READ Fantasies of a Bollywood Love Thief: Inside the World of Indian Moviemaking by Stephen Alter download finder ipad reader tom

READ Fantasies of a Bollywood Love Thief: Inside the World of Indian Moviemaking by Stephen Alter download finder ipad reader tom

READ Fantasies of a Bollywood Love Thief: Inside the World of Indian Moviemaking by Stephen Alter download finder ipad reader tom

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Book description

Book description
Bollywood movies are glorious, colorful spectacles of romance, action, drama, song, and dance. The biggest film industry in the world, Bollywood puts out some nine hundred movies a year, which are watched by passionate fans around the globe. Stephen Alter—a writer who grew up in India and has inside access to Bollywood—acts as translator and tour guide in this firsthand look into the world of Bombay films. Following the making of a Bollywood version of Othello, he explores the enormous popularity of Hindi movies and reveals the actors, directors, musicians, and feats of artifice that make them so compelling and unique. From the blessing ceremony performed each time a movie starts shooting to the secrets behind the song- and-dance extravaganzas, Fantasies of a Bollywood Love-Thief is a beguiling introduction to the rituals and culture of a moviemaking industry so similar to and yet utterly different from our own. Editorial Reviews Indian cinema goes by the shorthand Bollywood, which refers to Hindi-language films produced in Mumbai (formerly Bombay). The style of filmmaking is distinct-elaborate plots, lots of song and dance and colorful costumes. Its got its own celebrities, and a fan base bigger than the combined population of Europe and America. Producing more than 900 movies a year, Bollywood is an exotic mystery to Westerners. Alter (Elephas Maximus) lives and works in India; hes a natural guide into this complex world. He explains that Bollywood films are made by entrepreneurs rather than studios, with hit songs propelling the films, and along the way discusses the plots, the stars and the creators. Because romance is a key plot device, the love thief, a character who steals anothers heart, boasts enduring appeal. Much of the book is devoted to the making of Omkara, an updated, uniquely Indian take on Shakespeares Othello. Alter clearly loves the medium and sprinkles in a history of this fascinating industry, but by covering the production of jus
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