Old And Young Lesbians Mature Vk
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Yes, sometimes characters should die in films. Sometimes that makes sense for the story that film is trying to tell. But when it feels like every movie about lesbians you watch involves a lesbian dying, or deciding that women just weren’t for them and that they’d like to date men again, it gets a little old. So here are 18 lesbian movies with happy (or at least hopeful) endings!
But I’m a Cheerleader may take place in a conversion therapy camp, but this romantic comedy starring Natasha Lyonne and Clea DuVall has one of the best happy endings in a movie about lesbians ever.
It’s hard not to fall a little bit more in love with Carol every time you see it. The romantic drama set in 1950s New York tells the story of a love affair between soon to be divorced Carol Aird, and young aspiring artist, Therese Belivet. The film was based on The Price of Salt by Patricia Highsmith, which had an unprecedented happy ending for lesbian characters when it was released in 1952.
I Can’t Think Straight is a 2008 romance film about Tala, a London-based Jordanian of Palestinian decent, who is planning her wedding, and Leyla, a British Indian, the woman she has an affair with. The film attempts to deal with race, class, and sexuality in 80 minutes to varying degrees of success, but Tala and Leyla’s super sweet love story and ultimately happy ending make it worth the watch.
Life Partners follows the friendship of Sasha (Leighton Meester) and Paige (Gillian Jacobs). Sasha is a lesbian, and Paige is straight. Their friendship is the first and only priority, until Paige meets a new boyfriend, Tim. While the film doesn’t focus on a lesbian love story, it is an entertaining buddy flick. Bonus: the film is currently streaming on Netflix!
Nina’s Heavenly Delights is a 2006 romantic comedy that follows Nina Shah and Lisa as they begin a romantic relationship after Nina’s father dies and leaves half the restaurant to Lisa.
Kiss Me is a Swedish drama following Mia, an architect who is engaged to Tim, her business partner. When she meets Frida, the daughter of her newly engaged father’s fiancée, they begin an affair. Bonus: the film is currently streaming on Netflix!
Imagine Me & You is a German-British romantic comedy that centers on the relationship between Rachel and Luce who meet on Rachel’s wedding day to Hector. The film offers happy endings for everyone, even Rachel’s ex-husband.
Okay, so technically people die in Bound. This 1996 neo-noir crime thriller by The Wachowskis follows Corky, an ex-con who just finished a five-year jail sentence, and Violet, her new next door neighbor who she starts a relationship with. Despite all the ways things could go wrong for the couple, they get a happy ending!
Show Me Love is a Swedish film following two teenage girls, Agnes and Elin, who begin a romantic relationship in their stifling small town. Bonus: the film is currently streaming on Netflix!
Gray Matters is a 2006 romantic comedy that follows Gray Baldwin, who lives with her brother Sam, and accidentally falls in love with her sister-in-law.
Is Jenny’s Wedding a great movie? Not really. There are a lot of long speeches about why Jenny’s conservative parents are wrong, and about how love overcomes everything, although the relationship between Jenny and Kitty is so thinly developed that it’s hard to believe it overcomes much. That said, if you just want to see a movie where Katherine Heigl and Alexis Bledel play a lesbian couple that gets married, go for it!
D.E.B.S. is an action-comedy parody of the Charlie’s Angels format. The film focuses on a love story between a hero, Amy Bradshaw, and a villain, Lucy Diamond. Despite the fact that they're on opposite sides of the law, the two get to ride off into the night together.
The World Unseen was written and directed by Shamim Sarif, also known for I Can’t Think Straight, and stars the same actresses, Lisa Ray and Sheetal Sheth. The film is set in 1950s South Africa, where Amina and Miriam tentatively begin a romantic relationship in the midst of oppression.
Saving Face is a romantic comedy directed by Alice Wu that focuses on Wilhelmina, a Chinese-American surgeon, and her dancer girlfriend, Vivian. The ending is so ridiculously sweet and happy that you’ll want to dance.
The Incredibly True Adventure of Two Girls in Love is a 1995 film written and directed by Maria Maggenti. The film follows the relationship between two very different teens, Randy Dean and Evie Roy. While the film doesn’t have an entirely happy ending since Randy and Evie are navigating being out and adulthood for the first time, the characters are allowed to do so without dying.
