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I still remember the first time I watched Cannibal Holocaust. It was during a hot humid summer in Korea, and I was a lonely 15 years old boy who found solace in watching foreign films. By then I had developed a taste for wacky stuff, already jaded enough to find Cannibal Holocaust neither too shocking nor scary for me. I was actually a bit disappointed; the local media had made quite a scene when the national censor board lifted the ban, thus allowing this film to be shown in the country. The animal cruelty part was plain boring, because, you know, in Korea, we eat dogs and what not, so whats the big deal about it? :D And the murder scenes were obviously fake. Even the iconic Impaled Girl failed to impress me; come on, did anyone actually think it wasnt staged? I cant believe Ruggero Deodato got into legal trouble for that!What interested me instead was its lost-and-found-footage device through which the revelation of the previously lost films content becomes a film you shouldnt watch. What they found in the recovered cans of film reels was so horrifying (to them, not to me. oh poor innocent children) that they decide to destroy the film -- I didnt understand this decision of savage vandalism, and I still dont. If it is truly so horrifying that it defies our common sense and flies beyond our imagination, it needs to be studied, not destroyed.In general, I like exploitation films (and also their equivanlents in literature) because I often wonder if they can give hints to my question: Does humankind possess the ability to describe, imagine, or comprehend the Ultimate Evil? In my view, it is as ineffable as God or the Divine. Medieval thinkers came up with apophatic theology or via negativa, an attempt to describe God or the Divine Good by negation, that is to talk only in terms of what cannot be said about the subject. Ive come to believe that the same rules apply to its opposite extreme.
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