The Grandmaster Full Movie In Hindi Free Download

The Grandmaster Full Movie In Hindi Free Download

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The Grandmaster Full Movie In Hindi Free Download

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Ip Man's peaceful life in Foshan changes after Gong Yutian seeks an heir for his family in Southern China. Ip Man then meets Gong Er who challenges him for the sake of regaining her family's honor. After the Second Sino-Japanese War, Ip Man moves to Hong Kong and struggles to provide for his family. In the mean time, Gong Er chooses the path of vengeance after her father was killed by Ma San.
The story of martial-arts master Ip Man, the man who trained Bruce Lee.
Sadly speaking, &quot;The Grandmaster&quot; does not get a grand score from me.<br/><br/>Before this film, 3 movies have been made about Ip Man, with the first two by Donnie Yen. Like it or not, first movers always have an advantage. The prequel of Ip Man - &quot;A Legeng is Born - Ip Man&quot; - did pretty well, featuring a Wing Chun practitioner Dennis To. But, in my opinion, all these 3 movies did not sufficiently capture aspects of the Man&#39;s life stories that many fans are looking for - his philosophy about Wing Chun, how he took up Wing Chun, and, of course, his mentor-ship of Bruce Lee.<br/><br/>&quot;The Grandmaster&quot;, in my opinion, missed this golden opportunity to satisfy the thirst of martial arts fans on these aspects.<br/><br/>For one, I am surprised to see that the script chose to focus on something other than Wing Chun - the so-called &quot;64 forms&quot;, a kind of martial art - and revolve around the relationship between Man and Gong Er (Zhang Ziyi), with a rather strange majority of screen time placed on Er. In fact, I strongly suspected that the &quot;Grandmaster&quot; in the film is actually Gong Er and not Ip Man (and perhaps this film will be so successful in this respect that there will be another film on Gong Er?)<br/><br/>I believe audeince is in for the story behind Ip Man, Wing Chun and Bruce Lee, not &quot;64 forms&quot; or the fictitious Gong Er. It is clearly focus misplaced.<br/><br/>The fighting sequence is a major disappointment as well. Fighting sequence is barely 5 moves in total, with the camera zooming in on to the hands or legs and, which is my pet peeve, the overuse of slow motion and special effects that obscure the real beauty of the moves. I am not sure whether these effects are specially chosen to mask the fact that Tony Leung is not a martial artist, but applying these on veterans such as Zhang Ziyi - who has learn some martial arts before - is a waste of talents.<br/><br/>Taking a step back, I suspect that the producers and director seemed to want to break away from the proved formula of story-telling about Ip Man and Wing Chun, and took risk in the script and even cinematography. However, I see traces of Zhang Yimou in the technique, which I neither am opposed to nor strongly encouraged. However, I think the director OVERDID on the special and visual effects, because, in my opinion, he may have wanted every scene and frame to be visually stunning. While there are many scenes (including the special effects) that are indeed very captivating - e.g. those at the train station involving the duel of Gong Er and San - these effects quickly became a major muddling distraction for me, to an extent that I felt like the film has overrun in length in its appeal to audience.<br/><br/>I prefer a film that takes care of its basics well, before venturing into the visual/special effects (what I consider icing on the cake). In any story involving Ip Man, the basics should be the man, his family, his time and his Wing Chun.<br/><br/>Finally, the film applied another technique often seen in Zhang Yimou&#39;s films - the somewhat emotionally derived script with somewhat wooden expressions on its casts, with a hope to create an ambiance of mystery and helplessness (e.g. in a time that saw China fell into the hands of the Japanese during World War II). Personally, this technique is a waste of the acting talents of the likes of Tony Leung and Zhang Ziyi.<br/><br/>&quot;The Grandmaster&quot; is clearly a focus misplaced.<br/><br/>I had higher hopes for anything Ip Man and Wing Chun.
When I see a movie like this I remember the joy and awe I experienced as a child. I would walk out of the theater with a feeling like I had a secret experience. I had seen into the soul of the film maker and I had captured a talisman that would be mine forever.<br/><br/>Such is the awe and joy at seeing this, one of the most stunning and beautiful films ever made, from my point of view. Each frame is poetry, art and loaded with meaning. The entire cinematography of the film is like a lightning bolt to the heart of the viewers.<br/><br/>It is certain that a film like this could never be made here or in any Western country. And the fact that this masterpiece will be ignored here in the US and even disparaged right here on IMDb, is a story that I do not have the time or patience to go into. Let&#39;s just say that all of those who are not going to this film because of this negativity are going to miss one of the most stunning movies of the last 25 years.
The Grandmaster, five years in the making, feels like a waste of Wong’s talents.
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