XMen First Class In Hindi Movie Download

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X-Men: First Class In Hindi Movie Download

In 1944, in Poland, the boy Erik Lehnsherr unleashes his magnetic power when his mother is sent to a concentration camp. The evil Dr. Sebastian Shaw brings Erik to his office and kills his mother, increasing his abilities through anger. In New York, the wealthy Charles Xavier meets the mutant Raven and invites her to live in his manor. In 1962, the CIA agent Moira MacTaggert discovers the existence of mutants working with Shaw and she invites Professor Xavier to recruit mutants to work for the USA government. Xavier teams up with Raven, Erik and a group of young mutants. Sooner they learn that the evil Shaw has the intention of beginning a nuclear war to destroy the world and increase his power.
The first class of X-Men, led by two very powerful mutants named Charles Xavier and Eric Lensherr, join together to stop a ruthless and powerful dictator from thrusting Russia and the U.S. into nuclear war. But Eric has his own agenda, and it soon rips him and his best friend apart.
The new heroes are weak. It seems they just made up powers at random and shoehorned them in just to not look like they took them from any other comic. None of them get any decent character building, and the ones that do come out as total a-holes. Only half-decent characters are the ones masterfully played by both bad guys (Magneto and the villain of the film). Mystique at times tried to put something into her role but the terribly clichéd writing made her feel just as unreal and one-dimensional as the others. Even as a pop-corn film it just irritated the s**t out of me, and the plot-holes and shoehorned humans are bad 'mkay ending just ruined it all for me. I was glad it was over. Too long, too clichéd, too one-dimensional. They tried nothing new, they didn't even try to make the characters memorable, and only two actors actually brought something to the screen. The special effects were good though. 4 out of 10.
We haven't had a good X-Men film since Bryan Singer left the franchise, and I was ready to give up hope on the whole deal after that Wolverine catastrophe. Word of development on a prequel arrived and all I could think was, "This isn't going to end well." Even with director Matthew Vaughn attached, I couldn't get excited. The trailer grabbed my attention but did nothing to quell my fears. I mean, another origin story (strike one) with teenage characters (strike 2) and only one member of the original comic line-up? How could this possibly end in anything but cinematic disaster? Well, I was wrong to doubt Vaughn and this movie quickly became one of my favorite movies of 2011. The film is set in the early 60s and establishes the friendship of Charles Xavier and Erik Lehnsherr. Former Nazi and current head of the Hellfire Club Sebastian Shaw is involved with both the United States and Russia with plans of pushing the global superpowers towards nuclear war. Xavier is recruited by the C.I.A. to assemble a team of mutants to combat Shaw and his team of mutant henchmen, while Lehnsherr has plans of his own. He and Shaw have a history going back to young Lehnsherr's imprisonment in a concentration camp during World War II where Shaw killed his mother, and Lehnsherr wants revenge. Sadly, Fox has an established movie canon for the X-Men series so they weren't able to use the original comic team (Cyclops, Marvel Girl, Beast, Iceman, and Angel) and instead we're left with sort of an X-Men B-team with a handful of characters that probably wouldn't have been more than a cameo in any other X-film. Hank McCoy/Beast is the only member of the original team who makes it into the film and, while Nicholas Hoult did a fine job as the socially awkward scientist on a personal mission to rid himself of his visible deformities, it's the actual appearance of Beast that doesn't sit too well with me. The Beast effects in THE LAST STAND were actually pretty cool in my opinion and probably the best we'd get without going CG. In FIRST CLASS, Beast looks like someone took an old-fashioned Wolfman costume and soaked it in blue dye. I eventually got over it, but it was a bit of a distraction. The rest of the team is filled out with Banshee, Angel (not the original Angel, but actually Tempest from a later X-Men comic series), Havok, Mystique, and Darwin. You can see they were reaching a bit when finding characters to fill out their movie, but the team comes together better than I expected. The fact that