Train To Busan Movie Download In Hd

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The investment manager Seok-woo is a divorced man that lives in Seoul, with his daughter, Soo-an, and his mother. Seok-woo is a selfish man and neglects Soo-an, who misses her mother that lives in Busan. On Soo-an's birthday, she asks to visit her mother, and Seok-woo travels with her with the intention of returning after lunch. They board the fast train KTX, but a sick woman also boards another car. During the journey, the woman attacks a member of the train staff and soon all the passengers in the car are attacked, turning into zombies. Seok-woo realizes that there is a zombie outbreak in South Korea, and together with the passenger Sang-hwa, who is traveling with his pregnant wife Seong-kyeong, they isolate the safe front cars from the infected ones. Along their journey, the non-infected passengers have to fight the zombies and the selfishness of their fellow human beings.
Life-or-death survival in train bound to Busan. A divorced man, Seok-woo is always caught up at work, leaving him no time to spare with his daughter Su-an. He offers to take her on the train to see her mother in Busan. As the train departs, an abnormal virus spreads from a girl who is infected, and people start to transform to zombies. Will Seok-woo and Su-an make it out alive? TRAIN TO BUSAN is director YEON Sang-ho's debut feature film, who is loved by Cannes with his edgy animation.
Nothing turns me off more than when zombie films gradually derail from character development and fall into the trap of gorefests and amusement killing just for the sake of it. Train to Busan, however, restores my faith in the sub-genre as director Yeon Sang-ho does not treat his characters as mere cannon fodder. Each character arc is well-contemplated, the established relationships may not be equally potent with each other, but for a film to wrestle with so many of them while successfully maintaining the edge-of-the-seat tension, the result is quite brilliant. We can see positive character growth in the main protagonist, Seok- wu (Gong Yoo), a divorced, workaholic fund manager/"corporate bloodsucker" who consistently neglects his daughter Su-an (Kim Su-an). We get to know that he's not exactly father-of-the-year material, he buys his kid a Nintendo Wii for her birthday oblivious to the fact that he already one to her earlier the same year. He reprimands her daughter's misplaced kindness during the zombie invasion, "In times like this, you have to think for yourself first." Few scenes later, the girl says to him, "You only think about yourself. That's why mommy left." Boy, he just got "re-educated" This kid is going to be her dad's moral compass throughout their eventful ride to Busan. Busan also includes a group of archetypal commuters to make this horrendous experience relatable to a wider audience: a pregnant woman (Jung Yu-mi) who's heavily relying on her brawny husband (Ma Dong-Seok), a pair of elderly sisters (Ye Soo-jung and Park Myung- sin), a pair of high-school sweethearts (Choi Woo-sik and Ahn So-hee) and a stern-looking businessman (Kim Eui-sung). The last person to hop in, however, is a girl with a strange bite on her thigh. We know where this heads now but the train crew seems to be more alarmed at the presence of a homeless man (Choi Gwi-hwa) hiding inside the washroom. Alas, once the infected girl rips the throat of her first victim and the zombies start to chomp and multiply (Hold the door! Hold the door! Hodor!!!), the film starts to categorize its characters: the selfless and the self- serving. These zombies may be the film's antagonist but there is a much more unsettling beast at the face of damnation: society quickly adepts to a new set of morals. Earning his spot as one of the most hated cowards in history, Eui-Sung's businessman character is the epitome of greed in this film. As he literally flings his fellow survivors to the undead for the sake of self-preservation, the point is clearly made that this is a dog-eat-dog world, whether it is the apocalypse or not. Whereas its obvious competitor World War Z shows a city-wide scale of apocalypse, Busan proves that confining it to a smaller scale is not a hindrance to deliver well-choreographed and jolt- inducing action sequences. Needless to say, my favorite part of this film is when the three male characters start to navigate their way through the carriages, each station proving to be more difficult than the last one. It certainly helps to know that these morphine-driven, break- dancing zombies have a flaw to them: they can only see or hear but they can't smell and they're also not taught how to open doors. Once those rules are established, director Sang-Ho levels the playing field by turning tunnel drives into game cheats, washrooms into sanctuaries and luggage compartments into unlikely safe passages. Train to Busan may not reinvent the zombie sub-genre per se but director Yeon Sang-Ho has a clever use of technique for this film to work both as a grisly form of entertainment and as a potent social allegory as well. For that, he solidifies his spot as a go-to- director when it comes to zombie films. The buzz for this film is totally worth it.
This lively South Korean zombie flick arrives in Oz with a limited release, which is a pity as it's a riotous adventure filled to the brim with action, gore and damn interesting story beats. Like all good films within this subgenre, the narrative is rife with metaphors about modern day issues (parent-child connections, corporate greed, human interaction, etc) but it also provides a compelling survival plot when taken at face value. The core relationship between Yoo Gong's self-centred businessman and his quiet, emotionally-neglected 9-year-old daughter (Soo-an Kim – a tour de force) is riveting as it gets put through the wringer, never feeling anything less than authentic. There are spurts of melodrama, however, that induce the odd unintentional chuckle, whilst a select few from the supporting cast play up their stereotypes – love-struck school girl, despicable scaremonger, muttering homeless man – a little too much. Sang-ho Yeon directs with unabashed gusto, pumping up tension and thrills though a string of adrenaline-pumping set pieces, an amazing train-station sequence that turns from hopeful to deadly being a particular high point. The undead are suitably grotesque and enjoyably expendable, their physical movements a mix between the 28 Days Later mode of rapid flesh-eaters and the herky-jerky twitches of J-horror ghosts, although the rules for how quickly someone becomes "infected" seems to vary depending on plot requirement. It doesn't necessarily bring anything new to the zombie genre, but with a bunch of exhilarating set pieces and a willingness to kill off anyone at anytime, Train to Busan certainly adds a whole lot of spark.
Train to Busan pulses with relentless locomotive momentum. As an allegory of class rebellion and moral polarization, it proves just as biting as Bong Joon-ho’s sci-fi dystopia “Snowpiercer,” while delivering even more unpretentious fun.
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Train To Busan Movie Download In Hd

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