With the excavations of Herculaneum (1738) and Pompei (1748), the middle of the 18th century sees the development, in Europe, of a renewed interest for Antiquity. Therefore, the curved Rococo style is rejected in favour of geometric forms and minimalist neo-classical adornments imitating Ancient Roman and Greek architecture and furniture. Queen Marie-Antoinette was of great influence on decorative arts, with her numerous orders whilst her husband, Louis XVI, did not pay great attention to them. Tags / French Louis XVI - Antiquity - Furniture - Geometric - Minimalist + Add to my Red List Louis XVI in Coronation Robes E-24: French Salon of the Louis XVI Period, c. 1780 A Photo Guide to Antique Chair Identification Confession: This is a cheat sheet for myself. I buy and sell furniture and often have to figure out what period the particular furniture piece fits into. Use it to figure out your style as you identify antique chairs. Louis XV Armchair, 1715-1774, Rococo
Louis XV Upholstered Chair, 1715-1774, Rococo Louis XV Style Bergeres, 1715-1774, Rococo Louis XV Style, 1715-1774, Rococo Louis XV Fauteuils Chairs French Painted Chic French Painted Louis XV Bergere Chairs Louis XVI-Style Bergere Baroque Style, Cir 1600 Chic French Country Tapestry Louis XVI Settee Sofa Louis XVI-Style Large Scale Marquis, 1600 Baroque Style Neo-Classic Design Louis XVI Style Giltwood Caned Chairs Louis XVI Chairs, Pair of Chic French Country Painted Louis XIII Style Chairs French Scallop Carved Distressed Armchairs Swedish Neo-Classic Style Armchair 1765 Swedish Gustavian-Square Back Striped Sofa Couch Spanish Colonial Mexican High Back Side Chair, 1900s, Hand Carved Oak Chippendale Chairs, 1718-1779, 18th Century English Walnut Queen Anne Chairs Ladder-Back Chairs, 1718-1779, 18th Century Honeysuckle Acanthus Ribbon Back, 1718-1779, 18th Century Empire-Styled Rocking Chair 1800s Solid Mahogany
Chippendale Ribbon-Back, 1718-1779, 18th Century Chippendale Chairs, 1718-1779, 18th Century Gothic Duncan Phyfe Dining Chairs, Shield Back Duncan Phyfe Dining Chairs Shield Back Prince Wales Regency Armchair 1804 by George Smith 1900 Carved Mahogany Balloon-Back Chair Harlow Tufted Slipper Chair Italian Tall Slat-Back Armchair Pair Antique Abalone Inlay Cane Chairs Plywood Lounge Eames Reproduction Antique Furniture Care: A Homemaker's Guide New Life for Cheap Furniture-Easy Ways to Fix Up Old Furniture How to Identify Antique and Vintage Glassware The Globe Bar - A Liquor Cabinet with Distinction PopularHome FurnishingsDon't Just Throw Out Your Old Mattresses, Donate Them! Home FurnishingsWhat Type of Foundation Is Best for Memory Foam and Latex Mattresses? Home FurnishingsGuide to Buying and Importing Furniture From China Replica Eames Chair (interchangeable seats and legs) Hanging Bubble - Replica Eero Aarnio
Replica Tolix Kitchen Stool Replica Eames & Saarinen Organic Chair Replica Wegner - Shell Kids Replica Panton Chair Kids Replica Eero Aarnio Puppy Replica Noguchi Coffee Table Replica Eames Office Low Back - PU(Vinyl) Replica Phillipe Starck - Mademoiselle (interchangeable seats and legs) Café Bases & Tops More Options: Colour » The Dago Tub Chair Jamie Cocktail Chair and Footstool Estepona Occasional Tub Chair Donnino Swivel Barrel Chair Jade Swivel Tub Chair (48 seated with chivari chairs) The majesty of the King's Room is heralded upon entrance, with its ruling theme of royal hues proclaimed throughout. The handsome design boasts cream and gold damask wallpaper and a large crystal chandelier. Replicas from the inauguration of Queen Elizabeth at Westminster Abbey, the purple chairs are embroidered with gold coronets, as are the heavy drapes in purple and ivory. An authentic display of historic treasures from carnivals past is curated by the Rex organization.
The King's room is located upstairs adjacent to the Queen's Room, and the two dining rooms originally formed a double parlor. The sumptuous King's Room seats forty-eight in regal style. (32 seated with chivari chairs) Situated next to the King's Room in what once was a double parlor, the Queen's Room is a dazzling tribute to feminine reign. Shades of aquamarine, lavender, pink, and ivory create a charming milieu of monarchy. The chairs, replicas of the design from Queen Elizabeth's coronation, are deep aqua velvet embroidered with gold crowns. Five-hued French style curtains in silk taffeta with festoons and jabots drape against a backdrop of wallpaper patterned in fleur de lis, the official symbol of Louisiana. Framed pictures of former carnival queens and a cache of bejeweled Mardi Gras memorabilia are on loan from the Rex organization. A glorious nineteenth century crystal and ivory chandelier of local origin illuminates the stately room, which seats thirty-two. Fit for a queen, indeed.