Desert Hearts is a romantic Western drama directed by Donna Deitch and based on the 1964 novel Desert of the Heart by Jane Rule. The film is set in 1959, and follows Vivian Bell, an English Professor who travels to Reno, Nevada to obtain a quick divorce, and Cay Rivers, a free-spirited sculptor, as they start an affair. The film has a hopeful ending.
Better Than Chocolate is a 1999 Canadian romantic comedy directed by Anne Wheeler. The film follows Maggie, who has recently moved out on her own, as she starts a relationship with another woman, Kim. Things become more complicated when Maggie’s mother and brother are forced to move into her loft, and are unaware that she’s a lesbian.
After living in New York for many years, photographer Ronit (Rachel Weisz) returns for a trip back home to her super-conservative, Orthodox Jewish community in London and rekindles a forbidden relationship she had with her childhood friend Esti (Rachel McAdams), who has since married their other childhood friend (and a respected Rabbi in the community) Dovid.
The catalyst for Ronit returning to London and reuniting with Esti is the death of Ronit's father, so technically, someone did die in this movie...but at least it wasn't the queer women!
Who knows if it's the repression, the fetish costumes that include corsets and hosiery, or simply the chance to tell a story of early forbidden love, but Hollywood and plenty of independent producers love to set stories about queer women in the past. While queer women in bodices have proliferated of late in Ammonite, Portrait of a Lady on Fire, and The Favourite, some period pieces about women in love are set in the not-so-distant past of the 1970s or 1950s. Some viewers long for more contemporary stories of queer lives while others love a good love story that holds its cards close to the vest. It's safe to say, though, that for viewers who prefer to time travel with a good love story about queer women, there are plenty of options. Here are 31 stories of desire between women, all set in the past.
Based on Dorothy Bussy’s semi-autobiographical novel of the same name, director Jacqueline Audry’s Olivia is set in a young women’s finishing school that is also a hotbed of desire. The film was still shockingly ahead of its time when it was restored and released in theaters in late 2019. While Olivia was originally released in 1951, it was set in the 19th century in a world nearly devoid of men and brimming with desire and jealousies among its young characters — particularly Olivia’s infatuation with her superior, Mademoiselle Cara.
The inimitable Vanessa Redgrave was nominated for an Oscar for her portrayal of Olive Chancellor in The Bostonians, a suffragette who becomes romantically entangled with Verena (Madeleine Potter), a rising star and speaker in the turn-of-the-century feminist movement. Based on the novel by Henry James and directed by James Ivory, the film begins in 1886. A triangle is at the center of the love story as Christopher Reeves’s charming Basil also vies for Verena’s attention. Jessica Tandy, Nancy Marchand, and Linda Hunt costar.
One of the most beloved and acclaimed films about queer women of all time, Donna Deitch’s Desert Hearts was ahead of its time even if it was set in the late ’50s. Helen Shaver stars as Vivian, an English professor from New York City who gets a whole new education while waiting to obtain a “quickie” divorce in Reno, Nev. There she meets the wild child Cay (Patricia Charbonneau), whose affair with Vivian is not her first time at the rodeo. The women are soon deep in a relationship in a movie that had the audacity in 1985 to offer up a hopeful ending — something many films about queer women wouldn’t do for decades to come.
Based on Alice Walker’s novel, The Color Purple, set in the early 20th century, tells the story of Celie (Whoopi Goldberg) whose life is upended when she’s torn from her home and forced to marry Albert (Danny Glover), a man she doesn’t love and who’s abusive. Much of the film, directed by Steven Spielberg (the fact that this was perhaps not his story to tell is another matter altogether), that touches on issues affecting Black people in the post-Civil War South, focuses on letters Celie finds from her long-lost sister Nettie who became a missionary in Africa. Much more prevalent in the novel and alluded to in the film is the decades-long love affair between Celie and the singer Shug Avery (Margaret Avery).
This film tells the story of one of the most famous lesbian literary couples of all time. Linda Hunt stars as Alice B. Toklas, and Linda Bassett plays Gertrude Stein in Waiting for the Moon, from acclaimed director Jill Godmilow. In the film, set in the ’30s, Stein and Toklas rub elbows in their salon with the likes of Ernest Hemingway, Pablo Picasso, and Guillaume Apollinaire.
