dining room chair stuffing

dining room chair stuffing

dining room chair slipcovers

Dining Room Chair Stuffing

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Upholstery projects have the ability to transform tired, worn-looking spaces, especially when care is given to the selection of colors, fabric patterns, and the style you’re trying to achieve. However, the most important part of any upholstered item is what you don’t see. Hidden beneath the fabric exterior are the “guts” of your furniture, including: The type of stuffing material will depend on how the upholstered furniture is to be used and the comfort level you are seeking. In cushions and other upholstery, batting is applied over the foam to prevent slippage and provide a smooth appearance. The thickness (loft) of batting can range from very thin up to 1/4″ thick. Batting is available in cotton, wool, polyester or a blend. Cotton batting is made from 100% cotton that has been layered. There are two weights available: The weight is determined by the type of project you are working on, but both weights are suitable for upholstery. Cotton is a natural fiber that can poke through the fabric covering, making the furniture uncomfortable to sit on.




If you are upholstering a headboard, this may not be a concern; but it may cause problems on seating for sofas and chairs. If so, a combination poly/cotton batting may be the answer. It’s durable and will give your furniture a smooth look and feel. Wool batting is made from wool waste that has been woven together and is available as: The use of animal hair is one of the oldest types of upholstery stuffing. The hair used is most often from the manes and tails of horses and is often found in antique furniture. When re-upholstering antiques, the existing horse hair can be combined with wool or cotton to add additional loft to the piece. While not actually “hair”, feather and down is often used in upscale furniture to provide the ultimate in comfort. Upholstery foam is the most common stuffing material used today. It’s available in several densities which determine the grade and quality of the foam. The higher the number, the better the quality. A quality, high density foam will not break apart or cause clumps.




Choosing the highest density foam you can afford will improve the comfort level, appearance, and life of upholstered furniture. The resiliency or durability of your upholstery foam is important as it will determine how much wear and tear your furniture can withstand. Using foam labeled high resilient, or HR, will make cushions more comfortable and reduce sagging over time. All upholstery foam sold in the United States must be fire resistant. If the furniture you are purchasing does not indicate that the foam used is fire resistant you may want to reconsider. A label with the letters FR on it will confirm that the proper foam has been used. The level of firmness of upholstered furniture is determined by the Indentation Force Deflection (ILD) number of the upholstery foam. This scale ranges between 6 and 45 with the lowest number representing the softest foam and the highest the firmest foam. How soft or firm you would like your upholstered piece to be is a personal decision, and knowing the ILD number of the foam you purchase allows you to determining it.




While not durable enough for padding the frames of furniture, pillow forms are used to stuff or restuff pillows that comprise part of many upholstery projects. Pillow forms are available in polyester, down, and feather/down fillings, with natural fillings generally considered best for serious upholstery projects. The particular upholstery project you are working on will often determine the type of stuffing material used. A lesser quality cushion foam or batting may be perfect for stuffing small accent pillows, headboards, footstools and furniture pieces that do not receive heavy use. Conversely, mattresses, seating, and furniture that are used frequently will benefit more from high quality stuffing to provide the ultimate in comfort and prolong the life of the furniture. While quality stuffing materials cost more initially, they can save in the long run by making furniture last longer. Indra Desigri thinks that even the most challenging home improvement projects can be made easy with the right materials, good information and a well-planned approach.




For more from Indra, visit OnlineFabricStore.netCopyright © 2015 - 2017 Celebrating everyday life with Jennifer Carroll. Created by Blog Copyright.Welcome back to Upholstery Basics, where we’ll be rolling up our sleeves and completing our first project together: a wrap-around seat. Of all seating, dining room chairs get the brunt of the abuse — a little vino here, red sauce there. If you’ve been glaring at those chairs and wondering how to give them that much-needed facelift, read on, and you’ll be transforming those eyesores into jaw-droppers in no time. Read the full post on reupholstering dining chairs after the jump! Don’t forget to check out Upholstery Basics: Tool Time to learn more about the tools we’re using today. 1. Remove the seat from your chair frame by unscrewing the screws on the underside. If your seat drops into the frame, like mine, you may be able to pop it out without unscrewing it. Make sure to mark the orientation of the seat before removing.




It may seem obvious, but it is imperative that we know which side is the front when we attach the fabric later. 2. Strip all of the old fabric, padding, staples and tacks off of the seat using your pliers and staple remover. Once you’re finished, you should be left with a wooden board. This is a good point to mark any screw holes, so you can avoid them as you attach new padding and fabric. 3. Flip the board upside down on top of the foam and trace the outside edge with a permanent marker. 4. Use the carving knife to cut out the shape. Don’t worry if the edges get a little ragged looking. Just do your best to keep the blade straight up and down and not angled to one side or the other. 5. To create a slight domed shape to the seat, place a layer of cotton batting about an inch inside the edges of the board. Add extra layers if you’d like the crown of the seat to be more exaggerated. Just remember to make each additional layer of cotton slightly smaller than the one that precedes it.




6. Attach the foam to the board by stapling through the side of the foam and down into the wood. It’s best to work in opposites as you staple, so start with the back side and then move to the front. Then staple from the right to left side. Be careful not to push the foam back as you staple. We want the hard wooden edge to be padded, so it won’t show through the fabric. 7. Dacron will smooth out all of the imperfections and be the final layer of padding before the fabric. Once the foam is secured all the way around, tightly wrap Dacron around the edge and staple to the bottom of the board. 8. Trim off the excess Dacron gathered at the corners and around the bottom. 9. Now it’s time for the fabric! If you’re working with a pattern, decide where you’d like it placed on the seat. The rule of thumb is to place the top of the pattern at the back of the seat and the bottom of the pattern at the front of the seat. 10. To get started, staple the fabric at the back of the seat, but only put the staples in halfway by lifting one side of the staple gun up at an angle.




These are called sub-staples and will allow you to pull them out very easily should you need to make adjustments. Once you’ve stapled the back, move on to the front. Then sub-staple the right and left sides. 11. Make a pleat in every corner by pulling the fabric from the sides around to the front and back. Fold under enough of the excess fabric to make the edges of the folds flush with the corners. Feel free to cut out bulky excess if you’re having trouble getting it all folded under the pleats, and use your regulator to get the fabric neatly tucked in. 12. Once you’re happy with where your fabric is placed, take out your sub-staples a few inches at a time and replace them with permanent staples that go in all the way. These will need to be closer together to make sure all the fabric is held down tightly. Keep a close eye on the edge as you go. The more consistent you are with the tightness of your pull, the smoother the fabric will look. Another tip: Pull with your palm instead of your fingertips to avoid puckers and dimples.

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