Flaps DoubleButtons DoubleButtons FullCuff ButtonsDouble FrontSnap ButtonsMoleskin WaterSoft MoleskinPlacket SnapForwardFrom Obey, a military inspired, soft moleskin water repellent jacket in Midnight blue. Features pointed collar, full button placket, snap buttons, full zipper, snap cuff buttons, double chest pockets with magnetic closure flaps, double front waist pocketSelect a recovery question What is your city of birth? What is your mother's maiden name? What is your father's first name? What is your pet's name? What is the year you were born? What is your billing zip code? Sign me up for G.H. Bass & Co. Email Updates about new collections and special offers!Go to the content Go to the footer Call It Spring Bonifazio plaid quilted sneakers, $50, at Call It Spring, Manhattan Mall, 100 W 33rd St at Sixth Ave (212-967-4645, )Airwalk Ethan Skate high-top sneakers, $40, at Payless, locations throughout the city; ))Vans Lynwood high-top sneakers, $90, at David Z
, )We’ve rounded up the fall’s best sneakers for men. Browse the season’s top styles, ranging from athletic shoes to fashionable kicks. Find the footwear at NYC stores such as Puma, Call It Spring, New Balance and Converse.RECOMMENDED: See all of this year's fall fashion contentFollow Cristina Velocci on Twitter: @cvelocci Welcome to Time Out. By continuing to browse this site you are agreeing to our use of cookies — read our cookie policy here. Puma RS100 AW sneakers, $75, at Puma, locations throughout the city; Call It Spring Bonifazio plaid quilted sneakers, $50, at Call It Spring, locations throughout the city; Airwalk Ethan Skate high-top sneakers, $40, at Payless, locations throughout the city; New Balance Minimus 1010V2 Trail sneakers, $110, at New Balance, locations throughout the city; )We’ve rounded up the fall’s best sneakers for men. Find the footwear at stores such as Puma, Call It Spring, New Balance and Converse.RECOMMENDED: See all of this year's fall fashion content
Follow Cristina Velocci on Twitter: @cvelocci The Damage, Inc. Tour was a concert tour by American thrash metal band Metallica in support of the band's third studio album, Master of Puppets. The name of the tour is taken from the last song on the album. It began on March 27, 1986 and ended on February 13, 1987. Metallica supported Ozzy Osbourne from March to August, headlined a string of U.S. dates between May 23 and June 7 with Armored Saint, and were the main act throughout the fall and winter with support from Anthrax and Metal Church. Roadie John Marshall, who also played guitar in "Metal Church", filled in for James Hetfield on rhythm guitar between July 27 and September 25 following a mid-tour skateboarding accident resulting in a broken arm. Hetfield, Cliff Burton and Kirk Hammett originally decided to dismiss Lars Ulrich upon completion of the tour,[1] but plans were set aside upon the death of Burton on September 27, 1986 in a tour bus accident near Ljungby, Sweden while en route from Stockholm to Copenhagen, Denmark.