While the queerness wasn’t overt in Jon Avnet’s adaptation of Fannie Flagg’s Fried Green Tomatoes at the Whistle Stop Café, those who knew it knew that Idgie (Mary Stuart Masterson) and Ruth (Mary Louise Parker) were life partners and romantically involved. Told in flashback by Jessica Tandy’s Ninny to Kathy Bates's frustrated housewife Evelyn, Fried Green Tomatoes is set in the early 20th century, and its central plot revolves around the decades-long love that forms between the “bee charmer” Idgie and Ruth, who leaves her abusive husband to be with her one true love. Of course, they build a café together, raise Ruth’s son together, and make killer fried green tomatoes together before tragedy strikes.
There’s a lot of plot in Tom Robbins’s novel about a stunning young woman with indescribably enormous thumbs who’s born to, well, hitchhike (among other things) But Gus Van Sant’s adaptation of the novel about model and wanderer Sissy Hankshaw (Uma Thurman) boils much of that plot down to a neat queer love story between the protagonist and Bonanza Jellybean (Rain Phoenix), a cowgirl she meets on a spa ranch for women. The uneven but wildly enjoyable adaptation, especially for queer women, is set in the freewheeling ’70s. Lorraine Bracco, Pat Morita, Angie Dickinson, Keanu Reeves, John Hurt, Ed Begley Jr., Carol Kane, Victoria Williams, Sean Young, Crispin Glover, Roseanne Barr, Buck Henry, Grace Zabriskie, and a very young Heather Graham costar. The film gets extra queer points for its soundtrack, which includes original songs by k.d. lang.
Jean Genet’s play The Maids, about murderous, incestuous maids, got the celluloid treatment in this adaptation that stars Joely Richardson (Hollow Reed, Nip/Tuck) as Christine Papin and Jodhi May (Tipping the Velvet) as her sister Lea Papin. In the film, set in 1930s France and loosely based on the gruesome true story of a pair of maids who murdered their employer, Sister My Sister’s protagonists begin to unravel under the thumb of their controlling employer Madame Danzard (Julie Walters) and her entitled daughter Isabelle (Sophie Thursfield). While living in a tiny room in the attic of the home and cleaning it by day, the sisters soon become everything to one another emotionally and sexually.
The film that introduced Kate Winslet and costarred Melanie Lynskey (But I’m a Cheerleader), Heavenly Creatures is based on the true events of two girls who committed matricide in New Zealand in the early 1950s. In Peter Jackson’s first feature, Lynskey plays Pauline (Paul), who’s from a working-class family, while Winslet’s Juliet (Hulme, who would go on to be an author) was a member of an upper-crust family. The girls, having met at school and bonded over their love of the opera singer Mario Lanza and their hatred of Orson Welles, form an obsessive relationship that includes a rich fantasy life of world-building.
A devastating love story, Aimée and Jaguar is based on Erica Fischer’s book about real women Lilly Wust and Felice Schragenheim. Maria Schrader plays Felice, a Jewish journalist who assumes a false identity in order to survive in Nazi Germany, while Juliane Köhler plays Lilly, a mother who’s married to a high-powered Nazi. The film is told in flashbacks that begin in the late 1990s, but the meat of the story occurs in the 1940s at the height of World War II. The women fall in love with some moments of pure ardor, but the story is ultimately tragic, as befits the setting.
This adaptation of Sarah Waters’s beloved lesbian novel Tipping the Velvet was actually a BBC miniseries, but since it’s not a full TV series and its influences and reach were so impactful at the time, we’ve made an exception for it and for the BBC’s Fingersmith (also based on a Waters novel). “Born a Whitstable oyster girl” circa the mid-19th century, Nan Astley (Rachael Stirling) was bound for bigger things. Hence, her move to London, where she enters the world of the stage and of male drag. She is entranced by the drag king of the moment, Kitty Butler (Keeley Hawes), and the women eventually fall madly in love until Kitty breaks Nan’s heart for a more conventional life. Don’t fret, though; Nan goes on to live a full queer life that includes sex parties, dildos, and eventually a long-term relationship with the lovely Florence Banner (Jodhi May).
The second BBC miniseries to be included, Fingersmith, based on Sarah Waters’s twisty mystery of a novel set in the 1860s, stars Sally Hawkins as Sue Trinder, an accomplished “fingersmith” or pickpocket, who’s enlisted by acquaintance Richard Rivers (Rupert Evans) to run a scam on Maud Lilly (Elaine Cassidy), the heir to a massive fortune. With the intention of marrying her and later having her committed to an asylum, Rivers engages Sue to help gaslight Maud. The hitch? The women fall in love. Fingersmith keeps the viewer guessing as to Sue’s true intentions until the final act.
