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“Only Yesterday” (Omohide PoroPoro) de Hotaru Okamoto y Yuko Tone es el manga adaptado a pelГcula por el reconocido estudio de animaciГіn japonГ©s Studio Ghibli, que contarГЎ para lГЎ ocasiГіn con una estupenda portada de un hombre de la casa (a estar trabajando en estos momentos para DC dibujando Batman): Guillem March.“Only Yesterday”, la obra adaptada por el Studio Ghibli en 1991 bajo la direcciГіn del creador de “La Tumba de las LuciГ©rnagas”, Isao Takahata, nos muestra cГіmo la vida para Taeko Okajima estГЎ llena de pequeГ±os detalles que la hacen absolutamente deliciosa. A sus diez aГ±os, la pequeГ±a Taeko descubre cГіmo desde un curioso sacapuntas elГ©ctrico hasta su cariГ±oso perro Gon son fuentes inagotables de entraГ±ables historias de la infancia.Isao Takahata es uno de los cofundadores de Studio Ghibli, junto a Hayao Miyazaki, y uno de los mejores directores de animaciГіn de la historia. La grandeza del responsable de “Porco Rosso” (1992), en cierta manera ha eclipsado el buen hacer de Isao Takahata, pese a que fue Г©l su primer mentor dentro de la industria de la animaciГіn nipona. Tras la conmovedora pelГcula “La Tumba de las LuciГ©rnagas” (1988), Isao Takahata estuvo algunos aГ±os sin trabajar y, de hecho, incluso se llegГі a especular con una hipotГ©tica retirada. Nada mГЎs lejos de la realidad. El director mГЎs intimista del Studio Ghibli volviГі a demostrar la maestrГa que atesora a la hora de ambientar historias cotidianas y envolverlas de una magia especial muy pocas veces vista en la gran pantalla.AsГ pues, surgiГі el proyecto de adaptar este manga escrito por Hotaru Okamoto y dibujado por Yuko Tone, contando con el propio Hayao Miyazaki en las labores de producciГіn.No obstante, hay notables diferencias entre ambas obras. Mientras que el manga nos narra en primera persona los descubrimientos del dГa a dГa de una niГ±a de diez aГ±os en la dГ©cada de los sesenta en JapГіn, Isao Takahata inventГі una historia paralela en la que la protagonista, Taeko, es ya adulta pero no se siente satisfecha con su vida y decide emprender un viaje al campo. A travГ©s de dicho viaje, Isao Takahata nos proyecta un conjunto de flahsbacks que unen la Taeko adulta con la Taeko niГ±a; dos caminos que nos hacen entender que la infancia estГЎ ligada inexorablemente con la madurez.
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