we've got a younger team does lead to some corny moments; the scene in which the team assigns themselves their "codenames" feels forced, but I guess it had to happen if we want to start recognizing them as Havok, Banshee, and Angel instead of Alex, Sean, anduhAngel. The big three in this film are James McAvoy (Xavier), Michael Fassbender (Lehnsherr), and Kevin Bacon (Shaw). McAvoy and Fassbender didn't necessarily try to mimic the performances of Patrick Stewart and Ian McKellan from the original trilogy. These characters really feel as if the actors tried to make it their own, but it worked out so well that it feels as if they'd later develop into the Stewart/McKellan incarnations. Since this film really focuses on Xavier and Lehnsherr, it's important that the two had such great chemistry as it depicts the strength of their relationship and how their views on mutant/human relations eventually drove them apart. And Kevin Bacon continues the comeback he started in the wicked indie superhero-wannabe film SUPER. Bacon is awesome as Shaw. He just makes a great villain; he knows how to play evil and he comes across as so cool that it's hard to totally hate the man. It just sucks his team didn't live up to his level. January Jones is bland as Emma Frost, and both Azazel and Riptide (I actually had to check the credits to find this character's name) are nothing more than muscle with no development. I really hope Azazel gets some more attention in future films. I was surprised this film didn't do better at the box office. It was easily the best superhero movie of 2011 but it couldn't make the same cash as the other 2011 Marvel films. I loved how this film focused just as much on the characters as it did the action. There's plenty of great action in the movie, but we also get a great balance of scenes with the characters themselves: training the team, strengthening the Xavier/Lehnsherr bond, etc. Even with so much attention paid to the story, this movie never slows down and the 60s atmosphere gave the film a retro vibe that I couldn't get enough of. It's a lot of fun and I can honestly say I think it's at least as good as X2, possibly better. Matthew Vaughn has done what I'd begun thinking was impossible: creating an awesome new X-Men film.
All you'd expect from an X-Men film (or spin-off, or prequel), but not all you'd hope for. It smacks of rush and compromise, but there's thankfully enough to make you feel optimistic about the series' future once more.
Young Charles Xavier (<a href="/name/nm0564215/">James McAvoy</a>), newly graduated from college after submitting his dissertation on mutantism, comes to realize that there are more mutants like himself in the world and sets out, with the help of CIA agent Moira MacTaggert (<a href="/name/nm0126284/">Rose Byrne</a>), to find them. While assembling a team of young mutants, including Raven/Mystique (<a href="/name/nm2225369/">Jennifer Lawrence</a>), Angel Salvatore (<a href="/name/nm2368789/">Zoë Kravitz</a>), Hank McCoy/Beast (<a href="/name/nm0396558/">Nicholas Hoult</a>), Sean Cassidy/Banshee (<a href="/name/nm2655177/">Caleb Landry Jones</a>), Alex Summers/Havok (<a href="/name/nm1395771/">Lucas Till</a>), and Armando Muñoz/Darwin (<a href="/name/nm1346230/">Edi Gathegi</a>), he also meets Erik Lensherr (<a href="/name/nm1055413/">Michael Fassbender</a>), a young Polish man whose early years were spent in a concentration camp where his mother was killed by German scientist Sebastian Shaw (<a href="/name/nm0000102/">Kevin Bacon</a>) in order to awaken Erik's magnetic powers. Charles, Eric, and their band of mutants must work together to stop Shaw from beginning a nuclear war between the U.S. and the Soviet Union in his attempt to kill all humans and take over the world. Yes, briefly. While Xavier and Magneto are gathering up mutants, they come across Logan/Wolverine (<a href="/name/nm0413168/">Hugh Jackman</a>) sitting in a bar, but Wolverine tells them to get lost. Yes. When the young Mystique is trying to seduce Erik, he says to her "maybe in a few years." She then morphs into her "older" form, which turns out to be <a href="/name/nm0005381/">Rebecca Romijn</a>, who played Mystique in the first three films. No, for the most part. If the mutation is physical, such as with Wolverine's claws, Nightcrawler's tail and Archangel's wings, then she can superficially mimic it. However, she does not copy the mutation itself. The forms she takes are purely cosmetic like stage props and replicas. As an example, in X-Men (2000), she takes on the