Catch Chair For & Tradition This single piece, organically shaped armchair designed by Hayon for &tradition, was inspired by the harmony of curves. Sinuous movements in nature, the push and pull of rounded forms and the interplay of light and shadows, Curves are both seductive and comforting, the natural embellishment and enhancement to linear forms. The key to the design was the creation of a flexible, comfortable shape that would adjust to various body types with its modern and inviting form. A combination of rich materials and various finishes allow for a wide range of options: from a basic naked shell to quality Kvadrat wool upholstery or a luxurious leather alternative. Available in various finishes and ergonomically designed with a high backrest, the chair is both functional and comfortable. Celebrating versatility, it can be used in intimate settings, casual comfort or in the stripped down minimal atmosphere of the workspace. Simplicity, elegance and function combine to make the design consistent with the rich heritage of the &tradition brand while introducing contradictory playfulness, combining Mediterranean exuberance with Nordic restraint, joy and logic in harmony with nature.
Trangravsvej 24, 1436 Copenhagen K Plaza Magazine -UK- 2012-7-1 pag-14 Schoner Wohnen -Germany-2012-8-1 pag-22 AD -Spain- 2012-6-1 pag-88 Icon UK 2012-7-1 pag-36 Swivel and Regular Catch Chair & Tradition Swivel Catch Chair & Tradition Swivel Catch Chair & Tradition Swivel Catch Chair & Tradition Swivel and Regular Catch Chair & Tradition 1Swivel and Regular Catch Chair & Tradition 2Catch Chair & Tradition Catch Chair &Tradition Catch Chair & Tradition Catch Chair &Tradition Catch Chair & Tradition Catch Chair & Tradition Catch Chair & Tradition Catch Chair & Tradition Catch Chair & Tradition Catch Chair & Tradition Catch Chair & Tradition Catch Chair & Tradition Catch Chair & Tradition Catch Chair & TraditionThe About a Lounge Sofa for Comwell by Hee Welling enlarges Hay's succesful collection which began with the About a Chair. The chair became a modern design icon and the whole series grew, becoming a remarkable range of furniture. Hay and Hee Welling developed the About a Lounge Sofa in cooperation with the Danish hotel chain Comwell.
The outlines and shapes of this piece are evidently orientated towards the existing furniture, and particularly to the About A Lounge Chair The compact size of the About a Lounge Sofa for Comwell is especially suitable for small homes and rooms. Hay offers the sofa in different versions: The legs made of oak wood are available in soaped, black stained or painted. The sofa’s upholstery is available in leather or in a number of Kvadrat-fabrics. E-MailSend us an E-Mail with this form.Your nameE-Mail addressTelephone numberSubjectMessage* Required × Questions about the product? PICTURE MIGHT DIFFER FROM THE ORIGINAL! Please contact our customer service if you like to receive some textile samples Fabric Kvadrat Remix (90% new wool, 10% nylon) Height: 81 cm, Depth: 73 cm, Length: 150 cm 27 kg (without packaging)The Future Perfect is now open in Los Angeles. Facebook Tweet Pin-ItUpholstered About A Chair with GasliftHee WellingHay Description Specifications Polyproplyene with oeko-tex foam and upholstery shell, polished cast aluminum swivel base 24 2/3" W x 23 2/3" D x 29 1/3 - 34 1/2" H Soft wheels for all floors.
This product has a delivery estimate of 14-16 weeks. Qty: Product Sample This product requires special coordination when ordering, submit the form below and a representative will contact you. NEW YORK55 Great Jones Street 212-473-2500 MON-fRI 10-7 / SAT 12-5 SAN FRANCISCO3085 Sacramento Street 415-932-6508 MON-sat 10-6 los angeles323-202-2025 BY APPOINTMENT ONLY BOOK APPOINTMENT Accessories for Haybro 15 20" x 72" x 4" The Big Agnes Sleeping Bag System Sleeping Bag Specs Chart Sleeping Bags / Little Agnes Teens Don't forget the pad! Teen Right Zipper - $99.95 Product Info Specifications What's in a Name? Teen bag fits up to 5'6"/168 cm New design improves connection between pad sleeve and bag providing a roomier sleeping space without adding New contour allows the bag to drape around you, increasing insulation performance One hand hood cinch cordlock is simple and easier to use Mesh storage sack & nylon stuff sack
No-draft collar, No-draft wedge, Exterior loops for hang drying or • Polyester rip-stop shell fabric • Soft, cozy polyester lining Any 20" rectangular pad What's in a Name? Brothers Lew and William Hayden established the Haybro Mine in 1912 outsideThe mine camp consisted of a school, a post office, and moreClosed in 1952, the foundations of the camp still loom above Highway 131, and are visible as you’re headed into town. The Wishbone Chair was one of the very first models Hans J. Wegner designed especially for Carl Hansen & Søn and has been in continuous production since 1950. Designed by Hans J. Wegner. With a design that is uniquely its own, the Wishbone Chair holds a special position in the world of modern design. This iconic design was the last part of a Wegner series inspired by portraits of Danish merchants sitting in Chinese Ming DynastyWegner took a giant leap in furniture design with the
series, combining the top rails and arms into a single piece. characteristic Y-shaped back provides comfortable support while giving stability to the steam-bent top. Many view the CH24 as an ideal chair as it fulfills the functional demands for comfort and stability while having aIn other words: it captures the essence of modern Watch the making of the Wishbone Chair: A New England easy chair at the Winterthur Museum and Country Estate in Delaware Upholstery is the work of providing furniture, especially seats, with padding, springs, webbing, and fabric or leather covers. The word upholstery comes from the Middle English word upholder,[1] which referred to a tradesman who held up his goods. The term is equally applicable to domestic, automobile, airplane and boat furniture, and can be applied to mattresses, particularly the upper layers, though these often differ significantly in design. A person who works with upholstery is called an upholsterer; an apprentice upholsterer is sometimes called an outsider or trimmer.
