Teen Girls Erotic Films

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Jamie founded Listverse due to an insatiable desire to share fascinating, obscure, and bizarre facts. He has been a guest speaker on numerous national radio and television stations and is a five time published author.
One of the most precious things that exists in this world is childhood innocence. Unfortunately, the film industry has a disturbing history of having children perform sexually explicit actions on film, largely for the entertainment of adults. While attracting rightful condemnation from many, there is not enough being done to protect children working in the entertainment industry from being exposed to and participating in things that children should not be a part of.
This is a particularly timely list as the mainstream media has recently begun drawing attention to QAnon when a reporter recently asked the president what he thought about “his” suggestion that Mr Trump is working to end a deeply entrenched child sex trafficking cabal in the deep state with Hollywood complicity. Additionally, Netflix recently released a show Cuties which has horrified many with its extreme pro child sexuality content.
These are 10 films featuring children performing explicit actions on screen . . . disturbingly this is just the tip of the iceberg.
Seth Rogan’s 2019 comedy film Good Boys pushed all the remaining boundaries of late night comedies. The film features 3 13 year old boys, played by real 13 year old actors, who are preparing for their first Kissing Party and have several misadventures along the way. The boys activities in the film included them cursing, peeping on their neighbors and underage drinking. In addition there were several scenes featuring the underaged actors using sex toys, both properly and improperly. One scene featured 13 year old Jacob Trembly kissing a sex doll which was implied as being used by one of his friends parents. Another featured all 3 of the boys viewing a pornographic video. In spite of all of this, there was little mainstream controversy surrounding the film and it was released to the public without incident, grossing 110.6 million at the box office.[1]
Blank Check (1994) Official Trailer – Brian Bonsall Movie HD
Guy at Boat Dock Loads Boat into His Van
Disney movies are meant to be child friendly and family friendly films. Given that they are mostly watched by children, Disney movies are often held to a higher standard in terms of what is on screen. That is not always the case however and several Disney films have been at the center of controversy, one such is the movie Blank Check. In 1994’s Blank Check, the 11 year old Preston was seen to be in a one sided relationship with a 32 year old actress featuring dates, romantic gifts, and culminating in a kiss on the lips at the end of the movie. It created controversy at the time but was quickly forgotten and Disney was forgiven. This scene came back to haunt Disney in 2019 when the film was rereleased on Disney’s new streaming service Disney Plus. Many people were shocked and appalled that Disney chose to keep the scene in the movie, however the protests fell on deaf ears and the scene remains on Disney Plus.[2]
Interview with the Vampire- Louis and Claudia
Much like Blank Check, Interview with a Vampire features a kiss between an underage actor and an adult actor. The main difference is between the genders of the actors, with the female Kristin Dunst kissing the male Brad Pitt. There was a 19 year age difference between Pitt and Durst at the time. Since the film’s release, both Pitt and Durnst have spoken about the scene saying how they both felt disgusted by what they had to do and regret their roles. Although Durnst feels uncomfortable with the kiss she shared with Pitt, she still speaks highly of Brad Pitt and his behavior on set, saying that he was like an older brother to her.[3]
The Godfather (1972) Trailer #1 | Movieclips Classic Trailers
Francais Ford Coppola’s 1972 film The Godfather is considered by many to be one of the greatest films of all time. The film tells the story of World War Two veteran Micheal Corleone, the son of feared Mafia Don Vito Corleone, reluctantly taking over his father’s criminal empire during a time of conflict within New York’s organised crime families. In addition to controversy from Italian Civil Rights groups and real organized crime organizations in regards to the depictions of Italian Americans, one particular scene crossed the line. In the film, when Micheal is forced to flee to Italy after killing a rival monster as well as a New York City police captain, he meets a young Italian woman named Apollina, who he soon marries. In the scene where Micheal and Apollonia consummate their marriage, the then 16 year old Simonetta Stefanelli removed her top showing her bare chest and began a sexually suggestive scene with the then 30 year old Al Pacino. Despite this, The Godfather’s legacy as a cinematic masterpiece remains.[4]
Pretty Baby (3/8) Movie CLIP – Bidding on Violet (1978) HD
