It looks like we can't find what you are looking for. Looking for something specific? Live chat by BoldChatWe offer one of the largest selections of chair rentals for tents in Rochester, the Finger Lakes, and Western New York. From standard folding chairs… to bar stools… to Chiavari chairs (also called Tiffany chairs), we have the perfect choices suitable for any theme of event, party, or wedding. Talk with us about what will work best for both the theme and style of your event and we’ll make sure that everyone has the best seat in the house (or tent). When hovering over an item, click the icon to add an item to your Rental List! ? White Chiavari w/ Pad Vineyard Crossback Bar Stools Natural Chiavari w/ Pad Black Chiavari w/ Pad Gold Chiavari w/ Pad Silver Chiavari w/ Pad Mahogany Chiavari w/ Pad Clear Chiavari w/ Pad Gold Chiavari Bar Stool Mahogany Chiavari Bar Stool Black Chiavari Bar Stool White Chiavari Bar Stool
Rentals Unlimited has everything you need to plan the perfect event! Browse our website or one of our 7 convenient showrooms. Create your wishlist and let us bring your ideas to life with expert advice on selections to fit every budget and unparalleled service that makes the process simple, stress free and fun! Free-Standing Single Carving / Heating Lamp Aluminum Rectangular Warm Riser Plate Gold Chiavari Ballroom Chair Every day at Rentals Unlimited our hard working team handles the behind the scenes for prep and clean up from your events. We hope you will enjoy this short film with a glimpse of our warehouses and team members. Our Tribute to Larry Green The Latest in Wedding Rental Trends Download Our 2016 Look Book!See the hottest trends for 2016 and find your inspiration in our new Look Book.Experience the Rentals Unlimited Difference! Rentals Unlimited offers a concierge shopping experience to each and every customer regardless of the size of your event or the size of your budget.
We realize that each event is unique with specific wishes and needs and we are dedicated to providing an experience that exceeds them all! A knowledgeable member of our sales team will guide you through every step of the way in your rental selection process to ensure your event is a success. Simply send your request on line or call us at 781-341-1600 and experience the difference that has made Rentals Unlimited New England’s premier special event rental company for more than 15 years. » Our Rental Policies Crystal Resin Tiffany Chair for Sale L/C, T/T, Western Union Request a custom order and have something just for you! Popular in wedding, events and banquets.Exported to USA, Canada, Brazil, Africa, Middle East, etc.Material: Polycarbonate, UV stablePass SGS Test: ANSI/BIFMAX5.1-2002Support 500kgsVarious colors are available such as clear, whtie, black, gold and brown.Specification of the chair:1. Material: Polycarbonate, very strong and duralbe, solid color, no painting, no chip.2.
Pass SGS test: ANSIBIFMAX5.1-2002.3. Various colors are available5. Looks like crystal under sun or light; Very beautiful and popualr.Item Number E-001Description Chiavari Chair pass ANSI/BIFMAX5.1-2002 conducted by SGSMaterial: PC, UV stable and anti-agingAdvanced feature: NO steel tube inside frameWill not rust and break, more stable and durableLoading Quantity Assembled chair: 392PCS/20GP, 936PCS/40'HQKnock down: 800PCS/20GP, 2200PCS/40'HQWeight 5KG/PCCarton Size 93X42X30cmMOQ 200PCSLead time within 20 daysPayment TT, 30% in advance, 70% balance to be paid against copy of B/LNote We are good at designing moulds according to customers' requirementspecification Cixi Yongye Furniture Co., Ltd. You Might Also Like Black Resin Chaivari Chair for Outdoor Weddings Black Plastic Resin Tiffany Chair for Banquet Commercial Seating Black Tiffany Chair for Weddings White Plastic Resin Tiffany Chair for Outdoor Weddings White Resin Stacking Tiffany Chiavari Chair with Red Cushion
Wedding Phoenix Tiffany Chiavari Chair PP Monobloc Gold Chiavari Chair for Weddings PP Monobloc White Resin Chiavari Chair for Weddings Transparent Wedding Chairs for Event Rentals PC Resin Chiavari Tiffany Chairs for Banquets PP White Monobloc Resin Chiavari Chair at Party Monobloc One Piece White Resin Chiavari Chair Monbloc White Tiffany Chairs to Weddings Padded Resin Tiffany Chair at Wedding Silver Party Chair/Event Chiavari Chair/Event Chiavari Chair Resin Tiffany Chair (E-001 WITH CUSHION) Padded Resin Tiffany Chair (E-001) White Wedding Plexiglass Chiavari Chair White Resin Tiffany Chair Plastic resin folding chairFull Service Party Rentals Table and Chair Rentals A Grand Event offers high-end event rental equipment at extremely competitive prices. We have been proudly serving the DC, Maryland and Virginia area since 2006. We carry a wide variety of tents, tables, chairs, linens, china, glassware, flatware, dance floor, staging, and much more.