Traditional upholstery uses materials like coil springs (post-1850), animal hair (horse, hog and cow), coir, straw and hay, hessians, linen scrims, wadding, etc., and is done by hand, building each layer up. In contrast, modern upholsterers employ synthetic materials like dacron and vinyl, serpentine springs, and so on. George Jacob Hunzinger, Armchair, designed 1869. Patented March 30, 1869. Upholder is an archaic term used for "upholsterer", but it appears to have a connotation of repairing furniture rather than creating new upholstered pieces from scratch (cobbler vs. cordwainer). In 18th-century London, upholders frequently served as interior decorators responsible for all aspects of a room's decor.[3] These individuals were members of the Worshipful Company of Upholders, whose traditional role, prior to the 18th century, was to provide upholstery and textiles and the fittings for funerals. In the great London furniture-making partnerships of the 18th century, a cabinet-maker usually paired with an upholder: Vile and Cobb, Ince and Mayhew, Chippendale and Rannie or Haig.
In the USA, Grand Rapids, Michigan is a center for furniture manufacture along with Long Eaton, Nottinghamshire (England) and many of the best upholsterers can still be found there. These craftsmen continue to create or recreate many antique and modern pieces of furniture. Furniture reupholstery continues to thrive in the UK with several businesses small and large providing these services. Traditional upholstery is a craft which evolved over centuries for padding and covering chairs, seats and sofas, before the development of sewing machines synthetic fabrics and plastic foam. Using a solid wood or webbed platform, it can involve the use of springs, lashings, stuffings of animal hair, grasses and coir, wools, hessians, scrims, bridle ties, stuffing ties, blind stitching, top stitching, flocks and wadding all built up by hand. A stripped chair ready to be upholstered. In the Middle Ages, domestic interiors were becoming more comfortable and upholstery was playing an important part in interior decoration.
The decorations consisted mainly of what we would now consider as "soft furnishings", though there were simple platforms of webbing, canvas or leather for stools, chairs and elaborately decorated coverings that already demonstrated the rudimentary beginnings of upholstered furniture. By the beginning of the 17th century chair seats were being padded, but this form of upholstery was still fairly basic. All sorts of stuffings from sawdust, grass, feathers, to deer, goat or horsehair were used, although in England the Livery Company forbade the use of goat and deer hair and imposed fines for misdemeanors. The stuffing was heaped on a wooden platform and held in place with a decorative top fabric and nails. This produced a simple dome shape sloping towards the seat. Only towards the end of the 17th century did upholsterers start to develop the techniques that would distribute and shape the stuffing into more controlled shapes. Curled horsehair was being used more consistently for stuffing that was easier to hold in place with stitches in twine that were developed from saddlery techniques.
Thus layers of stuffing could be distributed evenly and secured to stay in place. On a basic level, squab cushions were made more stable by using tufting ties. Stuffed edge rolls appeared on seat fronts providing support for cushions to be retained and later for deeper stuffing to be held in place under a fixed top cover. What we now think of as "classic" upholstery shapes and techniques flourished in the 18th century. Frames of elegant line and proportion were sympathetically matched by expertly executed upholstery. By now, the upholsterers' technical knowledge meant that stuffing's could be controlled along upright and sloping lines, giving new levels of comfort and a simply stated elegance. Later in the century, the border was replaced by a single piece of linen or scrim taken over the stuffed seat and tacked to the frame. At the same time the locked blind stitch and top-stitching combination (pulling the side and top surfaces together and bringing the stuffing up to make a firm top edge) had evolved.
In the Victorian era, fashions of opulence and comfort gave rise to excesses of stuffing and padding. Mass production techniques made upholstered furniture available in large quantity to all sections of society. The availability of better-quality steel springs and the development of lashing techniques enabled upholstery to be built up on seats, backs and arms quite independently of the frame shape. Stuffings became even more complex, edges became elaborately shaped into rolls and scrolls and fabrics were folded into soft padded shapes by means of buttoning. A typical leather-upholstered car seat. An automotive upholsterer, also known as a trimmer, coach trimmer or motor trimmer, shares many of the skills required in upholstery, in addition to being able to work with carpet. The term coach trimmer derives from the days when car frames were produced by manufacturers and delivered to coach builders to add a car body and interior trimmings. Trimmers would produce soft furnishings, carpets, soft tops, and roof linings often to order to customer specifications.
Later, trim shops were often an in-house part of the production line as the production process was broken down into smaller parts manageable by semi-skilled labor. Many automotive trimmers now work either in automotive design or with aftermarket trim shops carrying out repairs, restorations or conversions for customers directly. A few high-quality motor car manufacturers still employ trimmers, for example, Aston Martin. This is the type of upholstery work offered to businesses. Examples would be restaurant seating consisting of booth seats, dining room chairs, bar stools, etc. Also churches, including but not limited to pews and chairs for the congregation, hospitals and clinics consisting of medical tables, chiropractic tables, dental chairs, etc. Also common to this type of upholstery would be lobby and waiting-area seating. Upholstered walls are found in some retail premises. Marine upholstery differs in that one has to consider dampness, sunlight and hard usage. A vinyl or material that is UV and cold-cracking resistant is the choice.