Shop our wide range of dining chairs and discover the perfect style to suit your interior. Whether you want to update a tired table with new seating, revamp with a complete set or find a chair for your desk or dressing table, we have host of great priced contemporary and traditional designs.This pretty, early 20th-century dining chair was heading for the skip when I noticed its potential. All I needed to do was give it a fresh coat of paint, and to reupholster a new seat, covering it in an elegant linen fabric. Before stripping down the old upholstery, estimate how much fabric you will need while it still has its original form and shape, and allow a little more to take extra stuffing into account. Strip the dining chair down layer by layer with a ripping chisel or similar. Make a sketch or a diagram to show the construction and, if possible, take some photographs. Use this stripping process to see how to put the upholstery back together again. Related articles: How to upcycle furniture |
How to upcycle a wooden settle | How to choose upholstered furniture 1. Fix the jute webbing: For comfort, the chair’s webbing must be taut and well secured to the frame. Shave or sand sharp inner edges on the rails to avoid chafing against the webbing. To stop the wood splitting, arrange jute strips in a criss-cross pattern and don’t tack too close to the frame edge. Secure webbing with at least five tacks at each end. 2. Attach first sheet of hessian: Tack a first layer of hessian on top of the webbing to prevent the stuffing dropping down through the gaps. If the wood is very hard it can be difficult to get the tacks in, so try making a pilot hole first with a bradawl; it makes the job take a little longer but reduces the frustration of bent tacks. 3. Place stuffing on seat: Originally this Edwardian dining chair would have been stuffed with horsehair. You may have been able to salvage some of the old horsehair stuffing and given it a clean (as above) but if not, artificial horsehair or other animal hair mixes that look and feel as good as the real thing are available.
4. Attach second sheet of hessian: Tack on another layer of hessian to hold the stuffing in place. For efficacy it’s important to keep the tack hammer face clean and smooth: rub it against coarse abrasive paper to lessen dents and pitting, then smooth it on fine abrasive paper. If you find small tacks tricky, hold them in the teeth of a comb as you knock them in. 5. Echo the Edwardian look: To create the Edwardian shaped seat use horsehair to make an edge roll. Lay stuffing on the edge and enclose by folding hessian over. Make sure there are no lumps and that the stuffing is even and pulled up to the edge. Use twine and a large-eyed needle to sew in place. The stitches will support the shape and maintain the firmness. 6. Make finish smooth with wadding: Cut a piece of wadding that is slightly oversized. This will make a soft, smooth surface ready for the decorative finishing fabric. Hold the wadding in place with a few well-placed tacks – not too many because the tacks that will secure the top fabric will also go through and secure the wadding.
8. Add the final flourish: A pretty ribbon of braid gives an elegant finish. Apply with a hot glue gun or stitch it into place. To add a little panache, this braid was attached using decorative black upholstery studs. Buy more studs than you think you will need – there might be wastage if you are fixing into particularly hard wood. Checking out antiques shops and local auctions is one of the best ways to come across discarded furniture such as dining chairs. Dealers and most buyers will usually walk away from items that need money spent on them, but if the chair is structurally sound, reupholstering the seat is a great way of reinventing the piece, and getting creative. Any original horsehair from the seat that’s still springy can be reused – stuff it into a pillowcase, tie up the top, and machine wash on a quick programme at a low temperature. Add a little fabric conditioner so the horsehair will be easier to work with once it is dried. You may need to supplement with extra stuffing – new horsehair is scarce these days and expensive, but synthetic horsehair is available.
Discount supermarket chain Aldi is selling pairs of replica Eames chairs for £39.99 – a fraction of the £339 it costs to buy a single authorised version of the chair. Aldi is advertising "a pair of retro-style Eiffel chairs" on its website in the UK for £39.99 – the latest in a string of replica designs sold at heavy discounts by the budget supermarket chain. The Eiffel chairs are almost identical in appearance to the DSW Eames Plastic Chair, designed by Charles and Ray Eames in 1950 and produced under license by Swiss design brand Vitra. The similarity between the designs has been flagged on social media, with furniture designer Rupert Blanchard sharing images of the Aldi version of the chairs from one of its stores in London. Blanchard's image was accompanied by the comment: "@AldiUK is selling #fake #Eames #eiffel chairs, not cool Aldi, not cool." He also shared an image of the packaging, which shows that the Eiffel chairs are made in China. Aldi replied to Blanchard via its Twitter account, writing "We're sorry to hear that you feel this way and rest assured we will share your feedback with the relevant team!"
