An industrial steel side table designed by Skelton grounds brightly colored textiles in the living room of furniture designer Katy Skelton. Photographed by Virginia Mae Rollison When Katy Skelton and her husband, Drew Acuff, relocated from Savannah, Georgia, two-and-a-half years ago, the New York City apartment gods were seemingly poised in their favor. “We stayed with a friend for the first month, liked the Crown Heights neighborhood, and took the second place we looked at,” she recalls of their serendipitous search. The sun-drenched, recently renovated space ticked off all the right boxes for the Brooklyn-based furniture designer, who envisioned a blank canvas for displaying her favorite pieces. Click here to see more images from Katy Skelton's home. Outfitting her new 700-square-foot residence wasn’t a problem: Skelton had amassed a vast collection of art and furnishings while working as a product designer at Four Hands in Austin, Texas, and, later, while traveling as a graduate student studying furniture design at Savannah College of Art and Design.
The couple’s biggest decorating challenge became narrowing down that collection to create a serene retreat within the city, an especially difficult task for the discerning Skelton, who makes a point of surrounding herself in her small-batch, American-made pieces before sending them into production. “Our friends come over all the time and tell us our apartment looks completely different from the last time they were here,” Skelton laughs. “But I like to live with my products so that I can make little tweaks if I want to. It’s my personal quality assurance process.” It’s no surprise given Skelton’s stance on standards and social responsibility: she verifies that the manufacturers she partners with in Pennsylvania and Texas pay fair wages, offer safety training and equipment, and provide a healthy working environment. I like to live with my products so that I can make little tweaks if I want to. It’s my personal quality assurance process. Still, she has a refreshingly realistic take on incorporating responsibly manufactured items into her own home: “We’re like everyone else;
it comes down to budget,” she says. “So, we do what we can.” Which means, among the prototypes from Skelton’s eponymous line, you’ll find a healthy mix: fair-trade items crafted by artisans in India, a Crate and Barrel sofa (made in the U.S.A., of course), inventive DIY projects, cobbled together from inexpensive IKEA finds—plus Skelton’s clean, mid-century aesthetic to unite them all. And while the home has a wonderfully moody, masculine edge, it is softened by the space’s crisp white walls, ample natural light, and a highly personal eye for detail. Ask Skelton about any piece in her home, and she’ll give you its history. From the framed pencil drawing by her grandmother that hangs next to the bed to the foo dogs purchased on a trip to Hong Kong (and subsequently painted a soothing shade of mint), nothing is displayed without a tremendous amount of consideration. “Some days I get tired of having accessories everywhere, so I clear off all of the surfaces,” she says.
“Other times I’m nostalgic, and I really want the mementos from our honeymoon in Thailand on display.” Whichever combination she prefers, the constant evolution makes for a space that’s always original, never mass-produced, and just the right blend of design skill and chance. TIPS FROM THIS HOME TOUR Katy Skelton shares her thoughts on decorating with integrity 1. Embrace change without being wasteful. Skelton believes that the design process is an evolution. “Give yourself permission to change things,” she says. “Just don’t get in the habit of buying pieces with the intention of getting rid of them later.” 2. Invest in local, aspiring designers. “ are two resources I use to find beautiful, affordable pieces,” Skelton shares. “ has a great mission to promote local designers. It’s a win win.” 3. Go green, cautiously. “If you plan to buy something green be wary of what the terminology means,” she advises. “If the wood is sustainably sourced, but the labor used to put it together isn’t socially responsible, is it worth it?
Don’t let the marketing fool you."“They are helpful background pieces, not showstoppers,” says designer Ilse Crawford of the collection of 30 pieces that her London studio has created for Ikea. The mandate was to use natural materials to produce “simple, useful forms that fit into everyday life.” Take a look at the results–they make their debut at Ikea stores worldwide this August. We plan to be the first in line. Photography via Ikea and Studioilse. Above: The collection, which Ikea has dubbed Sinnerlig, ranges from settees and tables to tableware and lighting. Above: Studioilse worked with cork, ceramics, glass, seagrass, and bamboo–”tactile materials that appeal to us because they feel as good as they look,” says Crawford. She adds, “We worked with all aspects of the Ikea system: We developed the range together with the material, production, sustainability, design, and logistics experts, making sure at every step that no part of the process was compromised.” Above: A cork-topped trestle table and bench with steel legs and brass detailing.
Above: A woven indoor-outdoor settee with pillows in Crawford’s signature muted palette. Studioilse unveiled the collection recently in the garden at Ett Hem, the Stockholm hotel that Crawford designed. Above: The cork also comes in a dark brown. The bench is shown here with a glass and cork table light, companion glass vases, and a group of ceramic planters. The basket is made of seagrass and will be available in a variety of sizes designed to nest. Above: Cork-topped stools will be offered in two versions. Above: The collection is “supposed to work in a bathroom in Mumbai as well as a kitchen in northwest London; it has to fit into people’s lives,” Crawford told UK design magazine Dezeen. Above: “We all need a number of lights that aren’t supposed to be waving at you,” says Crawford. Above: Handblown glass bottles with cork stoppers. “What’s very interesting is the idea of working with a company that has a very smart system, a scientific system,” Crawford told Dezeen.