The World Unseen is one of two films Lisa Ray and Sheetal Sheth made together, the other being the comedy I Can’t Think Straight; both were directed by Shamim Sarif. The World Unseen is set in South Africa in the 1950s at the beginning of apartheid. As the country becomes more politicized, Sheth’s Amina is a rabble-rouser who stands up to authority while running a café. Meanwhile, Ray’s Miriam is bound to her husband in claustrophobic ways. It’s a slow burn of a love story, but the women eventually form a deep romantic bond in the film that explores not only sexuality but cultural mores.
Those familiar with HBO’s Gentleman Jack will recognize the story of The Secret Diaries of Miss Anne Lister. The British film about Anne Lister, the 19th-century land-owner in Yorkshire who kept copious diaries and didn’t hide her affinity for women, starred Maxine Peake as the now-famous diarist. While Gentleman Jack focuses primarily on Lister’s relationship with Ann Walker (played here by Christine Bottomley), the made-for-TV movie delves more deeply into Lister’s affair with Mariana Belcombe (Anna Madeley).
The love affair between poet Elizabeth Bishop and Brazilian architect Lota de Macedo Soares got the big-screen treatment in Bruno Barreto’s film based on the book Flores Raras e Banalíssimas by Carmen Lucia de Oliveira.
Mirando Otto (The Chilling Adventures of Sabrina) plays Bishop, who builds a life with her lover (Glória Pires) in Petrópolis in Brazil. Their epic love story spans the 1950s and ’60s.
Another period piece set circa WWII and teeming with queer desire that stems from mutual literary appreciation, Violette explores the relationship between writers Violette Leduc (Emmanuelle Devos) and Simone de Beauvoir (Sandrine Kiberlain). Simone introduces Violette to men of letters including Jean-Paul Sartre, Albert Camus, and Jean Genet. Eventually, Violette’s autobiographical La Bâtarde becomes a hit in the 1960s.
Director Dee Rees’s follow-up to Pariah, Bessie follows the life of bisexual blues legend Bessie Smith. Set primarily during the great depression, although some of the film spans Bessie's youth, it features Queen Latifah as the titular character during her rise to fame that includes becoming a mentee to the great Ma Rainey (Mo'Nique) and an eventual recording contract. The film also boldly depicts Bessie’s love affairs with men and women, primarily her relationship with Lucille (Tika Sumpter).
Queen Christina of Sweden’s story was one of Hollywood’s earlier queer stories when Greta Garbo played her in 1933’s Queen Christina. While that film was coded, the 2015 film about the child monarch who rose to power in 1632 is decidedly more overtly queer. Malin Buska plays the queen who flouts gender and sexuality as she appoints her lady-in-waiting Ebba Sparre (Sarah Gaddon) to be her literal bed warmer.
More than half a century after Patricia Highsmith’s groundbreaking 1952 novel The Price of Salt/Carol was released, Todd Haynes’s big-screen adaptation Carol became revolutionary in its own way. The film, starring Cate Blanchett as the titular Carol, a soon-to-be-divorced New Jersey socialite and mother who falls for Rooney Mara’s Therese, the shopgirl who is, as Carol notes, “flung out of space,” earned six Oscar nominations, even if it was snubbed in the Best Picture category. Still, it was the first Oscar-worthy love story about a female couple in which a man does not steal focus and that doesn’t end in disaster or death for the women. In fact, the novel and the film’s hopeful ending offers a possible happily-ever-after for Carol and Therese.
Beyond that, its artistry is undeniable, with a team that includes New Queer Cinema darling Haynes at the helm, screenwriter Phyllis Nagy (who is a lesbian and who was friends with Highsmith), costumer Sandy Powell (who also costumed The Favourite), composer Carter Burwell, and cinematographer Ed Lachmann (Far From Heaven). If that weren't enough, out Emmy winner Sarah Paulson plays Carol's best friend and former lover, Abby.
Since it was released, Carol, which begins during the days before Christmas and includes Carol and Therese consummating their desire during a road trip on New Year’s Eve, has become a bit of a holiday tradition, especially among queer women.
Acclaimed gay director Terrence Davies took on Emily Dickinson’s story in A Quiet Passion with Cynthia Nixon in the role of the famed New England-based poet. Emily has since gotten two comedic takes on her life with the very funny Wild Nights With Emily (starring Molly
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Old And Young Lesbians Mature Vk
