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Thor: The Dark World When Dr. Jane Foster gets cursed with a powerful entity known as the Aether, Thor is heralded of the cosmic event known as the Convergence and the genocidal Dark Elves. Captain America: The First Avenger Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization. Earth's mightiest heroes must come together and learn to fight as a team if they are to stop the mischievous Loki and his alien army from enslaving humanity. Captain America: The Winter Soldier As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier. Avengers: Age of Ultron When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's Mightiest Heroes to stop the villainous Ultron from enacting his terrible plans.
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world. A group of intergalactic criminals are forced to work together to stop a fanatical warrior from taking control of the universe. Peter Parker is beset with troubles in his failing personal life as he battles a brilliant scientist named Doctor Otto Octavius. When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family. Marvel's "Iron Man 3" pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy's hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle.
With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man? See All (352) » Release Date: 25 April 2013 (Singapore) Also Known As: Iron Man 3 Cary, North Carolina, USA Shane Black admitted that Jon Favreau gave him tips and advice during filming (for which he was very grateful and thankful) though noted that this film would have a "different feel" from the other two. During the final fight scene between Killian and Iron Man, Killian tells Iron Man that he (Killian) has been the Mandarin all along. But we know that the Mandarin was an actor hired by Killian. So why is Killian stating this? A famous man once said, 'We create our own demons.' What does that even mean? I said it 'cause he said it. So now, he was famous and that basically getting said by two well-known guys.
I'm gonna start again. Let's track this from the beginning. SPOILER: There is a scene at the end of the closing credits: Tony Stark is seen speaking about his experiences to Dr Bruce Banner, who has been napping throughout the recount. Referenced in Damaged Goodies: Avengers 2 Extended Trailer (2013) Traditional See more » Where is Stan Lee's cameo in this movie? How does the movie end? Why is Rebecca Hall's role so pointless in the film? Iron Man 3 is pretty unique in blockbuster terms. The film is not only a direct follow-up to Iron Man 2 but it also plays as a pseudo-sequel to The Avengers, with Tony Stark explaining that “Nothing has been the same since New York.” And it’s a very different Stark that we meet in this movie. Not the arrogant playboy philanthropist that we’ve come to know and love over the course of three films, but rather a shadow of that guy, struggling to deal with the fact that he has encountered 'gods', aliens and a Hulk, and plagued by nightmares, anxiety and post-traumatic stress.
His situation quickly worsens as, via voiceover and flashback, we are transported to Berne, Switzerland on millennium eve, a night when Tony unwittingly created demons that more than a decade on would come back to haunt him. We meet Maya Hansen (Rebecca Hall), a brilliant and beautiful scientist who wants to cure all human beings of illness by creating the next iteration of human evolution. And Aldrich Killian (Guy Pearce), another scientist with a brilliant mind but multiple physical disabilities. Stark being Stark sleeps with the former and ignores the latter, and we are soon back in the present day, where the fallout from that decision comes back to bite Tony rather aggressively on the behind. There’s also the small matter of The Mandarin finally appearing on the scene. Iron Man’s best-known antagonist from the comics appears here as the head of sinister organisation The Ten Rings. A terrorist whose attacks are as seemingly random as they are deadly, he also specialises in spreading fear by stealing iconography and symbolism from countless different cultures and packaging them up in the kind of chilling video messages that appear on the news all-too-often.
When one of his plots puts Happy Hogan – now head of security for Stark Industries – in hospital, the stakes are raised and the battle between the two men escalates, with The Mandarin endeavouring to take everything that Tony holds most dear away from him. What follows is very much a ‘back-to-basics’ Iron Man story with Stark soon suit-less, homeless and hell-bent on revenge. It’s also the first Iron Man movie that Jon Favreau hasn’t directed, with Shane Black taking over both scripting (together with Drew Pearce) and directing duties. And the guy behind Lethal Weapon, The Last Boy Scout and Kiss, Kiss, Bang, Bang injects a healthy dose of fun into proceedings, as well as a fair few twists and turns, though one senses at times he'd like to ignore the New York events altogether to concentrate on his own story. But the Marvel characters now dwell in a post-Avengers universe, so expect these at times clumsy acknowledgments to become a feature of 'Phase Two' films. The plot itself revolves around Extremis, a serum which comes from the comics but here concerns a process by which humans can be biologically enhanced by tapping into their DNA, resulting in hugely entertaining sequences that we won't spoil here, but which owe a more than a passing debt to both Terminator 2 and Westworld.
As for the story arc of The Mandarin, it’s certainly an interesting take on the character, and one that most likely won’t appeal to all fans of the comics. But it works quite brilliantly in the context of this story. And Ben Kinsgley is marvellous in the role, stealing the majority of the scenes that he is in and clearly having a blast playing this larger-than-life character. Robert Downey Jr gives him a run for his money, however, leaving behind the constant smirking and mugging that somewhat tainted his work in part two, and instead delivering a thoughtful, multi-layered performance as a superhero in free-fall, trying to do what’s right for himself, his loved ones and his country. He also shares several excellent scenes with a young boy that Stark befriends, this passage also giving Black the opportunity to throw some of the buddy movie back-and-forth that he is best known for into proceedings. Special mention should also go to Guy Pearce, who is just about believable as the unfortunate Killian in the film’s early scenes, and then absolutely spellbinding as the character becomes more refined and ambiguous later on in proceedings.
Don Cheadle also comes into his own as James ‘Rhodey’ Rhodes in this instalment, his friendship with Tony finally ringing true, and his work as War Machine – or Iron Patriot as he is re-christened this time around – giving the impression that the character might now be worthy of his own spin-off. As for the women, Rebecca Hall struggles with a poorly-drawn character who appears in some of the film’s weakest scenes, but Gwyneth Paltrow fares better, this time participating in some of the film’s most spectacular action sequences. And on this front, Iron Man delivers in spades. An all-out attack on Stark’s estate is jaw-dropping, with the utilisation of Tony’s brand-new prehensile suit – which flies and latches onto him in separate pieces – ingenious. But that’s topped by a sequence later in the film involving an airborne rescue that defies belief, especially when you know that it’s largely the work of a parachuting stunt team rather than green screen. Like nothing yet seen onscreen, the rest of the summer blockbusters will have to go some way to top it.