The Shakedown

The Shakedown

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The Shakedown

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A legal attorney and renegade cop team up to stop a corrupt cop.
A drug dealer shoots a corrupt police officer. Though the drug dealer admits his guilt, he pleads self-defense. His lawyer, Roland Dalton, and renegade loner NYPD narcotics agent Richie Marks, pursue evidence in his favor. They encounter difficulties from other corrupt police officers, drug dealers, and various street scum. Dalton's life is further complicated by the fact that the prosecuting attorney is a former lover.
Hey! It&#39;s Robocop versus Huggy Bear, with Sam Elliot backing Peter Weller up. When a dodgy undercover cop tries to rob and kill a crack dealer and ends up getting ventilated, it&#39;s up to legal aid guy Peter Weller to get him freed. He&#39;s got many problems, however. The dodgy cop has loads of equally dodgy bad cop mates willing to cover up for him, and the prosecution lawyer type person is his ex-girlfriend. And he&#39;s engaged to be married to a woman who doesn&#39;t like Jimi Hendrix! What&#39;s a Robocop turned robo lawyer to do? Luckily, he&#39;s got Sam Elliot, a straight cop, on his side. Between them, they&#39;re going to clean up New York City of all crooked cops and crack dealers (with the exception of the crack dealer Weller&#39;s trying to free from prison).<br/><br/>This film is kind of all over the place, what with Weller&#39;s marital problems and those bad cops breathing down his neck. He&#39;s also got Huggy Bear (Night of the Sharks) trying to set both him and Ellot up to be killed, which leads to all sorts of action sequences that so increasingly ridiculous you&#39;ll be wondering which one to pick as the daftest moment in the film. Sam Elliott jumping from a fourth floor window onto a bus? Elliot having a punch up on a roller-coaster? Or how about Elliott attacking an aeroplane by jumping onto it&#39;s front wheel and shooting wildly while dangling in the air? That part was pretty stupid, and looked a bit rushed too, as if they were trying to keep the running time down a bit.<br/><br/>That said, it&#39;s moments like those above that keep the film going, or else we&#39;d be bogged down in legal procedure and Weller cheating on his fiancé. Weller and Elliott are both pretty good leads so that helps too.<br/><br/>Also starring John C McGinley of &quot;every film made from 1986-1990&quot; fame
I purchased this film under the title &quot;Blue Jean Cop&quot; and the police corruption storyline is a genre that interests me particularly in the film Q&amp;A and countless others.<br/><br/>Peter Weller stars as a defence attorney with idealistic values defending a drug dealer who killed an undercover cop in self-defence. The victim happened to be a &quot;blue jean cop&quot; - an apparent corrupt policeman who makes dirty money by stealing from drug dealers. This opens a can of worms when investigated further by Weller and he teams up with veteran cop Sam Elliott to bust the corruption and win his case.<br/><br/>It all sounds interesting in theory but the way the film was delivered was all over the place. Side stories includes Weller being on his last case before a move upwards on his career in his father-in-law to be&#39;s firm. Then there&#39;s the old girlfriend scenario with the prosecutor, having an affair despite having a fiancée and looking for a new house blah blah blah. It was like an over-the-top soap opera with swearing.<br/><br/>And add to this the corrupt cops and their shenanigans working with the local crime boss to prevent cover-up being blown. These scenes were like bad comedy especially with the over-the-top vulgarness to demonstrate that these guys were &quot;bad&quot;.<br/><br/>I&#39;m a sort of man who usually watches the film in its entirety even if I feel it&#39;s a bit rotten. Despite it being only 90 minutes long the last half hour drags on and ironically has a very brief epilogue to counteract it.<br/><br/>I would avoid this unless you have company and fancy a cheap laugh at the film&#39;s 1980s tackiness with mullet hairstyles and noisy ghetto-blasters amongst the so-called drama.

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