appearance of Wolverine and fights him claw to claw, but she can neither copy his healing ability nor replicate the indestructibility of adamantium, as seen when her claws are cut off by Wolverine's claws. As another example, if she were to mimic Professor X, she would look like him but would not have his telepathic powers. While diamond is the hardest material on Earth, it is a common misconception that it can't be broken by other substances. Hardness is not toughness. Think of glass. It is quite hard, but it is brittle and easily shattered. Diamond can also be shattered with a strong force. It is not unreasonable for Erik to break her diamond body with household-grade metals, given he has the strength to raise an entire submarine out of the water. Charles used his power to convince the guard he was seeing an empty truck. He not only has the ability to communicate with people non-verbally but he can also control the minds of others, demonstrated earlier when he freezes Moira's colleague at the drinking fountain and tells the Man in the Black Suit to get in the car. In a deleted scene, Alex tells Charles that he accidentally killed one of his comrades in the field and still feels guilty about it. Erik gives all the mutants a choice to unite with him and form a brotherhood against humans or with Charles and his plight to co-exist peacefully among them. Azazel (<a href="/name/nm0002076/">Jason Flemyng</a>), Riptide (<a href="/name/nm1682733/">Álex González</a>), Mystique, and Angel choose to side with Erik, while Beast, Banshee, and Havok go with Charles Xavier. Sometime later, Moira pushes Charles' wheelchair to the door of his proposed academy while talking about getting the school up and running. Moira suggests that Charles call his team "X-Men", just like government agents are called "G-Men". Because anonymity is crucial, Charles wipes Moira's mind, leaving her with no clear memory of the mutants when she later undergoes a debriefing at CIA headquarters. Suddenly a large crash is heard. It is Erik breaking into the CIA holding tank to rescue Frost (<a href="/name/nm0005064/">January Jones</a>). "Join us", Erik says to Frost, while the rest of the Brotherhood waits outside the door. "Erik, I believe," she asks. Erik replies, "I prefer Magneto." There are four previous X-Men movies: (1) <a href="/title/tt0120903/">X-Men (2000)</a> (2000), (2)(2003), (3) <a href="/title/tt0376994/">X-Men: The Last Stand (2006)</a> (2006), and (4) <a href="/title/tt0458525/">X-Men Origins: Wolverine (2009)</a> (2009). X: First Class leads to <a href="/title/tt1877832/">X-Men: Days of Future Past (2014)</a> (2014) and <a href="/title/tt3385516/">X-Men: Apocalypse (2016)</a> (2016). Although <a href="/title/tt1430132/">The Wolverine (2013)</a> (2013) and <a href="/title/tt3315342/">Logan (2017)</a> (2017) do not have "X-Men" in the title, they chronologically follow on and reference the other movies, thus are considered part of the franchise, which makes nine movies total. <a href="/title/tt1431045/">Deadpool (2016)</a> (2016), a loosely-related movie (and start of a cinematic series) based off the comic lines spun off from the X-Men comics, is set in the same universe or perhaps an adjoining metaverse, and references characters and elements from the X-Men franchise throughout, but it is technically not part of the series. Bryan Singer stated they did their best to remain in continuity with the other X-Men movies, but he recognized that some liberties were taken for the sake of the plot in X-Men: First Class. Lauren Shuler Donner also stated that the Emma Frost in X-Men Origins: Wolverine is not Emma Frost, but the real Emma Frost is the one in X-Men: First Class. Furthermore, the credits in X-Men Origins: Wolverine list her as Emma/Kayla's sister and not exactly Emma Frost. So, while X-Men Origins: Wolverine initially advertised the character with diamond powers as Emma Frost, Fox technically retconned her appearance in X-Men: First Class by ignoring her appearance in the Wolverine movie and stating that the character wasn't Emma Frost. (Source: the Emma Frost Files.) Note that X-Men Origins: Wolverine has been retconned in other ways as well, but in some of those cases un-retconned. One example concern Charles Xavier's paralysis, and another involves the overall history of the character Wade Wilson. Only some of them. X: First Class is only part of the movie franchise based off the stories and characters from comic books within or spun off from the X-Men line—The Uncanny X-Men, "Weapon X", X-Factor, The New Mutants, X-Force, "X-Calibre", "X-Ternals", "Generation Next", etc.