lego set 4585

lego set 4585

lego set 4582

Lego Set 4585

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New (31) from $16.82 & FREE Shipping on orders over $35. LEGO DC Super Hero Girls Wonder Woman Dorm 41235 FREE Shipping on orders over . DetailsLEGO DC Super Hero Girls 41230 Batgirl Batjet Chase FREE Shipping on orders over . DetailsLEGO DC Super Hero Girls Bumblebee Helicopter 41234 FREE Shipping on orders over . LEGO DC Super Hero Girls - Wonder Woman Dorm Protect Wonder Woman’s Golden Lasso from the evil Kryptomite! Be part of the action-packed LEGO DC Super Hero Girls world as Wonder Woman protects her Golden Lasso from the Kryptomite. This great set features a Wonder Woman mini-doll figure, dorm room with an opening window, bed with a secret drawer/screen, separate opening wardrobe and workstation, plus an ‘invisible' motorbike, tool/paint and an orange Kryptomite. Explore the many features & functionalities Connect with 41232 Super Hero High School or join other Dorm Room sets to expand your Super Hero play even more! Cute but evil Kryptomites are included in every LEGO DC Super Hero Girls set.




Features a bed with opening window and space for a trophy above and storage space below for a drawer/screen, plus an opening wardrobe. Also includes Wonder Woman’s ‘invisible' motorbike, plus a workstation with a rotating platform for the motorbike. Set the ‘invisible' motorbike on the workstation's rotating platform. Sneak the Kryptomite through the window and into the wardrobe to steal the Golden Lasso. Close the doors and capture the Kryptomite in the wardrobe. LEGO DC Super Hero Girls: Batgirl Batjet Chase LEGO DC Super Hero Girls: Harley Quinn to the rescue LEGO DC Super Hero Girls: Super Hero High School LEGO DC Super Hero Girls: Lashina Tank LEGO DC Super Hero Girls: Bumblebee Helicopter LEGO DC Super Hero Girls: Catwoman Catcycle ChaseThis great set features a Wonder Woman mini-doll figure, dorm room with an opening window, bed with a secret drawer/screen, separate opening wardrobe and workstation, plus an ‘invisible’ motorbike, tool/paint and a suspicious orange Kryptomite.




8.1 x 7.5 x 2.4 inches 9.6 ounces (View shipping rates and policies) Item can be shipped within U.S. #615 in Toys & Games (See Top 100 in Toys & Games) #71 in Toys & Games > Building & Construction Toys Manufacturer’s warranty can be requested from customer service. Click here to make a request to customer service. 75 star100%See all verified purchase reviewsTop Customer ReviewsGreat secret hideout and a really cool rideThe Wonder Woman Dorm Lego kit includes some very interesting components. There a number of interesting pieces and surprise components in this easy to build set, including a (manually) rotating motorcycle repair station as well as an “invisible” motorcycle.In the dorm room, there is are other fun elements, such as a hidden drawer, escape windows and a superhero changing closet. It was very fun to assemble, play with and can also be used as a decorative display piece. Great Lego setFive StarsMy daughter is obsessed with Legos and Wonder Woman!




Cutest set everFive StarsFive Stars See and discover other items: dc superhero game, 5 year oldsThe Maccabees have announced they’re to split after 14 years, four albums and countless gigs together. To mark the occasion, we look back at their 10 best tunes. 10. Marks To Prove It With a furious, dizzying sound and profound, wounded lyrics (“Over the summer, a lot changed/And they all changed to keep up with it/Too complicated, too complex to talk to anybody”), ‘Marks To Prove It’ was the exhilarating lead single from the south Londoners’ last album. And what an introduction it was: climaxing with a tumbling keyboard line atop manic guitars and Sam Doyle’s pounding drums, it’s an 800mph belter. The fourth single from the band’s 2007 debut ‘Colour It In’ was a puppyish lullaby that shows the group’s lighter touch. Dripping in melancholy, it’s a forlorn reminisce on happier days for him and an unnamed beau, before it all turned sour. Singer Orlando Weeks pleads desperately: “Stay with me, I’ll stay with you.”




