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Lego Batman 2 Bj

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This event has passed. The LEGO Batman Movie Event We continue our three-month series of events celebrating The LEGO Batman Movie. Kids will be called to put their detective skills to the test with themed activities as well as make & play moments with LEGO bricks/blocks. At each event, kids can collect two limited-edition trading cards (while supplies last) featuring characters from the movie. Join us again on March 11th for the final event. Barnes & Noble, Inc.Alicia Vikander Might Get a Back Rub from Chrissy Teigen at the Oscars! 'Moonlight' Wins Best Picture After Oscars Mess-Up, Wrong Winner Announced (Video) Oscars After Parties 2017 - Full Coverage! Emma Stone Wins Best Actress at Oscars 2017 - Watch Her Speech! DNCE Drops New Song 'Forever' on 'Lego Batman Movie' Soundtrack - Stream, Download, & Listen Now! With The Lego Batman Movie just one week away, now is the perfect time to start rocking out to the film’s soundtrack. The track list features new music from artists like DNCE (“Forever”) and Fall Out Boy‘s Patrick Stump (“Who’s the (Bat)Man”), as well as old tracks from Cutting Crew, Alesso and Tove Lo.




Richard Cheese & Lounge Against the Machine also did an instrumental remake of “Everything Is Awesome.” Listen below, and download on iTunes. Disc one (tracks 1-12) is the soundtrack, while disc two (tracks 13-28) is the original score by Lorne Balfe. Don’t miss The Lego Batman Movie when it hits theaters next Friday (February 10)! The Lego Batman Movie: Original Motion Picture Soundtrack Click inside to read the lyrics to DNCE’s “Forever”… Read “Forever” by DNCE on Genius Photos: Warner Bros. Posted to: Alesso, Cole Whittle, DNCE, First Listen, Jack Lawless, JinJoo Lee, Joe Jonas, Movies, Music, Patrick Stump, Tove Lo Also on Just Jared JJ Links Around The Web Lea Michele shows off her super sexy beach body - TMZ A major Dancing with the Stars pro isn't returning for season 24 - Gossip Cop Dove Cameron celebrates her Galore cover with some of her closest friends - Just Jared Jr George W. Bush's daughter is set to headline a Planned Parenthood charity event - Wetpaint




Are Diane Kruger and Norman Reedus dating? Katherine Heigl's CBS drama Doubt has been cancelled - The Hollywood Reporter New (6) from $12.99 LEGO Batman Movie - Easter Bunny Batman - LED Key Chain Light with Illuminating FaceDetailsLEGO Batman Movie - Batman - LED Key Chain Light with Illuminating Face FREE Shipping on orders over . DetailsLEGO Batman Movie - Batgirl LED Key Chain Light FREE Shipping on orders over . LEGO Batman Movie Easter Bunny Batman LED Key Chain Light with Illuminating Face - erfect for Backpacks and Keychains! Straight from the LEGO Batman movie, this Lego Key Light is the perfect flashlight. At 3.5", this pocket sized key chain is the brightest flashlight around. With a super bright white LED light emanating from the face of the LEGO Mini-figurine. Simply press the Mini-figurine's chest for the face to light up and stay lit for 15 minutes! For added fun, the Mini-figurine has a moveable head with poseable arms and legs, so you can pose the Mini-figurine anyway you'd like.




Key Light includes 1 - CR2025, 3V battery. Officially licensed by the LEGO group. For ages 6 and up. 1.8 x 1 x 3.5 inches 2.4 ounces (View shipping rates and policies) 6 years and up 2 CR2 batteries required. #7,640 in Toys & Games (See Top 100 in Toys & Games) #247 in Toys & Games > Building & Construction Toys > Building Sets 5.0 out of 5 stars LEGO Batman Movie - Batman - LED Key Chain Light with Illuminating Face LEGO Batman Movie - Glam Rocker Batman - LED Key Chain Light with Illuminating Face LEGO Batman Movie - Kimono Batman - LED Key Chain Light with Illuminating Face 55 star100%See all verified purchase reviewsTop Customer ReviewsIt's An Easter Bunny Batman that is Bright as Heck! This is one of the best led flashlights I've ever see from legosAwesome!The new Lego Batman movie was #1 at the Box Office this past weekend, and is getting RAVE REVIEWS. But we all know there’s only ONE opinion that really matters… our own resident movie critic (Jose Bolanos).




He had plenty of “liquid courage” before he went to see it. What were his INTOXICATED thoughts? Hear it in the podcast!El título de la página solicitada contiene caracteres no válidos: "%C3".Giant-Sized Hulk Will Smash Galactus in Lego Marvel Super Heroes1/11/13 9:45am News broke this week that Warner Bros.' game division has been working on a new game based on Marvel Comics character. This Game Informer video offers a first look at the game and mentions that the game's big bad will be Galactus. According to coverage in Game Informer's print magazine, you'll be doing all your crime-fighting in a Lego-fied open-world New York City. The clip doesn't show the Devourer of Worlds but does show the Hulk, who'll be a great deal bigger than other playable characters. But, maybe the best thing in the video is a quote where a Traveller's Tales dev says, "For every Lego game we make we have to take ten, eleven steps forward for people to perceive we've taken one or two steps forward."