—to which 20th Century Fox holds cinematic license. Other Marvel-based films owned by other studios are not set in the mutants/X cinematic universe, due to differing ownership. Fox also owns/owned Fantastic Four and Daredevil, but there was never an apparent connection among X-Men (2000), <a href="/title/tt0120667/">Fantastic Four (2005)</a> (2005) and <a href="/title/tt0287978/">Daredevil (2003)</a> (2003). The whole deal surrounding X-Men is notably separate from, for example, the titles commissioned by Marvel Studios. All cinematic material made under the Marvel Studios banner, e.g., <a href="/title/tt0371746/">Iron Man (2008)</a> (2008), <a href="/title/tt0800080/">The Incredible Hulk (2008)</a> (2008), <a href="/title/tt0800369/">Thor (2011)</a> (2011) and(2011), are all set in the same universe (known as the Marvel Cinematic Universe), with the characters crossing over, culminating in <a href="/title/tt0848228/">The Avengers (2012)</a> (2012) which ties these films together. Marvel Studios also owns/owned The Punisher and Blade, however <a href="/title/tt0330793/">The Punisher (2004)</a> (2004), <a href="/title/tt0450314/">Punisher: War Zone (2008)</a> (2008), <a href="/title/tt0120611/">Blade (1998)</a> (1998), <a href="/title/tt0187738/">Blade II (2002)</a> (2002) and <a href="/title/tt0359013/">Blade: Trinity (2004)</a> (2004) are/were not in the Marvel Cinematic Universe (MCU). Like the case explained earlier, other Marvel-based films owned by other studios are not set in the MCU, due to differing ownership. This includes, for example, <a href="/title/tt0145487/">Spider-Man (2002)</a> (2002) and <a href="/title/tt0259324/">Ghost Rider (2007)</a> (2007) (both owned by Sony). Fans have noted a number of discrepancies that X: First Class introduced into the timeline of the other X-Men movies. There is no mention of any change in the timeline at this point (such as the one much later in 1973, in <a href="/title/tt1877832/">X-Men: Days of Future Past (2014)</a>), and no in-universe explanation is given for these breaks in continuity. The makers have stated that as part of a fresh start of the series, they wanted to make the best movie possible and chose to ignore established canon in some respects. So the discrepancies are meant to be retcons from artistic license. There are precedents for this earlier in the series: take, for example, the change in appearance of the lab and basin where Wolverine undergoes the adamantium grafting procedure between X2 and X-Men Origins: Wolverine. Nevertheless, the following is a list of the main differences noted, and possible explanations from a single-universe point-of-view: <ul><li>In X2, Hank McCoy appears in human form before his mutation is manifested by the third film, whereas in First Class, he goes through his transformation for the first time as a young man. It is very likely that he used an inhibitor, as he is seen using one in Days of Future Past. Another reason is that the Hank McCoy briefly seen in X2 was simply meant to be a name-drop cameo (Remy LeBeau, a.k.a. Gambit, is also briefly seen on a computer screen in X2).</li></ul> <ul><li>In X2, there is an instance where Sebastian Shaw is speaking with McCoy on television. However, he is referred to only as "Dr. Shaw" and may be a different character (or simply another name-drop).</li></ul> <ul><li>In the beginning of The Last Stand (during a flashback) and at the end of Origins: Wolverine, Xavier has full use of his legs in the 1980s, whereas, at the end of First Class, Xavier is wheelchair bound in 1962. He has regained and lost the use of his legs time and time again in the comics. In Days of Future Past, Beast has developed a serum that can reverse Xavier's spinal damage, but it also suppresses his telepathic abilities. In The Last Stand and Origins: Wolverine, Xavier clearly has both the use of his legs and his telepathy, so maybe there is a later cure for Xavier's spine without the suppressive side effects that works only temporarily (causing resistance). Another explanation offered is that Trask Industries develops DNA-generated artificial limbs in 1976, and he abandons them after learning of Trask Industries' anti-mutant activities. Lastly, it is possible that the walking Xavier seen in The Last Stand and Origins: Wolverine isn't Xavier himself, but one of his telepathic projections, used when he meets potential new students, in order not to elicit too many questions; Xavier also shows a telepathic, upright version of himself to Mystique in Days of Future Past.