The pineapple is the international symbol of hospitality, hence the welcoming Havana Room with its sheer abundance of the fanciful fruit. Sourced from islands in the Caribbean, the pineapple was a rarity in the 19th century, showcasing a host's munificence. The spiky fruit was even rented for use in table settings, but there's no scarcity here. Once a double parlor, the Pineapple Room features the fruit in a 19th-century period wallpaper patterned in mocha, salmon, ivory, and green, and an enchanting mirror is adorned with18th-century French foliate resembling leaves. Hand-carved gilt wooden pineapple chandeliers with silk shades are from London and the rug, with a peach background and green frond design, evokes a tropical mood. Diners relax in oval-backed, gilded Louis XVI chairs to enjoy their stylish setting. Hospitable, charming, and delicious… the pineapple and Brennan's. Chess prodigy Paul Morphy resided at 417 Royal Street in the 1800s, and the Morphy Room, a cozy parlor on the second floor, pays homage to the enigmatic man considered one of the world's greatest players.
The décor evokes the mood of a sophisticated English study, with a red velvet sofa, cocktail table and, of course, a chessboard awaiting a pre-dinner or postprandial match. Rich wine-color lacquered walls have panels of Scottish tartan in salmon, burgundy, and dark green, and are perfectly paired with a checkerboard-patterned rug in matching tones. Above the fireplace's mantle is a portrait of the master himself, surveying the room while rooks, bishops and pawns slide across the board, as if contemplating an elegant checkmate. It's interior designer Keith Langham's favorite and the piece de resistance of Brennan's. A fantasy interpretation of a French Orangerie, the Main Dining Room "holds hands" with the courtyard, inviting the outside in through a spectacular wall of glass. Originally four rooms, the space is now sixty by forty feet, seats 100 people, and marks the most significant alteration to the restaurant. The room is clad in a soft green painted trellis and the walls are wrapped with whimsical murals inspired by 19th century Proteus parade floats.
Features of Old World elegance include crescent-shaped banquettes in dark green tufted leather, wicker covered rattan chairs in deep pink leather, and checkerboard patterned floor in green and white with cabochons of pink. Tole and pink glass chandeliers, wall lights with salmon colored silk shades, and large French planters with potted citrus accent the room, completing the classic design. *Please note the Chanteclair Room serves as Brennan's main dining room. The minimum food and beverage expenditure associated with booking the Chanteclair Room is based on forgone à la carte revenue. We will happily work with you to deliver enhanced private party menu and beverage options to ensure a premium event experience. The rooster rules the roost at the The Roost Bar, a veritable aviary perched in an airy, open room overlooking the lush Courtyard. A spectacular mural of a gilded birdcage lines the back wall, picturing our feathered friends the ostrich, rooster, flamingo, and hen. Called the Taxidermy of Exotic Birds, the work is a reverse painted mirror by artist Alice Ludlow, created through a process called verre églomisé, in which the backside of glass is gilded with antique mercury.
The courtyard's reflection offers a seamless integration with the exterior, the outside flooding in through the giant mirror. Under the mural, a fifteen-foot banquette by Greg Arceneaux in the style of a French bench and covered in pomegranate ostrich leather, sits upon the building's original flagstone floor. Whimsical bird cages by designer Julie Neil, hang above the handsome bar, and tables by local artist Robert Ortiz feature crushed egg shells set in resin with an embossed brass edging. Two old fashioned bladed ceiling fans from the Woolen Mill Fan Company in Pennsylvania spin above. The design is named after birds, of course - the Direct Drive Ostrich Inherit Wind fan. Their turning creates a gentle lap of breeze – or could it be birds taking flight? Just to the right of the entrance awaits the Audubon Room, an exuberantly bright and airy dining area. Formerly a kitchen with its windows covered, the room has custom-milled versions of the originals that peer out to the bustling French Quarter.
Walls of peach colored plaster and floors in tropical Cuban patterned tile frame the room, where patrons dine at tables with festive green and white checkered tablecloths. Bouillotte tole chandeliers and upholstered Parisian-style restaurant chairs honor the French heritage of both the city and the cuisine of Brennan's. Nestled behind the lush courtyard is the fabled and previously hidden gem of Brennan's - the Wine Cellar and its newly adjacent sumptuous private dining room. Originally the stable of the 1795 historic building, today's cellar is a cave of exclusivity, transporting guests from everyday cares as they sip sauternes in seclusion amidst the bins, bottles and boxes of the fully functioning cellar. Masculine and strong, with deliberately dimmed lighting, it retains its original arches of handmade brick, and rough timber beams. A merlot-colored stone floor is graced by an Oriental rug, on which sits a massive table: 16' long by 3' wide, milled from a single sinker cypress found in a Mississippi bayou.