Russian Pregnant Mom And Son

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By Jessica Rach and Chloe Morgan For Mailonline 17:51 BST 14 Jul 2020 , updated 07:52 BST 15 Jul 2020
A Russian influencer has married her 20-year-old stepson after divorcing his father, and has announced they are expecting their first baby. 
Marina Balmasheva, 35, hit headlines when she shared a picture in May of herself with her ex-husband's son Vladimir Shavyrin when he was seven, alongside a snap of them together now.  
But instead of persuading people to support her, attracted a storm of protest when she shared the before-and-after photo on Instagram with her 420,000 followers.
Marina, who hails from the western Russian region of Krasnodar Krai, lived with her husband Alexey, 45, from 2007 for over 10 years before the relationship ended in divorce.
This week she shared a video as she married Vladimir at a local registry office, revealing they are expecting a baby boy together.
Woman, 35, marries 20-year-old stepson whom she raised from age of 7
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Marina shared a picture of the couple on their wedding day along with a heart picture, writing: 'We drove to the registry office, I didn't even have a hairbrush with me. The rings were in the car. There was a good mood and a little embarrassment.
'After the registry office, we dressed in typical wedding attire and enjoyed a nice reception at a local restaurant with several guests.
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'We are expecting a baby and we now want to move to a bigger city.'
She also revealed that they weren't on speaking terms with her ex-husband, writing: 'I think he does not like what we have done.' 
In May Balmasheva shared a snap of her posing next to little Vladimir 13 years ago when he was just seven-years-old. 
Alongside the photo, she included a more recent picture of the happy couple cuddling.
'You never know how life will turn out and when you will meet a person who makes you smile,' Maria commented.
'I know that some will judge us, others will support us, but we are happy and wish you to be as well.'
Marina added she is very much in love with Vladimir, and the couple are helping to raise three of his five siblings, according to reports.
She reportedly adopted her ex-husband's five children when they were together, but the youngest one, who has Down syndrome, continues to live with the father.
Marina revealed that she wants to have children with Vladimir and that they are currently planning their wedding.
Many were left outraged following the post and said it was immoral to start a relationship with the child that she had helped to raise.
Netizen 'SvetlanaNakhshumova' commented: 'What shocks me most is that this boy grew up before her very eyes.' 
Others went on to make crude comments about her ditching an older man for a younger model.
Age gap couple are polar opposites but still found love
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Pregnant Russian influencer, 35, marries 20-year-old stepson
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A man goes for a walk through the countryside with his dying mother.
A slow and poignant story of love and patience told via a dying mother nursed by her devoted son. The simple narrative is a thread woven among the deeply spiritual images of the countryside and cottage.—Archie Moore
In "Mother and Son" Sokurov used special lenses, distorting mirrors placed on the sides of the camera, and painted glass set directly in front of the lens to create his unique dreamlike world.
Son: Don't die then. Who is forcing you?
After opening with a distorted tableau, Sokurov moves slowly into images of stones, grass; he's a naturalist who's addicted to nature; a humanist who's dedicated to the intimate. (The mother and son in his film are not characters or types or ciphers or "performances.") The camera movements are so beautifully slow that they're hard to describe -- imagine the precision of "Ordet" had it been made in color, those images still and hazy, like pastoral paintings with glowing hues of light. They're some of the purest images I've ever seen, comparable to "Barry Lyndon" and "McCabe & Mrs. Miller." What is so startling is that the color makes the film seem modern -- and such a hazy yet lucid color, Maddin-like in its Expressionism and schemes: fable-like and emotionally incestuous. It exists outside time, its only indicator a train within the film; existential emptiness represented visually. The film passes by quickly, with the perpetual wind that sounds like the ocean. It's as if the film is a progression of the most beautiful visions imaginable, the various images of death.

It is something different -- art should be unique, if we're talking about art in the vein of Picasso, Shakespeare, and Bach, shouldn't it be an experience like no other? In fact, this could easily be compared to Tarkovsky, the most obvious comparison. But for me it feels more like Dreyer without the self-conscious dialogue. It couldn't be said to be complex -- it's two characters talking rather simply. But what it lacks in complexity it makes up for in singularity. (The images are at times so rich that it's almost comical -- is this a film set or not?) It's the kind of film that's easy to make fun of, intruding on the most personal moments of this pathetic-looking mother and her son who constantly speaks in a hushed tone -- you imagine one of those "Seinfeld" Village Voice parodies. It isn't emotional or intellectual; I don't even know if it's profound. But it's a masterpiece, plain and simple. 10/10
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