</li></ul> <ul><li>In the opening of The Last Stand, Eric and Xavier are working together to recruit Jean Grey in the 1980s. In this film, they go their separate ways much earlier in life. They may have briefly reconciled before going separate ways once again.</li></ul> <ul><li>In X-Men, Professor X mentions that he created Cerebro together with Magneto; in First Class, Cerebro was already built by Hank McCoy. Of course, the Cerebro in First Class may have simply been a small prototype, and the larger version of Cerebro seen in the first three movies may have been constructed by Professor X and Magneto together. As Big Cerebro was fully built by 1973 and Magneto had been imprisoned for 10 years (as seen in Days of Future Past), it is possible that they built it in 1962 when they moved into Charles' old house, in the months before the Cuban Missile Crisis.</li></ul> <ul><li>In X-Men, Professor X tells Logan that he met Erik Lensherr when he was 17 years old, which would have been about 1949 given that Xavier was born 1932. According to First Class, they met in 1962. However, they could have briefly encountered each other when Erik went to New York for the first time in 1949. Or Erik may have met Charles as a student at Oxford in 1949.</li></ul> -In X-Men, Professor X is surprised to learn that Magneto has a helmet which can prevent the professor from locating him with his telepathic abilities. In First Class, Xavier himself witnesses how Magneto obtains the helmet from Sebastian Shaw, and what negative effect it has on his telepathy. It should be noted though, that the Shaw helmet is a different helmet with regards to appearance. According toDays of Future Past, the Shaw helmet was taken from Magneto when he was imprisoned later. Magneto's new helmet is therefore a different one, explaining Xavier's unfamiliarity with it. <ul><li>In First Class, Professor X is childhood friends with Mystique, even before meeting Magneto (the professor confirms this in Days of Future Past). While it is clear from the other movies that the Professor and Magneto go way back, no allusion to Xavier's friendship with Mystique is made in any other movie (she even nearly kills him in X-Men). Days of Future Past, however, reveals that Mystique committed her first murder in 1973 to protect the other mutants. She was subsequently caught, tortured and experimented on before she escaped. These experiences changed her character irrevocably, causing her view of morals and her relationship with Xavier to take a turn for the worst (she may not even remember being friends with Xavier). Also, like Xavier, Mystique should be in her seventies in The Last Stand, but she doesn't look anywhere near that age. (Young Hank McCoy remarks that when she gets into her forties she would still have the cells of a teenager; she also may have improved healing abilities, since she survived a stab from Wolverine's claws in X-Men). In Days of Future Past, it is indeed revealed that Mystique's cells are extremely adaptable.</li></ul> <ul><li>In Origins: Wolverine, Emma Frost can cover her body with small diamonds, whereas in First Class, her body becomes one large diamond. See the FAQ entry "Why is Emma Frost in both X-Men Origins: Wolverine and X: First Class?" above.</li></ul> <ul><li>Lastly, Moira MacTaggart is seen as an non-mutant agent in her thirties in 1962 in First Class; MacTaggart also makes a short appearance nearly forty-five years later as a doctor in The Last Stand, but even though Professor X has aged considerably, she has not. Maybe the latter Moira is the former's daughter. This could also simply be another name-drop.</li></ul> Note: Originally the plan was for there to be a spinoff anthology series of "Origin" movies made by different cinematic artists (who would naturally have different ideas about how to render the X-Men mythos), but "X-Men Origins: Magneto" wound up becoming X: First Class, somewhat of an origin story for the X-Men in general along with the Brotherhood of Mutants. In theory, the overall story line of the series would have been more succinct and involved fewer if any retcons had all movies been written by the same group of people or had the franchise's main producer, <a href="/name/nm0795682/">Lauren Shuler Donner</a>, taken a slightly different approach to overseeing the screenwriting behind the cinematic rendition process. a5c7b9f00b

XMen First Class In Hindi Movie Download

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