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Book description
I think that NBC’s ‘Hannibal’ is the best show on TV right now. The writing is dark and intriguing. The performances from Mads Mikkelsen, Hugh Dancy, Laurence Fishburne and others are all top-notch, portraying complicated characters with surprising subtlety. I think that their portrayals of these popular characters should be considered the definitive representations by now (Anthony Hopkins is great as Hannibal, but Mikkelsen’s Hannibal is deeper, more human). The show is also the most visually interesting thing on television. Though this book spends time on multiple aspects of the show, its primary focus is on the visuals and the behind the scenes of how they brought those visuals to life. It’s often surprising how much ‘Hannibal’ is able to put on TV. This is a gory show. ‘The Walking Dead’, TVs other extremely gory show, mostly shows nasty bites and heads getting pulverized. ‘Hannibal’ is inventive with its bloody set pieces, not only pushing the boundaries of what’s allowed on TV, but also pushing the people working on the show to do their very best on schedules that are less than ideal.If you’ve not seen Seasons 1 & 2, you should do so before beginning this book. Basically every episode and every major crime scene of the first two seasons is covered in detail. We get concept art, BTS photos, and final shots taken from the show. Added to that are many interesting comments from the cast and crew. These are smart, creative people and they offer some interesting insights, not just to the ‘making of’ aspects but also to storytelling and characterization.The show picks and chooses how to incorporate sections from Thomas Harris’ books. Instead of going for a direct adaptation that follows the books from point A to point B, Bryan Fuller and his writers like to surprise people about what comes next. For example, certain portions of the third novel appear in the show before parts of the first novel do. This ‘making of’ book kind of does the same thing in that it does not begin with episode 1 and continue on from there. The book and its writer Jesse McLean cover every episode, but with no discernable order; not chronological, and certainly not based on dramatic importance. The final major chapter of the book focuses on the Lance Henriksen episode with the human totem pole. I personally consider the episode to be among the more forgettable episodes of Season 1, but it does feature that incredible set piece of the human totem pole. So it makes perfect sense to close out this book – a book about dead bodies. Well, it’s more than just that, of course. But the fact that the totem pole is given extra treatment at the end should make it clear that the makeup and effects work are the primary focus of this book.Since only the first two seasons are covered here, this book is bound to feel somewhat dated within a year’s time. That can’t be helped, as Season 3 began just the other day. Perhaps we can hope for a Volume 2 sometime in the future? If this book is any indication, there are going to be many more stories to tell. ‘Hannibal’ is my favorite show on TV. So dark, so weird, so good. And I think this book is a decent companion piece to the show.
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