The LEGO Movie Videogame XBOXONE Cheats Abraham Lincoln - F3VG47 Emmet (Clown) - FNHLTK Emmet (Lizard) - UOOAQY Emmet (Old West) - NIHX2B Emmet (Pajamas) - HJ4C21 Gallant Guard - FXP9AN Green Ninja - OSSVNI Lady Liberty - A76DN7 Larry The Barista - K7TDXJ Lord Vampyre - KGJ4DU Mrs. Scratchen Post - UP7HJQ Panda Guy - NG73OM Robo SWAT (Laser) - GFH2F8 Swamp Creature - BID12F Vitruvious (Young) - BC2XJ5... View all XBOXONE cheats! The LEGO Movie Videogame XBOX360 Cheats Emmet (Lizard) - uooaqy Larry The Barista - k7tdxj Mrs. Scratching post - up7hjq A House Divided - Play as Abraham Lincoln and Lady Liberty. - Kragelize 10 people with the Kragle gun. Always Read The Instructions! - Complete all Instruction Builds in Story Mode. Are You A DJ? - Complete Level 3 - Flatbush Gulch. - Defeat 20 enemies as Sheriff Not-A-Robot. Build Things Only You Can Build - Collect all Golden Manuals.
View all XBOX360 cheats! The LEGO Movie Videogame 3DS Cheats At the oversized LEGO box in Bricksburg, you can enter the codes below to unlock the corresponding pants for your character (which you otherwise must find and unlock over the course of the game). 6LK78NN9 or HVLH63VL - Angry Kitty & Construction Pants 6LKMNDHR or HVLLRX6R - Blacktron Fan & Musical Pants 6LK3FRL6 or HVL4TQT4 - Johnny Thunder & Super Secret Pants 6LK3RRY4 or HVL4TB94 - Robo Pilot & Astro Pants At the oversized LEGO box in Bricksburg, you can enter... View all 3DS cheats! The LEGO Movie Videogame PS4 Cheats Building Bad - Attempt a Master Build-It with a Non-Master Builder - Bronze Business Business Business - Earn... View all PS4 cheats! The LEGO Movie Videogame PS3 Cheats Blacktron Fan & Music Pants - 6LKMNDHR Build Things Only You Can Build -... View all PS3 cheats!What is the best way to play with Lego bricks? From youth, we have been able to dabble with a choice: conformity versus creativity.
The conformist follows directions, unpacking a box or bag of Lego bricks and assembling them, according to official instructions, into whichever colorful car, fire station or spaceship is pictured on the package. The creative player takes a fistful of bricks and builds whatever comes to mind.The immensely popular series of Lego video games, which have been among the industry’s most successful releases for nearly a decade, have not granted players the same choice. What they have done is unveiled a third great way to play with Lego bricks: the making of mischief as you smash what has been built to bits. (Of course, some might say, the more violent style of play is the part that video games would get right.)Lego video games have been popular since the surprise 2005 hit Lego Star Wars. There have been some 15 releases since then, all made by the British studio TT Games and published by Warner Bros. They are mostly based on popular movie franchises, featuring characters like Indiana Jones or Harry Potter, and are irresistibly charming, both captivating to look at and breezy to play, ideally with parent and child each holding a controller.
The newest entry, The Lego Movie Videogame, is an attractive, scripted adventure that lets players run, jump and puzzle through scenes from “The Lego Movie,” the 3-D comic adventure that surged to No. 1 at the North American box office last weekend. Its Lego-ized versions of an action scene are fun to play through and delightful to see. Players can fight bad guys across the top of a train rumbling through the Old West or in undersea caverns full of giant clams and sea monsters. They can play as the movie’s main characters or as any number of absurd sidekicks, including Shakespeare, President Lincoln and Batman. In Lego video games, everything is built out of Lego pieces: the scenery, the characters. A player will frequently come upon piles of virtual Lego bricks, but those pieces can be built into only one thing, whatever the game designer intended them to form. Their construction is prompted by the press of a controller button. The moment of creation is automated. The player is simply a spectator to it.
This omission of one of the core qualities of the real-world Lego experience has led to one of the odder situations in gaming. It turns out that the video game that most potently embodies the creative spirit of unfettered, imaginative Lego play is not a Lego game at all. It’s the 2011 virtual building-block program Minecraft. That multimillion-selling Swedish independent game has become, arguably, the defining game of a generation of players who largely use it as a playground to construct anything they can envision, one virtual brick at a time. The Lego people, en route to making their Danish company the world’s biggest toy company, seemingly let a neighbor make the ultimate, if unofficial, Lego game. The Lego games have not squandered their potential. They’ve just realized it in other ways. They’ve turned out to be very good games in their own right, their creators steadily improving the design of the levels, puzzles and challenges to make increasingly attractive and complex adventures.
In this regard, The Lego Movie Videogame is one of the most well made in the series. The games have also allowed players to indulge in what might be called the Lego guilty pleasure: the third way of playing, in which the conformist and the creative players converge when the time to assemble bricks has passed, and the time to smash them chaotically begins. In any of these Lego adventures, smashing the scenery is nearly mandatory. Nearly every preassembled Lego construct can be broken apart. Often, doing so is required to progress.The games revel in raucous play. They signal this by establishing an irreverent tone, usually reinterpreting their source material as slapstick and, until recently, wordless comedy. They may not empower their players to create things out of virtual Lego bricks, but they invite them to recast the cinematic scenes they present, to mix and match characters so that, say, the player runs a Lego Darth Vader through “Star Wars” scenes that should be featuring Princess Leia.
More fundamentally, the games invite a freewheeling, mischievous style of playing. They have defied video game convention by letting a second player join or leave the action at will, and have reduced the penalty for in-game character death to virtually nothing. What was lost in challenging gamers was gained in emboldening them to take chances and mess around, to poke and prod with the fearless curiosity we risk losing as we age.The games also, crucially, allow players to bop one another’s characters and, with a few punches, reduce the other player’s Lego hero to its constituent leg, torso and head parts. It’s not as bad as it seems. A second later, the character will form again.The Lego games have essentially handed players a caldron of mini-rebellions, letting their many young players stage small defiances to the script in the name of humor and playfulness. They’ve irresistibly presented a world of Hollywood-licensed order and invited the player to stir in a healthy dash of chaos.