In addition to rentals, we offer delivery, installation, set-up, and take-down services. Our eye for detailed quality and our knowledge of the latest decorative trends will help make your next event “A Grand Event”. Monday - Friday: 9am-5pm Saturday - Sunday : Closed Read all of our Wedding Rentals Reviews atNew Wedding Tent PackagesCheck out our new wedding tents packages page to see how you can easily book equipment for a tented wedding. Office and Warehouse open 9am-5pm M-F Office and Warehouse closed Saturday and SundayWhen your event needs to be perfect, you can count on Classic. With 30+ years experience and the largest product selection, we will bring your dream event to life.One of America’s most acclaimed artists, Louis Comfort Tiffany’s career spanned from the 1870s through the 1920s. He embraced virtually every artistic and decorative medium, designing and directing his studios to produce leaded-glass windows, mosaics, lighting, glass, pottery, metalwork, enamels, jewelry, and interiors.
As the son of Charles Lewis Tiffany (1812–1902), founder of Tiffany & Company, the fancy goods store that became the renowned jewelry and silver firm, Tiffany chose to pursue his own artistic interests in lieu of joining the family business. Tiffany began his career as a painter, working under the influence of such artists as George Inness (1825–1894) and Samuel Colman (1832–1920). Possessing financial means, he traveled extensively through Europe, North America, and—in 1870–71, with painter Robert Swain Gifford (1840–1905)—North Africa, where he derived inspiration for Snake Charmer at Tangier, Africa (21.170). Completed in 1872 and exhibited at the 1876 Centennial Exposition in Philadelphia, the painting shows Tiffany’s penchant for exotic art and architecture. Beginning in the late 1870s, Tiffany turned his attention to decorative arts and interiors, although he never abandoned painting. His first significant interior design project was for his 1878 top-floor home and studio at the Bella Apartments on 48 East 26th Street in New York City.
The leaded-glass window from the entrance hall (2002.474), one of his earliest windows, illustrates an unconventional use of glass, including experimental opalescent, marbleized, and confetti-type glass, as well as crown glass and rough-cut “jewels.” This glass fashioned a window of strikingly abstract design suggestive of a bold paintbrush stroke. A few years later, Tiffany’s father commissioned McKim, Mead & White to construct a picturesque Romanesque Revival multifamily dwelling on the northwest corner of 72nd Street and Madison Avenue in New York. Completed in 1885, Louis Tiffany and his family occupied the top two floors. His exotic studio, the site of artistic creations and social gatherings, was a frequently photographed space. A pastel rendering (2003.606) of his second wife, Louise, in a corner of the studio demonstrates Tiffany’s deft hand in this difficult medium as he translated and differentiated various lush fabrics and textures. Tiffany and Colman (by this point a business associate) worked together to design the furnishings and interiors for the New York mansion (completed in 1892) of Louisine and Henry Osborne Havemeyer, Tiffany’s most ardent patrons.
As part of the interior design, all surfaces in the house were treated and the decoration blended various styles. The library, also called the Rembrandt Room, was Celtic-inspired, as illustrated by the armchair from this space (1992.125). The form of the chair recalls Viking precedents, and the carved interlace presents Celtic motifs. Tiffany designed private interiors and public spaces for numerous clients. For the widow of Henry Field, brother of Chicago merchant Marshall Field, Tiffany designed a gallery (that no longer survives) for the Art Institute of Chicago. An existing design drawing (67.654.4) illustrates the south wall of the gallery: a fireplace, with mosaic above and on the sides, is flanked by ebony pilasters surrounded by green walls. This is one of an extensive collection of Tiffany design drawings in the Museum’s collection. By late 1892 or early 1893, Tiffany built a glasshouse in Corona, Queens, New York, and, with Arthur Nash, a skilled glassworker from Stourbridge, England, his furnaces developed a method whereby different colors were blended together in the molten state, achieving subtle effects of shading and texture.