A movie telling the story of an underage prostitute featuring an underage actress will always create controversy, with outrage likely following quickly. As a result such movies are rarely made, especially ones featuring real underage actresses. But in 1978 a movie like that was released, starring 12 year old Brooke Shields. There were countless controversial scenes in the film, such as 12 year old Shields completely naked, Shields virginity being auctioned off and Shields being drugged and sexually abused. These scenes led to the film being banned in the Canadian provinces of Ontario and Saskatchawan, in a ban that lasted until 1995. Now, the film is considered a classic by some, but a sick use of cinema by others. Shields, who was the focal point of this controversy says that she regrets nothing and is proud of the film.[5]
Taxi driver : Travis wants to help Iris
Jodie Foster’s role in Taxi Driver has always been marked with criticism. Given her young age at the time, coupled with the fact she had to flirt with 33 year old Robert DeNiro and witness the film’s violent climax when 3 men are gunned down in a bloody gun battle. These scenes were so gruesome that Foster had to undergo several psychological evaluations in order to perform in these scenes, further stoking controversy. Finally, 4 years after the release of the film a man named John Hinckley shot President Ronald Reagan in order to get Foster’s attention. Today, Taxi Driver is known for being the film that put director Martin Scorsese on the map, as well as being one of Robert DeNiro’s most memorable roles.[6]
Based on the controversial 1955 book, Lolita is a movie detailing the illicit relationship between a 12 year old girl and her middle aged stepfather. Unlike the original 1962 movie which had a more lighthearted and comedic tone to it, the 1997 remake of the film did not shy away from the more controversial themes of the original novel. In the film, Lolita was played by 17 year old Dominique Swain while Humbert Humbert was played by 49 year old Jeremy Irons, who later stoked controversy for saying that parental affection had a sexual aspect. In the film, Irons and Swain engaged in all of the hallmarks of a traditional relationship such as hugging, kissing, as well as illusions of sexual contact between the pair.[7]
Cuties | Official Trailer | Netflix
The description of this movie says it all. “Amy, 11 years old, tries to escape family dysfunction by joining a free-spirited dance clique named Cuties, as they become aware of their own femininity through dance.” This, combined with images of scantily clad young girls sparked a fierce social media backlash with many demanding Netflix remove the film with some even going so far as to cancel their Netflix accounts altogether. Netflix further stoked controversy when their executives refused to condemn pedophelia and insisted that the controversy surrounding the film was wrong. Nonetheless, Netflix eventually bowed to public pressure and removed the posters featuring scantily clad young girls and changed the film’s description. That however does not change the fact that the film contains scenes of scantily clad 11 year old girls performing sexually provocative dances and is set to release to the public very soon.[8]
Manhattan (1979) Official Trailer – Woody Allen, Diane Keaton Movie HD
Noted Hollywood figure Woody Allen’s personal life has been the source of controversy over the course of many years. The source of this controversy stems from his relationship with his step-daughter Soon Yi, whom he had raised since she was 11 years old. It has been alleged that the relationship started before Soon Yi was 18, but that has never been proven. Given this controversy, his 1979 film Manhattan has been analysed under a new light. This film, which tells the story of a 42 year old writer, played by Allen, dating a 17 year old high school student, played by 17 year old Mariel Hemingway. Given the disturbing nature of Allen’s later relationship, many have said that the film represents a pedophelic fantasy of Allen’s, as opposed to the work of cinematic art it was once hailed as. Nonetheless, the film still details an inappropriate adult/child relationship in a normalised context.[9]
Kids (1995) Official Trailer #1 – Larry Clark Drama HD
The 1995 film Kids centers around several teenagers in New York City in the mid 1990s. At the time of the film’s release it was rated NC-17 due to scenes of underage drug abuse, underage nudity, and a plotline centering around an HIV positive rapist who went around infecting young virgins. It also attracted anger from the general public for these themes and sparked a heated debate about artistic expression. Despite this, it was released unedited. A film so controversial could only be made by one man. The infamous former Hollywood producer and convicted rapist Harvey Weinstein, who is now serving a 23 year sentence for his crimes. Although most of the main cast members were over the age of 18 at the time of filming, several such as Leo Fitzpatrick and Rosario Dawson were still underage at the time of filming, and performed explicit actions as such.[10]
About the author: After using many pseudonyms to write twelve lists for Listverse, I have now decided to publish under my own name.

