Stole SpisebordsstoleHAY About a chair (AAC12) HAY About a chair (AAC12) AAC12 er tegnet og designet af den kendte danske møbeldesigner Hee Welling. Ved at købe denne vare kan du samle op til point som kan konverteres til en rabatkupon lydende på 4 andre varer i samme kategori: Vragen of scherpe aanbieding? Bij grotere aantallen kunnen wij een scherpe offerte op maat maken. Neem hiervoor, of al jouw overige vragen, contact op met klantadvies. De Hay J104 stoel is ontworpen door Jørgen Bækmark. De Hay J104 stoel werd in de jaren '60 voor het eerst op de markt gebracht. In 2011 was het woord weer aan hem. Hij zit met zijn brede rug klaar voor een uitgebreid gesprek, dus steek maar van wal. Maar ook als je juist even niet wilt praten, is de brede rug heerlijk om tegen aan te leunen. Met de Hay J104 stoel zit je altijd goed. De Hay J104 stoel 57 centimeter breed, 47 centimeter diep en 73 centimeter hoog, de zithoogte is 44,5 centimeter. De stoel is gemaakt van beukenhout en is leverbaar in het grijs, naturel, rood, wit en zwart.
De Hay J104 stoel maakt deel uit van dezelfde familie als onder andere de J110 chair houten stoel en de J77 chair eetkamerstoel. Zoek je naast de J104 stoel van Hay een andere stoel van dit merk? Bekijk dan onze gehele collectie. Flinders is officieel dealer van Hay. We kunnen alle producten en opties leveren. Heb je een specifieke vraag over de J104 stoel, neem dan gerust contact op met onze klantenservice. Alleen geschikt voor binnen 2 jaar (excl. stoffering) Hay eetkamerstoelen, Hay stoelen Deze producten zijn vanaf 2 stuks leverbaar bij Flinders. Het bestellen van een kleiner aantal is helaas niet mogelijk. Wat vindt u van dit product? Ik ben heel tevreden met deze eetkamerstoelen. Flinders was ook heel duidelijk over levertijden. Hay J107 chair eetkamerstoel - Het verhaal Hay J107 chair eetkamerstoel staat deze week centraal in het... Weetjes over design uit Scandinavië Bij Flinders krijgen we er steeds meer nieuwe merken bij,...
Woontrend Noorderlicht: Scandinavisch design in de schijnwerpers Scandinavisch design laat zich kenmerken door drie...We horen je denken, alweer? (for other countries click here) Versions which are in stock and immediately available (click here) *incl. VAT, incl. shipping (Austria, Belgium, Denmark, France, Germany, Luxembourg, Netherlands) Seat height: 37 cm Galvanized steel, powder coated Suitable for outdoor use Stackable up to 15 objects To clean, wiping with a damp cloth and a mild detergent is recommended. Click for more information (ca. 1,3 MB). The Hee Lounge Chair belongs to the series of Hee chairs from HAY, and which all owe their name to their designer Hee Welling. In the spirit of Scandinavian design the HAY lounge chair impresses with its clean lines and intricate, geometric shapes, in this case formed from galvanized steel. Unlike the Hee Bar Stool and Hee Dining Chair the Hee Lounge Chair has at 37 cm a relatively low seat height and is in the seat to backrest relation wider than other members of Hee family.
Since up to 15 chairs of this model can be stacked, the Hee Lounge Chair by HAY is a genuine space saver. The robust material allows its use in residential areas, but also in the garden or on the terrace, where the chair with its reduced look is guaranteed to attract positive attention. You may also like these articles:Since the 1950s Scandinavian design has been to the forefront of the international modern movement. Of all the names the work of Danish trio Arne Jacobsen, Finn Juhl and Hans J Wegner is probably the most familiar and as a result the most influential. While expensive to buy, their designs were not just for the elite. In that part of the world schoolchildren spent their days on Jacobsen-designed chairs, thereby picking up on an appreciation for well-formed furniture almost by osmosis, says Dorothea Gundtoft, a stylist and author of New Nordic Design, which celebrates designers of the region deserving of a wider audience. The region has incubated some favourite furniture pieces, including a plethora of chairs that you know to see and may even know by name and that have been in production since the middle of the last century: Jacobsen’s Egg (1958), Wegner’s wishbone (1949) and Juhl’s Chieftain (1949).
