suggests a less gritty version of “Nobody Knows,” but through a string of well-scripted incidents, her circumstances actually prompt reflection on the lack of safety nets for women in Japan. A more conventional film might have ended at the point where most of the conflicts are resolved; here, unexpectedly, a new chapter follows. As more emerges about Misaki’s dad, her motive for returning to Suzu becomes poignantly clear. The film’s two-part structure allows for a reversal of roles between Misaki and Eriko, as well as for connections to be made with a wider circle of women, affirming the story’s message of female kinship in a gentle but engaging way. An actress who’s carved a niche playing strong-willed, sexually confident women, 43-year-old Nagasaku (“Wandering Home,” “Sex Is No Laughing Matter”) exudes a soft-spoken authority, her character inspiring other through her work ethic.
Twenty-six-year-old bombshell Sasaki (“My Rainy Days,” “Afro Tanaka”) gets Eriko’s flaky neediness down to a T, but doesn’t bring enough depth to the later scenes in which her conscience awakens. The least affected performances come from the two young thesps, their characters’ interactions with Misaki providing the film’s most amusing and heartwarming moments As befits the subject, men are practically MIA, though the production has mustered a prominent male supporting cast whose brief appearances add some spark to the proceedings, in particular a hissing, menacing Masatoshi Nagase as Eriko’s freeloading lover. By contrast, the surplus of distaff supporting roles sometimes dissipates the dramatic tension, making the 118-minute duration feel lengthy. Tech credits demonstrate Chiang’s competence, especially in her ability to transform the rugged, hermetic atmosphere of a far-flung coastal town into an emotional landscape. Any feel-good mood is kept in check by lenser Dankuro Shinma’s distancing medium shots and Shuhei Kamimura’s discreet score;