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A middle-aged college professor becomes infatuated with a fourteen-year-old nymphet.
Vladimir Nabokov(screenplay) (novel "Lolita")
Stanley Kubrick(uncredited)
James B. Harris(uncredited)
Humbert Humbert forces a confrontation with a man, whose name he has just recently learned, in this man's home. The events that led to this standoff began four years earlier. Middle aged Humbert, a European, arrives in the United States where he has secured at job at Beardsley College in Beardsley, Ohio as a Professor of French Literature. Before he begins his post in the fall, he decides to spend the summer in the resort town of Ramsdale, New Hampshire. He is given the name of Charlotte Haze as someone who is renting a room in her home for the summer. He finds that Charlotte, widowed now for seven years, is a woman who puts on airs. Among the demonstration of those airs is throwing around the name of Clare Quilty, a television and stage script writer, who came to speak at her women's club meeting and who she implies is now a friend. Those airs also mask being lonely, especially as she is a sexually aggressive and liberated woman. Humbert considers Charlotte a proverbial "joke" but decides to rent the room upon meeting Charlotte's provocative daughter, Dolores Haze - more frequently referred to as Lolita - who he first spots in a bikini tanning in the back yard. He is immediately infatuated with Lolita, with who he becomes obsessed in a sexual manner despite her age, she being just into her teens. He will also learn that Charlotte has the exact same feelings for him. While Charlotte does whatever she can to be alone with Humbert, Humbert does the same with Lolita. As the summer progresses, Humbert, based on the circumstances, decides to enter into a relationship with Charlotte just to be near Lolita. In that new arrangement, Humbert has to figure out how to achieve his goal of being with Lolita with Charlotte out of the way. As things begin to go Humbert's way, he is unaware that Charlotte is not the only thing standing in his way between him and Lolita, that other thing being Lolita's possible interest in other boys, and other members of the male sex, young or old, who may have their own designs on Lolita.—Huggo
Peter Sellers modeled the voice of his character Clare Quilty on that of his director, Stanley Kubrick.
Director Stanley Kubrick walks out of the very first interior shot (center to right bottom) of Humbert entering Quilty's house.
Charlotte Haze: Do you believe in God?
Humbert Humbert: The question is does God believe in me?
The credits are played over footage of Lolita's toenails being painted.
The scene where Lolita first "seduces" Humbert as he lies in the cot is a good 10 seconds longer in the British cut of the film. In the U.S. cut, the shot fades as she whispers the details of the "game" she played with Charlie at camp. In the U.K. print, the shot continues as Humbert mumbles that he's not familiar with the game. She then bends down again to whisper more details. Kubrick then cuts to a closer shot of Lolita's head as she says "Well, allrighty then" and then fades as she begins to descend to Humbert on the cot. The British cut of the film was used for the Region 1 DVD release.
Theme from Lolita
by Bob Harris
Orchestrated by Gil Grau
Inspired by the eponymous novel (Vladimir Nabokov, 1955), this film admirably describes the sulfurous relationship between a middle-aged writer and his nymph Dolores Haze, aka Lolita.

By chance, looking for a furnished rental, the professor Humbert Humbert encounters Charlotte Haze and her beloved daughter Dolores. From the very first sight, the professor irrevocably accepts the rental conditions! A triangular relationship settles quickly between 1) an intellectual sensitive to beauty and youth, 2) a desperate widow impressed by this professor, both unable to fight against theirs own obsessive desires, and 3) a manipulative and nonchalant teen. Consecutively to a fatal accident and because of the inquisitive and invasive look of Clare Quilty, the teacher will progressively and ineluctably descend in the depths of the abyss.

James Mason is awesome and monumental. He is also excellently seconded by Sue Lyon, Peter Sellers and Shelley Winters. And Stanley Kubrick is definitely a regular of successful and even improved literary adaptations, with Shining (1980), 2001, A space odyssey (1968), Barry Lyndon (1975), A clockwork orange (1971), The Killing (1956), ...

This movie is truly a masterpiece.
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