So is there something in that part of the world’s topography that makes for appealing and successful furniture, lighting and accessories? There are a simplicity and a functionality to designs from this region that make them useful and timeless, Gundtoft says. The common credo the designers she has listed espouse remains a simple one. Part of the principle is that the well-designed furniture and accessories are made using sustainable raw materials and are purchased for life, the stylist and author says. “The use of wood, from surrounding forests, is one of the keen elements in Nordic design, and the craftsmanship and attention to detail using wood has been refined for a century,” she says. They may also be inspired by natural visual phenomena such as the Northern Lights but historically, like Ireland, many of the inhabitants of these countries worked as farmers and fishermen making sustainable use of their natural resources. The difference is these countries are renowned for their design talent, while Ireland, despite having lots of excellent furniture-makers, isn’t quite in the same league.
Gundtoft believes it is because of its international design stars that the region’s design heritage goes from strength to strength. “Our history of famous brands, such as Arne Jacobsen, Finn Juhl, Artek and Verner Panton, means we really have to live up to the past. Badly produced design is not in our DNA,” she says. While her book concentrates on boutique brands, Swedish giant Ikea has also played a lead role in opening the world’s eyes to Nordic design. It has also helped commercialise the Nordic lifestyle, she says, and she would like to see the company collaborate more with Nordic designers instead of international collaborations. “Ikea helps younger designers break through larger markets: a lot of Nordic designers work for Ikea, producing furniture collections, which finance their own mini productions, and gives them a chance to test out the market worldwide.” Historically Scandinavian design covered four countries: Sweden, Norway, Finland and Denmark. The author has remapped the region, extending Scandi chic outside of its historic borders to include Iceland.
Sitting just beneath the Arctic Circle, in one of the most active volcanic regions in the world, it is seen by outsiders as a changeable, challenging country, Gundtoft writes. Because of its severe weather objects have had to be highly functional. As a result of the work of Spark Design Space and Faerid, it is now considered one of the freshest places to find new talent. Having worked as a fashion and interiors stylist, Gundtoft is used to reading trends and being ahead of the curve in championing what’s new. She feels the companies listed in her book “reflect the time we are in right now”. As the design giants become victims of their own success, in part as a result of cheap copies flooding the market, trendsetters want something less obvious, something that isn’t so ubiquitous that everyone knows its price and provenance. So if you’re bored with chairs whose names you know, this book will open your eyes to the lesser-spotted Scandi brands. It will take you on a whistle-stop tour of the region and show you souvenirs that you’ll want to live with.
New Nordic Design by Dorothea Gundtoft is published by Thames Hudson. Where to buy: IndustryDesign.ie; Denmark: Hay sells affordable and functional products that look fresh and modern. Industry Dublin on Drury Street stocks a small selection. Pictured is the Catalogue desk by Ronan and Erwan Bouroullec. Danish interior designer Tina Seidenfaden Busck transformed an 18th century apartment into a glamorous repository for furniture where you can buy designs by leading Swedish and Finnish designers. Everything in the place is for sale. Studio Fem, founded by Anders Engholm Kristensen, Sarah Cramer and Britt Ramussen, is an award-winning firm. Its work includes a prototype Waffle sideboard, which is accessed from both sides and used as a room divider. Sweden: Svensk Tenn is a historic brand from Stockholm that is far more decorative than many of its compatriots – and far less well known outside international circles. Dorothea Gundtoft loves its colours and fabrics.