Performances that were scheduled for October were postponed and the band hired a new bassist, Jason Newsted to complete the rest of the tour. Metallica also became the first band of the Big Four to cross the Iron Curtain, with two concerts in Katowice, Poland on February 10 and 11, 1987. October 1986 – February 1987: Songs played overall "The Ecstasy of Gold" ("Ennio Morricone") [Audio introduction] "For Whom the Bell Tolls" "(Anesthesia) Pulling Teeth" (3/27-9/26/1986) -> "Jason Newsted Bass Solo" (11/15/1986-2/13/1987) "The Thing That Should Not Be" "Kirk Hammett Guitar Solo" "Fight Fire with Fire" "Last Caress" ("The Misfits" cover) [final encore] "The Ecstasy of Gold" ("Ennio Morricone") [Audio introduction] "(Anesthesia) Pulling Teeth" (3/27-9/27/1986) Cliff Burton U.S. Shows "Thing That Should Not Be" Supported by Armored Saint Cliff Burton European Leg "Puss in Boots Rock" Festival (1986) "Jason Newsted Bass Solo"
"Last Caress" ("The Misfits" Cover) [final encore] Jason Newsted warm-up gigs "Fight Fire with Fire" [final encore]Showing all 9 products Default sortingSort by popularitySort by average ratingSort by newnessSort by price: low to highSort by price: high to low In 1985 or 86, when I was 8 or 9 years old, I went to a fair at an old seminary nestled deep in the woods of my small Massachusetts town. Besides the usual fried dough and popcorn vendors and games of chance, there was also a vendor known as “The Tape Lady” who, as the name suggests, sold cassette tapes (not Scotch tape). This elderly woman inexplicably dealt in an unbelievable assortment of metal bootlegs and studio albums. Her kiosk was always swarmed with the town’s headbangers and their big-haired, tight-jeaned old ladies. These were the dudes in tight acid wash jeans, wrestling sneakers, feathered mullets, peach fuzz mustaches, and denim jackets covered in heavy metal pins and patches. They smoked, they swore, they had combs in their back pockets, they had velcro Jack Daniels wallets, they drove Camaros and Monte Carlos.
To a young, budding metalhead, they were a legion of Gods. It was at this seminary fair, in the company of these metalheads, that I made my first and most important purchase as a fledgling music consumer; I bought Black Sabbath‘s We Sold Our Soul for Rock and Roll. This cassette, which still resides in my collection, served as the bridge between me and what has turned out to be a lifelong passion for heavy metal and rock and roll. Last night, February 25, was, for me, a celebration of this turning point in my life as Black Sabbath took their (final) tour “The End” to NYC’s Madison Square Garden for their first of two shows there. Their set (setlist below) was wall to wall classics. The night wasn’t about “deep tracks” or obscure “I can’t believe they played that!” revelations; it was about celebrating an early catalog of classics that have basically made Sabbath the godfathers of all things metal forevermore. They absolutely crushed classics like “Fairies Wear Boots,” “N.I.B.”
(complete with the classic wah-infused bass solo intro), “Paranoid,” “Children of the Grave,” “Black Sabbath,” and more. I was amazed that 46 whopping years after the debut of the Black Sabbath album, bassist (and renowned vegan) Geezer Butler still has that signature crushing bass sound. To hear the opening bass solo for “N.I.B.” in person at Madison Square Garden gave me goosebumps, and I don’t say that for dramatic flair; it was a truly riveting and triumphant moment for my ears and me. This man is a bass God and the only unfortunate by-product of his legacy is the hundreds of inferior imitators who grace the stages of metal clubs all over the world. And what can you say about guitar God Tony Iommi that hasn’t been said several hundred thousand times over the past several decades? Last night Iommi was in what I can only describe as pitch-perfect-classic-form. Every solo was sheer perfection, his tone was on the money, the heavy notes shook your soul. He is regarded as one of the greatest guitar players of all time, and it’s not because he shreds or plays insane 90-notes-per-second riffs;
it’s about his taste and his elegance. To see and hear him live for the first (and maybe last) time last night was an absolute thrill. And then there’s 67-year old frontman, Prince of Darkness, Ozzy Osbourne. There are always rumblings all over the internet that Ozzy has lost his touch. That his vocals are inarticulate and barely registering at the notes he needs to be hitting. And I feel like some people get some sort of orgasmic joy out of criticizing this man. For me, he is irreproachable and that any metalhead caught slagging this man are committing high treason. The performance Ozzy gave NYC last night was nearly flawless; even more remarkable given his age and the fact that for almost his entire life he’s abused his body and mind with all manner of drugs and alcohol. Last night he gave an absolute 110% of himself and completely owned their 14-song set. Skulking around the stage, clapping his hands in time to the music, screaming at the crowd to show our fucking hands, banging his head, doing these little running-in-place dance moves, Ozzy was in classic Ozzy form.