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Book description
“Only Yesterday” (Omohide PoroPoro) de Hotaru Okamoto y Yuko Tone es el manga adaptado a película por el reconocido estudio de animación japonés Studio Ghibli, que contará para lá ocasión con una estupenda portada de un hombre de la casa (a estar trabajando en estos momentos para DC dibujando Batman): Guillem March.“Only Yesterday”, la obra adaptada por el Studio Ghibli en 1991 bajo la dirección del creador de “La Tumba de las Luciérnagas”, Isao Takahata, nos muestra cómo la vida para Taeko Okajima está llena de pequeños detalles que la hacen absolutamente deliciosa. A sus diez años, la pequeña Taeko descubre cómo desde un curioso sacapuntas eléctrico hasta su cariñoso perro Gon son fuentes inagotables de entrañables historias de la infancia.Isao Takahata es uno de los cofundadores de Studio Ghibli, junto a Hayao Miyazaki, y uno de los mejores directores de animación de la historia. La grandeza del responsable de “Porco Rosso” (1992), en cierta manera ha eclipsado el buen hacer de Isao Takahata, pese a que fue él su primer mentor dentro de la industria de la animación nipona. Tras la conmovedora película “La Tumba de las Luciérnagas” (1988), Isao Takahata estuvo algunos años sin trabajar y, de hecho, incluso se llegó a especular con una hipotética retirada. Nada más lejos de la realidad. El director más intimista del Studio Ghibli volvió a demostrar la maestría que atesora a la hora de ambientar historias cotidianas y envolverlas de una magia especial muy pocas veces vista en la gran pantalla.Así pues, surgió el proyecto de adaptar este manga escrito por Hotaru Okamoto y dibujado por Yuko Tone, contando con el propio Hayao Miyazaki en las labores de producción.No obstante, hay notables diferencias entre ambas obras. Mientras que el manga nos narra en primera persona los descubrimientos del día a día de una niña de diez años en la década de los sesenta en Japón, Isao Takahata inventó una historia paralela en la que la protagonista, Taeko, es ya adulta pero no se siente satisfecha con su vida y decide emprender un viaje al campo. A través de dicho viaje, Isao Takahata nos proyecta un conjunto de flahsbacks que unen la Taeko adulta con la Taeko niña; dos caminos que nos hacen entender que la infancia está ligada inexorablemente con la madurez.
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