Micmacs In Hindi Movie Download

Micmacs In Hindi Movie Download

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Micmacs In Hindi Movie Download

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A man and his friends come up with an intricate and original plan to destroy two big weapons manufacturers.
Avid movie-watcher and video store clerk Bazil has had his life all but ruined by weapons of war. His father was killed by a landmine in Morocco and one fateful night a stray bullet from a nearby shootout embeds itself in his skull, leaving him on the verge of instantaneous death. Losing his job and his home, Bazil wanders the streets until he meets Slammer, a pardoned convict who introduces him to a band of eccentric junkyard dealers including Calculator, a math expert and statistician, Buster, a record-holder in human cannonball feats, Tiny Pete, an artistic craftsman of automatons, and Elastic Girl, a sassy contortionist. When chance reveals to Bazil the two weapons manufacturers responsible for building the instruments of his destruction, he constructs a complex scheme for revenge that his newfound family is all too happy to help set in motion.
The highly-acclaimed director of Amelie (2001) brings fans back to his whimsical world of comedy with Micmacs, a fun, entertaining, and cheeky outing that does not have a single dull moment. Jean-Pierre Jeunet, the French director of some of European cinema&#39;s most stylishly creative films, takes rein over a film which has a story that goes like this: A guy named Bazil (Dany Boon) unluckily gets shot in the head but recovers to be adopted by an oddball family of &quot;circus freaks&quot;. Together, they seek to help Bazil to find, capture, and embarrass the people who were responsible for manufacturing that bullet that is still stuck in his brain.<br/><br/>Micmacs is a light-hearted take on crime – the crime of producing and selling weapons to maim or kill humans in wars. So with Bazil spearheading his team, they seek to destroy the egotistical heads of two companies that run such an evil, money-churning business. And they do so in the most bizarre fashion anyone could think of – by playing to the physical, intellectual, and courageous strengths of each person. There is a contortionist, a human cannonball, a human calculator, a black who speaks via the art of abstraction, an old man who improvises and creates things out of scrap metal, and a couple of others.<br/><br/>Though the entire film could have been dreamt of by a director like Terry Gilliam (Brazil, 1985; The Imaginarium of Doctor Parnassus, 2009), Jeunet makes Micmacs his own with his incredible color schemes. His trademark use of soft orange and yellow give the film a sort of lively glow that makes it look eye-pleasing. Together with the fluidity of the camera-work, it is difficult not to become engrossed in the film&#39;s setting and characters. Apart from a couple of sex scenes integral to the plot, Micmacs could have been a children&#39;s movie, though that would be an insult to what Jeunet has accomplished here, despite how silly the film seems to be.<br/><br/>Micmacs is playfully-directed, and the manner in which Jeunet tricks us with some oh-I-didn&#39;t-see-that-coming moments would most likely please us and tickle our funny bones. Most of the comedy come from physical situations that the characters find themselves in. Special credit should be given to Boon whose expressive bodily and facial movements channel the spirit of Charles Chaplin and Buster Keaton. Micmacs is visually stunning, with Jeunet flexing his creative muscles by superimposing moving images of what Bazil is thinking about on his forehead as he copes with anxiety issues. There is no doubt that with this quirky effort, Jeunet has once again proved that he is one of the few masters of inventive cinema.<br/><br/>GRADE: A- (8.5/10 or 4 stars)<br/><br/>www.filmnomenon.blogspot.com<br/><br/>All rights reserved.
Is this is what people think of when they think of French films? If it is the case then I would be disappointed as well.<br/><br/>What I expect I may hear from people is &#39;it is quirky&#39; it&#39;s a bit of fun&#39;. For me those kind of statements have no kind of importance. It is either good or bad. It can be good and quirky, or bad and quirky. This film is just bad.<br/><br/>At the beginning we meet a band of misfits and yes its mildly interesting to see them in their little corner of Paris, but after that we have this story line that unfolds like clock-work. Once the storyline is revealed we inevitably have to follow and follow and follow. The story for me at least is a very old one. Good guy versus big bad corporation. Good guy wins and everyone is happy. No amount of misfits and awkward situations cannot disguise the fact that this film is about as one dimensional as Mills and Boon novel.<br/><br/>Unfortunately Jeunet hasn&#39;t given us anything nearly as magical as Amelie since it came out. That film at least had a sense of wonder and magic and deserved praise.
Jeunet himself describes the film best: Delicatessen meets Amélie. But we'd add that, while it's certainly breezy fun, it's not quite as good as either.
The director, Jean-Pierre Jeunet, has suggested the word &quot;Micmacs&quot; could be translated as &quot;shenanigans&quot; (meaning to be mischievous or deceitful). The rest of the title &quot;à tire-larigot&quot; could be translated as &quot;non-stop&quot; or &quot;all the time&quot; -- therefore, the title could be translated to English as &quot;Non-Stop Shenanigans&quot; or &quot;Shenanigans All the Time&quot;. 646f9e108c

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