It’s to no avail though, and we’re left simply with a whole lot of sadness. 8. Grew Up At Midnight ‘Grew Up At Midnight’ is the sublime closing track from 2012’s Mercury Prize nominated ‘Given To The Wild’ and like many of The Maccabees’ songs, it’s rife with teen nostalgia: “We were only kids then/We’d get soaked right through,” Weeks sings. Starting out softly, the track builds to anthemic highs, till a huge climax of noisy guitars, pounding drums and strings. There arguably isn’t a tune in their arsenal better suited to close out festival sets than this. 7. One Hand Holding One of the best to come out of 2009’s Markus Dravs-produced second album ‘Wall of Arms’, ’One Hand Holding’ is a surging, teeth-clenched frenzy. Orlando’s passionate vocals sound enormous as he howls “Why would you kill it before it died?” at an unrelenting pace. Throw in the shoutalong chorus and you can see why, over the years, ‘One Hand Holding’ has earned its place among The Maccabees’ most cherished fan favourites – it’s a helluva lot of fun live.




6. No Kind Words 2009’s ‘No Kinds Words’ was a real departure for the band, swapping out the cheery optimism and songs about Lego from first album ‘Colour It In’ for something steeped in shadow. Orlando’s vocals are calm and detached as he sings “If you’ve got no kind words to say/You should say nothing more at all” over a menacing bass line. Sound, almost motherly advice, that makes for not only one of the best songs on the impressive ‘Wall Of Arms’ LP, but in the group’s entire discography. For a lot of Maccabees fans, breakout song ‘First Love’ was exactly that – the gateway track that made us fall for their fledgling indie charm. Its lyrics perfectly capture the anxiety and worry of puppy love, with Orlando crooning: “Nothing’s perfect/And I’m hoping I’ll do/But I will not do/Cause nothing’s perfect/So I’ll have to make do”. Am I good enough for this person? Do I deserve this? These are the universal paranoias ‘First Love’ taps into, delivered at a delightfully breakneck pace.




The group’s biggest crossover hit to date ‘Pelican’ was seemingly destined to become the festival anthem it is today. It’s clearly designed to fill out larger rooms, and as the first single to be released from their all-conquering ‘Given To The Wild’, ‘Pelican’ was a boisterous statement of intent from the ever evolving band. ‘Pelican’ combines Orlando’s beautiful vocals, nimbly plucked guitars and a frenetic pace that will leave you gasping for breath, but it’s the staccato, left jab-right jab opening that festival fields will remember best. Live, it’s a monster. ‘Pelican’ felt like a natural leap forward for The Maccabees, and it was a signal of how the band were set to evolve further away from their puppyish formative years into something that suited them a whole lot better. 3. Spit It Out The storming standout from fourth album ‘Marks To Prove It’, ‘Spit It Out’ opens as a remarkable, curl-up-in-the-foetal-position-and-cry ballad about – according to frontman Orlando Weeks – “forgotten heroes, and trying to link that to the weird moment seven or eight years ago when that whale swam up the Thames.”




It begins with a foggy, atmospheric piano that sounds like it could soundtrack the opening to a Jane Eyre film adaptation, before blooming into a blistering scorcher of a tune, full of angry, barked vocals: “The storm came and tore limbs from the trees/Like a drowning whale/And the thought of it brought us all down to our knees.” A fierce, fearless reminder of how far they’ve come from their more timid indie beginnings. A song about a wave machine, it’s nigh-on impossible not to get swept up in the lush indie currents of ‘Latchmere’. From the group’s first album, it might not be as refined or as textured as more recent Maccabees cuts, but it is a fine example of the energy and enthusiasm that still underlies their songs. Fast and fun, it’s a Maccabees classic, with a charm that hasn’t faded with age. 1. Forever I’ve Known From ‘Given To The Wild’, ‘Forever I’ve Known’ is the group’s towering achievement. Orlando’s vocals are so soft and delicate, almost whispering his lyrics about loss into your ears: “It’s not good enough to have you here in my head”, he sings, trembling as he goes.

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