Kick Ass Movie
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«Пипе́ц» — супергеройский фильм в жанре комедийного боевика, снятый режиссёром Мэттью Воном по …
Дата выпуска: 26 мар. 2010 r. (Великобритания)
Хищные птицы: Потрясающая история Харли Квинн
Данные предоставлены: Wikipedia · Freebase
Текст из Википедии, лицензия CC-BY-SA
Перевести · 16.04.2010 · Kick-Ass: Directed by Matthew Vaughn. With …
https://en.m.wikipedia.org/wiki/Kick-Ass_(film)
Music by: John Murphy, Henry …
Produced by: Matthew Vaughn, Brad …
Release date: 12 March 2010 (SXSW), …
Starring: Aaron Johnson, Christopher …
Development
The rights to a film version of the first volume of the comic book series were sold before the first issue was published. Developed in parallel, the film writers took a different story direction, to reach many of the same conclusions. Comic book writer Mark Millaracknowledges the differences, explaining that a comic usually has eight acts, while a film usuall…
Development
The rights to a film version of the first volume of the comic book series were sold before the first issue was published. Developed in parallel, the film writers took a different story direction, to reach many of the same conclusions. Comic book writer Mark Millar acknowledges the differences, explaining that a comic usually has eight acts, while a film usually has a three-act structure.
Vaughn said that, "We wrote the script and the comic at the same time so it was a very sort of collaborative, organic process. I met [Millar] at the premiere of Stardust. We got on really well. I knew who he was and what he had done but I didn't know him. He pitched me the idea. I said, 'That's great!' He then wrote a synopsis. I went, 'That's great, let's go do it now! You write the comic, I'll write the script.'" Jane Goldman one of the screenwriters, said that when she works with Vaughn she does the "construction work" and the "interior designing" while Vaughn acts as the "architect."
Millar said that screenwriters Goldman and Vaughn had made a "chick flick", having placed more emphasis on the character emotions, and particularly in having softened the character of Katie Deauxma. Millar stated that a film audience would have difficulty accepting Dave and Katie not being together, while a comic audience would more easily accept that idea. Frank Lovece of Film Journal International said that Katie is "much less Mean Girls" in the film than in the comic, and that the romance between Dave and Katie "proves a needed counterbalance to the otherwise pervasive sense of optimism being stripped away layer by layer, down below angry cynicism and headed straight down the hole to nihilism." Kenneth Turan of the Los Angeles Times said "the romance provides an appealing backdrop that the more unnerving aspects of the film play out against." Other changes included having Red Mist be known to be a secret antagonist from the start, as well as making him less outright villainous, and D'Amico's mob initially thinking Kick-Ass is the one slaughtering their men.
In the original comic-book, Big Daddy is characterised not as an ex-cop, but as a former accountant who had been motivated to fight crime by a desire to escape from his life and by his love of comic books. In the film, his purported origin and motivations are genuine: writer Mark Millar stated that the revelation about Big Daddy's background would not have worked in the film adaptation, and "would have ruined the movie."
The comic's artist, John Romita, Jr., stated that Big Daddy's story in the film "works better stopping short ... You love him better in the film".
The climax to the film differs significantly from the comics, with the use of the jetpack and rocket launcher: Millar called this "necessary" as "we're building up so much stuff that we needed some Luke Skywalker blowing up the Death Star moment". Comic writer Stephen Grant argued that the film "cheated" on its premise of a "real life" superhero by having these increasingly fantastic events and that this was "why it works. That's where much of the humor comes from ... when the film finally makes the notion [the fantasy] explicit we're already so deep into the magician's act that our instinct is to play along".
Vaughn initially went to Sony, which distributed Layer Cake, but he rejected calls to tone down the violence. Other studios expressed interest but wanted to make the characters older. In particular studios wanted to change Hit-Girl's character into an adult. Goldman said that while studio executives said that it would be less offensive to portray Hit-Girl as a teenager, Goldman argued that it would have been more offensive since, as a teenager, Hit-Girl would have been sexualized. Goldman said that Hit-Girl was not supposed to be sexualized.
Vaughn had a little trouble adapting to film, as the film had no studio. The big studios doubted the success of an adaptation as a violent superhero, which made the film be independently financed, but this gave him the freedom to make the film the way he imagined, without having to worry about high-censorship. Vaughn believed enough in the project to raise the money himself. Christopher Mintz-Plasse (Red Mist) said that the creators of the film were wondering whether a distributor would pick up the movie. On the set Vaughn jokingly referred to Kick-Ass as something that was going to be "the most expensive home movie I ever made". On 18 August 2009, it was announced that the film had been acquired for distribution in the United States and Canada by Lionsgate.
The 2D/3D animated comic book sequence in the film took almost two years to finish. Romita created the pencils, Tom Palmer did the inks, and Dean White did the colours. Vaughn gave Romita a carte blanche on the art direction of the sequence.
Filming
Filming locations included Hamilton, Ontario, Canada; Dip 'N' Sip Donuts on Kingston Road in Toronto, Sir Winston Churchill Secondary School, and "many Toronto landmarks that play cameos"; and various locations in the United Kingdom, including Elstree Studios. The opening sequence with Nicolas Cage was filmed in a sewage plant in east London.
