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Book description
I hardly know where to begin reviewing this massive opus. But I know I am not alone because most of the people who have read the thing just rate it with stars to indicate how well they liked it and leave it at that. I don’t even think the star rating system works well when considering this novel. 2666 might almost be thought of as fictional nonfiction in that it reads like remembered thought, something like a memoir, though it is broken into “books” and many people are central rather than a single narrator. It crosses several continents, and takes in pieces of people’s lives that we later discover intersect. Or, more precisely perhaps, their paths cross paths, like meteors leaving trace. This is вЂLife’ writ large: the work is so bulky one can barely see from one end of it to another, one loses one’s way. One makes connections but too late or too slowly sometimes and even then what does it matter? What control did we really have? Could we have made a difference, a difference to us or to everyone else? Ach!The work is comprised of five Books which Ignacio EchevarrГa, BolaГ±o’s literary executor, tells us were meant to be published separately. EchevarrГa decided, however, that the parts were better off coming together because of their linked quality, which is not apparent until Book Five. BolaГ±o was first a poet but he thought he’d make more money in novels (publishers and writers will no doubt laugh at this, though this author was probably right in his own case) and there were many times during this opus that I thought he’d have done better to stick to poetry. I was not being facetious. He throws in the kitchen sink, gathering like a vacuum factoids and sidelines from people’s lives that don’t really seem to fit or be at all relevant. However, in the end, if you can get to the end (and again, I am not being facetious—this takes stamina and stomach) there is something here which is difficult to articulate. It is sorrow, it is appetite, it is fullness, it is all, including the bad bits. At the end we can say we’ve seen it all, experienced it all. If you cling to life in old age or sickness with the idea that somehow tomorrow will be better, put that aside for Life is not especially kind. It has good bits but there is plenty of bad, too, and you can’t have one without the other. Book One begins with academics following the work of an obscure German writer. They admire his style and tout it successfully enough that the man is mentioned in the same breath as The Nobel Prize. They are curious about his life and where he lives and how he writes. The second book, “The Part about Amalfitano” is about a Chilean transplant to Mexico and appears to be BolaГ±o’s musings about life, death, love, art, sexuality, and reality. He ranges from “this shithole has no future” to “ Poetry is the only thing that isn’t contaminated…only poetry…isn’t shit.” This section may well contain explanations to the rest of the novel—why BolaГ±o wrote it, how he felt when he began, and what he intended.Book Three, The Book about Fate, is a linking book, connecting forgotten and overlooked people whose lives, like threads, nevertheless intersect and overlap others in the ball of string that is life, and move us unfathomably in a direction that appears to be no direction at all. We, each of us, could write a section like this about our lives when we stepped off into the unknowingness of the wider world and played an infinitesimal part in events that occur in the future without our knowledge or consent. This book links directly to Book Four, though we don’t understand the link until Book Five. Book Four, The Part about the Crimes, is one of the most horrific litanies of rape, murder and torture that I have ever heard, for I listened on audio and the narrator’s deadpan voice did not inflect no matter the nature of the material he recited. A spate (how trivial a word to describe a tidal wave of such proportions) of murders of women was taking place across a section of Mexico. By the end I had concluded that one man couldn’t possibly have done this if he worked full-time at killing, so it was a crime that spawned crime, and crime done with similar hatred and method. I looked in the paper copy of the book to see if the deaths were listed, like they sounded on audio (1,2,3…). But no, BolaГ±o writes in paragraphs: one’s eyes skim the size and shape of the words on the page and the horror is not revealed until it is spoken or read aloud in an endless, truly agonizing Reading of the Names.In Book Five, we learn of one killer at least. And we see that elusive author from Book One, Archimboldi, again. It finishes with BolaГ±o writing to his publishers, friends and readers” “And that’s it, friends. I’ve done it all, I’ve lived it all. If I had the strength, I’d cry. I bid you goodbye.” BolaГ±o died a matter of months after he finished the book. One senses he knew what he was leaving behind, both in terms of life and in terms of legacy. It is a very difficult work, and one doesn’t need it to live. One cannot help but be awed, though, by the workings of one man’s mind, and enriched by his big, binocular vision of this world and its inhabitants.-----------------------------April 10, 2014David Foster Wallace, giant literary figure that he was, was quoted in The New Yorker magazine as saying “Really good fiction could have as dark a worldview as it wished, but it’d find a way both to depict this world and to illuminate the possibilities for being alive and human in it.” It seems to me this is what defines BolaГ±os writing.
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