Excelsior to that, brother.�What have you ever come up with?!� That question arrives near the end of �The Founder,� a sharp and satisfyingly fat-free account of how a wily salesman took a lucrative Southern California burger joint and turned it into the world�s biggest fast-food empire. Given what we�ve seen up until that point � a reluctant deal with the devil that has all but pushed two hardworking brothers out of their own company � it�s a reasonable enough inquiry.You might well be reminded of a similarly scornful question (�What do you do?!�) posed in another recent biopic of a much more iconic American entrepreneur. In each film it�s implied that the man in charge � Steve Jobs of Apple, Ray Kroc of McDonald�s � is little more than a glorified parasite, a corporate maverick with a genius for seizing, amplifying and profiting from the contributions of his more talented, more principled underlings.Jobs and Kroc were, of course, very different people and businessmen, and �Steve Jobs� and �The Founder� are accordingly distinct movies.




Sturdily directed by John Lee Hancock from a shrewd script by Robert Siegel, �The Founder� moves briskly and assuredly from one well-constructed scene to the next, propelled by currents of dialogue that, while barbed and engaging, have none of Aaron Sorkin�s hyper-articulate verbal fireworks.What the two movies do have in common � with each other, and with another Sorkin-scripted drama, �The Social Network� � is a fascination with a powerfully disruptive moment in American commerce. They also prove more than willing to defy the traditional, often tedious dramatic logic that a protagonist � particularly one based on a real-life person � must be an inherently heroic or likable figure.That�s not to suggest that we feel nothing for Kroc, who is played with alternately ratty and reptilian intelligence by Michael Keaton � an actor too generous, and too instinctively fair-minded, not to imbue even his most unsavory alter egos with at least a glimmer of soul.When we first meet Kroc in 1954, wearily hawking milkshake machines at drive-in diners across the heartland, we�re impressed by the practiced fluency of his sales pitch even as we sense the corroded spirit behind it;




the trappings of personal failure and disappointment are as unmistakable and overpowering as the smell of fry grease.But when Kroc hears about McDonald�s Hamburgers, a restaurant out in San Bernardino that has become an overnight sensation, he makes the long drive west to meet Richard �Dick� McDonald (Nick Offerman) and Maurice �Mac� McDonald (John Carroll Lynch). The brothers happily explain how they tossed out the problematic drive-in model and introduced the kind of speed, consistency and convenience � all-paper packaging, a mechanized system of production and assembly � that we have long since come to associate with not just the McDonald�s brand, but the fast-food industry in general.The flashback-heavy sequence that brings all this together � tightly edited by Robert Frazen, in rhythm with the McDonald�s employees� own clockwork-precise movements � is a small masterpiece of narrative compression. It�s also a deceptively optimistic tribute to American innovation in action.




You might not emerge from �The Founder� craving a hamburger with a machine-tooled distribution of onions, pickles, ketchup and mustard but you can�t help but admire the skill and ingenuity with which it all comes together.Something similar might be said of �The Founder,� whose sneaky brilliance lies in its tonal control, its way of calling our own sympathies and ideals into question. At every step the movie honors the McDonald brothers� decency and humility, their heroic commitment to ensuring quality at their flagship San Bernardino location. (Lynch and Offerman�s good-bro-bad-bro routine is a delight.) But it also allows us to appreciate Kroc�s thrilling, enormous vision of those heavenly Golden Arches stretching from coast to coast. Finally winning over the brothers, he tells them, �Do it for America.�Hancock traces the fallout of this Faustian bargain with impressive nuance, clarity and a rigorous attention to the sort of procedural minutiae � the laws and loopholes of franchise real estate, the moral and logistical implications of a powdered milkshake � that might have bogged down a less assured telling.




In doing so, he turns the unlikely subject of a fast-food chain into a quasi-religious satire, a parable of American striving and, ultimately, a study of artisanal integrity gradually caving in to commercial compromise.That tension was also at the heart of Hancock�s previous film, �Saving Mr. Banks,� an under-appreciated comic portrait of the author P.L. Travers and her battle with Walt Disney for the soul of Mary Poppins. Like that movie, �The Founder� bolsters its leads with several perfectly calibrated supporting performances, including from B.J. Novak as Harry Sonneborn, the finance whiz who would eventually become McDonald�s Corp.�s first president and CEO, and Linda Cardellini as Joan Smith, a business associate whose seductive ruthlessness turns out to match Kroc�s own. Best of all is Laura Dern, tamping down her natural radiance and letting a silent tragedy play out in the face of Kroc�s long-neglected wife, Ethel.One of the smoothest, most reliable craftsmen now working in Hollywood, Hancock has a particular feel for smart, uncondescending stories set in the American heartland (as does Siegel, who wrote the scripts for �The Wrestler� and �Big Fan�).




He also brings to the table a subtly sardonic attitude that helps cut through the sentimentalism that creeps in around the edges of his movies, including �The Rookie� and �The Blind Side.�That attitude is especially pronounced in �The Founder,� as evidenced by Carter Burwell�s moody, jaundiced score, and by the work of the cinematographer John Schwartzman, who often favors long shots over closeups � a tactic that especially suits the movie�s visual tribute to the heyday of the American drive-in diner, as well as its grim montages of identical-looking McDonald�s locations opening in state after state, city after city.�The Founder� isn�t a McDonald�s takedown in the manner of, say, Morgan Spurlock�s documentary �Super Size Me�; it is, on one level, an elegy for what the company might have been, but it�s also wise enough to know that McDonald�s is interesting only because of what it became. Not without reason, many will interpret the movie as a timely study in Trumpian decadence, the story of an unprincipled self-made businessman trampling over a nation�s higher ideals.

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