Being a teenager is hard enough, but once the hormones start raging, all bets are off. These films will help you get through it (or remember it semi-fondly).
Risky and risqué, indie films have always been a home for bold, honest, and controversial visions of teens’ sexuality. Eliza Hittman’s “Beach Rats,” opening this week after bowing at Sundance in January, is another notch in the belt of the sub-genre, a sensitive and often shocking look inside the coming-of-age of a young Brooklyn teen.
Like the best of these films, it’s not all about hormones; it builds on questions about identity and desire. But that’s there too, in sensitively crafted scenes that don’t skimp on reality. Punctuated by some bad choices and an unnerving final act, “Beach Rats” embraces the full spectrum of teen sexuality, even when it’s not exactly alluring.
Here are eight indie films that engage with the subject matter in appropriately intimate ways.
While “Beach Rats” isn’t an official sequel to Hittman’s previous film, “It Felt Like Love,” the filmmaker explores similar themes and structures and both, told from seemingly opposite vantage points. Set during another languorous Brooklyn summer, Hittman’s debut follows 14-year-old Lila (a fearless Gina Piersanti), awkwardly and constantly exposed to the sexual exploits of her older friend Chiara (Giovanna Salimeni), who goes through boyfriends and experiences with the kind of ease that Lila can scarcely imagine. Lila’s desire to be, well, desirable, finds her fixating on a local boy Sammy (Ronen Rubinstein) with a reputation, whom she doggedly pursues in hopes of striking up a relationship. Lila’s emotional immaturity constantly butts up against her deep physical desires, leading her into increasingly fraught situations she’s not equipped to handle. Like “Beach Rats,” Hittman slowly spoons out important revelations, but its the smallest details that hurt — and hit — the most.
Onnalee Blank, The Underground Railroad – Craft Considerations
Abdellatif Kechiche’s rigorously erotic three-hour romance initially spawned Cannes walkouts before picking up the Palme d’Or, split three ways between Kechiche and his stars Adele Exarchopoulos and Lea Seydoux, proof of the level of dedication all three of them poured into a wild (read: maybe even nightmarish) shoot. While “Blue” earned big buzz because of the obvious — its long-form sex scenes, alternately hot and totally exhausting — that only obscures the finer points that Kechiche and his ladies put on the ill-fated romance between Adele and Emma. Hormonally speaking, it’s essential that the film opens when Exarchopoulos’ Adele is still slogging through high school, all burning desires and deep boredom, the perfect time for her to meet and fall obsessively in love with the slightly older Emma. There’s no love quite like the first, and while Adele’s awakening isn’t just about sex, but also her sexuality, that her most formative of experiences comes at the hands of another woman is simply one facet of a highly relatable love story. Sure, audiences may still flock to the film for its unbridled sex sequences, but there’s no scene more telling than Adele, stuffing her sauce-stained face full of spaghetti, bursting with new desires that have to be redirected somewhere. 
Awkward, horny teens eager for sexual satisfaction are hardly underrepresented in the entertainment world — hello, sex comedies — but films that center on teenage girls and their kinkiest desires are still outliers. Jannicke Systad Jacobsen’s Norwegian festival favorite doesn’t shy away from showing off just how gross, weird, and yes, horny as hell girls can be, too, all filtered through the experience of indomitable Alma (Helene Bergsholm). When the film opens, Alma’s sexual awakening is already chugging right along, though it’s about as tragically amusing as it gets, punctuated by routine calls to a phone sex line and a mother who just doesn’t get it. Alma’s life gets both worse and better when a popular peer pokes her with his penis at a casual gathering (romance!), and she refuses to let him live it down, alternately turned out and a little freaked out. Her isolation grows (turns out, high school kids are awful), but her libido won’t be tamed — a strange mix that adds up to a risky, funny feature topped off by some big truths.