Sit Down Protest:@AldiUK is selling #fake #Eames #eiffel chairs, not cool Aldi, not cool. — Rupert Blanchard (@RupertBlanchard) June 1, 2016 In a one-line statement sent to Dezeen, Aldi said it was not infringing on copyright. "Our retro-style Eiffel chair does not infringe any design rights," it said. The company did not provide any further comment. Vitra declined to comment. Oliver Wainwright, architecture and design critic at the Guardian newspaper, defended Aldi on Twitter. "Isn't this exactly what Charles Eames would have wanted?" he tweeted. "The licensing model that sees Eames designs elevated to luxury collectibles goes utterly against everything they stood for." He added: "If a licensed original costs £333 and a pair of copies is £39.99, I think Charles Eames would tear that license right up". It is not the first time the global supermarket chain has offered imitations of the Eames' designs. It has also sold replicas of Mies van der Rohe and Lilly Reich's Barcelona Chair and Philippe Starck's Ghost Chair at stores in countries like Australia, where copyright law allows copies to be sold as long as they are clearly labelled as a replicas.
Aldi is not alone in selling replicas of the DSW chair – amongst many others, Tesco is currently advertising a Charles Eames Inspired Eiffel DSW Dining Chair for £49.99 – but it is one of the cheapest. Under current UK law, it is legal for Aldi to sell replicas of well-known design classics, as copyright law only covers industrial designs for a period of 25 years after they are first marketed. However, new copyright legislation will come into effect this summer, under the repeal of section 52 of the Copyright, Designs and Patent Act 1988, extending the copyright period to 70 years from the designer's death. The DSW Eames Plastic Chair, which was launched onto the market in 1950, is one of many items of designer furniture that will be newly protected. The chair was the result of the Eames' mission to create more accessible design. The single-piece shell was originally moulded from glass-fibre reinforced polyester resin – according to Vitra, this enabled them to create the first mass-produced plastic chair.
Vitra now makes the design in polypropylene plastic, which is the same material Aldi says is used for its Eiffel Chairs. The shell of the Eames' chair can also be combined with different bases. The so-called Eiffel Tower base consists of a structure of metal rods, and is echoed in a wooden version with tapered legs connected by criss-crossing metal supports. The latter is the version that has been mimicked by Aldi. The section 52 repeal comes into force on 28 July 2016. From 28 January 2017, all dealers will be required to have disposed of all replicas or unauthorised copies – meaning they can continue to sell existing stock until then. The change is a result of 2013 reforms to bring UK copyright law in line with the European Union, which has longer-lasting protections for artistic works. The appropriate length of amnesty for retailers to adjust to the reforms by clearing already produced stock was the subject of heated debate. A coalition of design brands including Vitra, Artek and Flos joined forces to lobby the government after learning that the law would not be brought into effect until 2018.
"The UK has never had the same level of intellectual property protection as the rest of Europe," Tony Ash – managing director of Vitra in the UK, USA, India, Middle East and Far East – said at the time. Ash claimed the anomaly meant the UK had become "a laughing stock" and told Dezeen "The UK has become a Trojan Horse for the importation of copies into Europe". Charles and Ray Eames' grandson Eames Demetrios, who runs the Eames Office set up by his grandparents in Los Angeles, told Dezeen last year that developments in the music industry were partly to blame for the proliferation of designer furniture replicas. "I think the music industry hasn't done anybody any favours by adopting the approach that it did," he said. "If you had to ask your grandfather in 1950 to make a copy of a chair he would have said 'okay but it'll take me a week'. Now if you asked someone, the image in their mind of copying is to drag a file from one side of the desktop to another. They think of everything as cloneable."