Recalling the Old English word fabrile (hand-wrought), Tiffany named the blown glass from his furnaces Favrile, a trademark that signified glass of hand-made and unique quality. In 1896, the Museum received fifty-six blown vases and roundels from H. O. Havemeyer, one of the first collectors of Favrile glass (96.17.10). Almost thirty years later, Tiffany loaned to the Museum twenty-seven pieces from his own collection, representing a wider range of production techniques and more developed styles of glass. One of these new techniques produced glass that resembled Lava or “volcanic” glass (51.121.13), with broad areas of gold luster meant to mimic hot molten rock spilling from the mouth of a volcano. The rough, black areas were made by introducing bits of basalt or talc into the molten glass formed into vases in organic, irregular shapes. Of all of Tiffany’s artistic endeavors, leaded-glass brought him the greatest recognition. Tiffany and his early rival, John La Farge, revolutionized the look of stained glass, which had remained essentially unchanged since medieval times when craftsmen utilized flat panes of white and colored glass with details painted with glass paints before firing and leading.
Tiffany and La Farge experimented with new types of glass and achieved a more varied palette with richer hues and greater density. By 1881, each had patented an opalescent glass, a unique American phenomenon that featured a milky, opaque, and sometimes rainbow-hued appearance with the introduction of light. Internally colored with variegated shades of the same or different hues, Tiffany’s Favrile glass enabled craftsmen to substitute random tonal gradations, lines, textures, and densities inherent in the material itself for pictorial details. Magnolias and Irises (1981.159), executed by Tiffany Studios around 1908, was designed as a memorial window based on a well-known motif—the River of Life. It depicts magnolias composed of opalescent drapery glass, heavily folded or creased glass, and iris in multihued tones illustrating Tiffany’s ability to “paint” with glass. Growing out of an interest in interior decorating, Tiffany and his studios turned toward another venture in 1898—lighting and lamps.
Although Tiffany’s craftsmen used patterns to make lampshades, each was unique due to the selection of the individual pieces of glass with their varied colors and densities. A water lily lamp (1974.214.15a, b), with its organic bronze support composed of lily pads, is crowned by a shade featuring pink opalescent stems that terminate in creamy water lily blossoms against a background of rippled blue glass, evocative of a bog where water lilies dwell. Mosaics were also a natural progression and extension of Tiffany’s work in Favrile and leaded glass. Glass mosaics were used in interior settings, initially for church interiors and fireplace surrounds, but then developed into full artistic works. Inspired by Byzantine churches Tiffany surveyed on his European travels that used flat, solid-color squares, or tesserae, he improved upon the tradition by incorporating innovative techniques of modeling and shading to produce a wide range of colors within glass. Glass was also cut into different shapes to enhance pictorial qualities.
Garden Landscape and Fountain (1976.105) is a tour de force of mosaic work, with its subtle color shading, textured glass, and uniquely cut pieces set in a challenging pictorial composition. In 1899, Tiffany introduced enamelwork in London, where he exhibited plaques and vases made in the firm’s unique style. Layers of translucent enamel in wide-ranging naturalistically shaded hues were applied to a luminous surface that was usually gilt, and finished with an iridescent coating that provided a rainbow luster. One of fifteen enamelworks that Tiffany lent to the Museum in 1925 (51.121.29) shows bold repoussé in plump purple plums and translucent green foliage that envelop the large round bowl, echoing the shape of a plum. A drawing recently donated to the Museum (2005.495) depicts the enamel bowl with its ripening plums and sinewy branches. A few years after mastering enamelwork, Tiffany launched a pottery studio, capitalizing on the extraordinary popularity of American ceramic vessels at the turn of the century.
His designs were inspired by contemporary European, particularly French, ceramics, exceptional examples of which he had seen on trips to Paris. The shape of the Museum’s small symmetrical vase is Chinese-inspired (51.121.21), with sophisticated red, dark green, and yellow glazes that recall those of the French ceramicist Pierre-Adriene Dalpayrat (1844–1910), whose work Tiffany admired. Tiffany was knowledgeable about jewelry trends through art periodicals, international expositions, and, of course, his father’s firm, Tiffany & Company—to which he was appointed art director upon his father’s death in 1902. His earliest jewelry designs were exhibited at the 1904 Louisiana Purchase Exposition in Saint Louis. In addition to enamels, Favrile glass vessels, and pottery, Tiffany’s jewelry garnered attention and favorable press by the art critics of the period. An interest in nature, use of semiprecious stones with enamel, and handcraftsmanship elevate his unusual jewelry to the status of art (2002.620).