Dee Rees’ lauded feature debut (based on her short of the same name) is a revelatory look inside the fraught coming-of-age of Brooklyn teen Alike (Adepero Oduye), as she conceals her sexual desires — and, in many ways, her entire identity — as outside forces push her to be honest about what she wants. That’s a hard enough concept for even the most well-adjusted of teens to face, but for Alike, trapped by a restrictive family and pushed to conceal everything from her wardrobe to her taste in music, it feels nearly impossible. Rees peppers in moments of Alike embracing her true feelings, brief flashes of freedom that hint at who she could be if she didn’t need to hide, but they also live alongside nerve-wracking reveals that drive home just how trapped she is. For Alike, her sexual awakening comes hand and hand with her personal growth, and neither will be the same by the film’s moving conclusion. She is not running, she is choosing. 
David Wnendt’s 2013 German drama goes there. And also there, there, and there, right around there, over there, and down there. If there’s an orifice for leading lady Carla Juri to probe in pursuit of pleasure (and maybe even some pain), she’s going to do it. Possibly also with a vegetable. The most out-there, oh-wow coming-of-age story of the century, a movie that makes the pie-loving of “American Pie” look embarrassingly infantile and “Blue Is the Warmest Color” seem suitable for family consumption, “Wetlands” is a riot of sounds and sights that run the gamut between dreamy and nightmarish. But for all its gross-out humor, “Wetlands” also packs an emotional punch, all of it hinging on Juri’s wild-eyed work as the wholly unique Helen, on the cusp of the rest of her life (and super-horny for it).
Marielle Heller’s 2015 Sundance hit “The Diary of a Teenage Girl” is not your average coming-of-age story. Based on Phoebe Gloeckner’s graphic novel 2002 “The Diary of a Teenage Girl: An Account in Words and Pictures,” the film bravely and brazenly turns its taboo subject matter — the sexual awakening of a teenage girl — into a funny, smart, and honest story that entertains as much as it educates. Bel Powley stars as Minnie Goetze, a precocious 15-year-old muddling her way through the swinging scene of seventies-era San Francisco. Like many girls her age, Minnie is struggling to find her place in the world, a journey made all the more difficult by her seemingly unstoppable hormones. As Minnie taps into her burgeoning sexual desires, her life takes a turn — straight into the arms of Monroe (Alexander Skarsgard), her mother’s boyfriend. Heller deftly navigates questions of consent and issues of age, and Minnie makes it clear that she’s making her own decisions, even if they’re probably bad ones.
James Ponsoldt’s 2013 adaptation of the Tim Tharp novel of the same name (beautifully written for the screen by Scott Neustadter and Michael H. Weber) has often been hailed for its sensitive depiction of addiction and its fresh spin on the classic teen romance, but it also takes on sexual awakening in a moving way. Inexperienced Aimee (Shailene Woodley) is seemingly no match for the confident Sutter (Miles Teller), but when the pair fall into a hazy relationship, she bravely embraces the possibility that they could have something real. Inevitably, that includes Aimee losing her virginity to Sutter, in an achingly real sequence that sees Woodley assuming control and guiding the pair into one of the most relatable and emotional love scenes in recent memory. That it also handily deals with issues of consent and doesn’t try to be salacious just for the hell of it makes it even better, and further illustrates the different ways in which both Aimee and Sutter are coming into themselves, with sexuality as just one face of that maturation.
Tucked inside Julia Ducournau’s midnight movie, a visceral, challenging, and often jaw-dropping genre feature about cannibalism, is a tasty treat of a coming-of-age tale. The film follows a young student (Garance Marillier) who discovers some uncomfortable truths about herself (and the world) when she heads off to vet school (kind of the perfect setting for a body horror film), most of them centered on her evolving relationship with meat. All kinds of meat. Initially restrained and severely buttoned up, Marillier’s Justi
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8 Seductive Indie Movies About Teen Sexuality | IndieWire
10 Sexually Explicit Films Featuring Children - Listverse
Best Sexuality Short Films | Short of the Week
The best teen movie virginity scenes of all time
Infamous Erotic Moments in German Cinema – Scene360
The Most Perverted Films Of Alltime - IMDb
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Teen Girls Erotic Films