The Atomic Comics store in the film is based on the now-defunct real-life Arizona-based chain whose owner, Millar said, is a friend of artist John Romita Jr.. Millar asked Mike Malve for permission to use Atomic Comics in the film, and a model version of Atomic Comics was created at the London pilot studio for use in the filming.
KICK-ASS (2010) - Official Trailer #1
Kick Ass - International Green Band Trailer
Kick Ass (Official Trailer) Red-band Final Trailer
KICK-ASS (2010) Movie Clip - Hit Girl's Final Battle |FULL HD| Chloe Moretz
Kick-Ass (2010) Trailer #3 | Movieclips Classic Trailers
YouTube › Movieclips Classic Trailers
https://m.youtube.com/watch?v=2rpXHqnGDXo
Перевести · 11.01.2010 · How come nobodys ever tried to be a superhero? When Dave Lizewski ordinary New York teenager and rabid comic-book …
Перевести · 16.08.2013 · Kick-Ass 2: Directed by Jeff Wadlow. With Aaron Taylor-Johnson, Chloë Grace Moretz, Morris Chestnut, Claudia Lee. Following Kick-Ass' heroics, other citizens are inspired to become masked crusaders. But Red Mist leads his own group of evil supervillains to get revenge, kill Kick-Ass …
https://kick-ass.fandom.com/wiki/Kick-Ass_(film)
Plot
Cast
Differences Between The Comic
Dave Lizewski, an average teenager, wonders why no one has ever decided to become a real-life superhero like the ones in the comic books. After being mugged while a bystander watches and does nothing, he decides to become a real-life superhero. He buys a scuba suit on eBay as his costume and becomes a …
https://m.imdb.com/title/tt1250777/plotsummary
Перевести · Despite the setbacks his debilitating fight caused, Dave is still determined to be a superhero and sets up a MySpace account for his alter ego: Kick-Ass. …
https://m.imdb.com/title/tt1250777/fullcredits
Перевести · Kick-Ass (2010) cast and crew credits, including actors, actresses, directors, writers and more.
https://en.m.wikipedia.org/wiki/Kick-Ass_2_(film)
Music by: Henry Jackman, Matthew …
Produced by: Matthew Vaughn, Adam …
Starring: Aaron Taylor-Johnson, …
Release date: 14 August 2013 (United Kingdom), 16 August 2013 (United States)
Sequel and proposed follow-up projects
In April 2012, while Kick-Ass 2 was still in pre-production, Mark Millar stated that a third film was also planned. In June 2013, however, he revealed that it was not confirmed and would be dependent on how successful the second film was. Later the same month, he further elaborated that if it went ahead, the third film would be the final installment: "Kick-Ass 3 is going to be the last one... I told …
In April 2012, while Kick-Ass 2 was still in pre-production, Mark Millar stated that a third film was also planned. In June 2013, however, he revealed that it was not confirmed and would be dependent on how successful the second film was. Later the same month, he further elaborated that if it went ahead, the third film would be the final installment: "Kick-Ass 3 is going to be the last one... I told Universal this and they asked me, 'What does that mean?' I said, 'It means that this is where it all ends.' They said, 'Do they all die at the end?' I said, 'Maybe' – because this is a realistic superhero story... if someone doesn't have a bullet proof vest like Superman, and doesn't have Batman's millions, then eventually he is going to turn around the wrong corner and get his head kicked in or get shot in the face. So Kick-Ass needs to reflect that. There has to be something dramatic at the end; he cannot do this for the rest of his life."
Moretz has shown interest in returning for a third installment and would also be interested in exploring Hit-Girl's dark side: "I want to see something we haven't seen yet. Now we've seen who Mindy is, now we've seen who Hit-Girl is, I think we need to meld the characters together and have Mindy become Hit-Girl and Hit-Girl become Mindy. Maybe her natural hair has a streak of purple in it, maybe she really does go kind of crazy and go a bit darker since she lost her father." She also added, "I would only do the third one if it was logical. It needs to be a good script and a director, probably Matthew (Vaughn). The third film needs to fully wrap up the series and has to be a good note to end on."
On 30 August 2013, Millar stated that the film is "in the pipeline". In May 2014, while at a press junket for Godzilla, Taylor-Johnson stated he is still up for a third film but he is not contracted for it and there are no plans for one currently. In the same month, Christopher Mintz-Plasse revealed he had not heard anything but expressed doubt that a third film would happen due to the second installment's disappointing box office performance.
In June 2014, Chloë Grace Moretz echoed her co-stars' sentiments when asked about Kick-Ass 3, stating that "I hope, I wish. That'd be fun. That'd be great. I doubt it but I would love it". She also cited the second film's lower box office gross as the key obstacle to the third chapter being produced and suggested file sharing was a factor: "The hard thing is if fans want a third movie, they've got to go buy the ticket to go see the movie. It was like the second most pirated movie of the year, so if you want a movie to be made into a second, a third, a fourth and a fifth, go buy a ticket. Don't pirate it." In August 2014, Moretz reiterated her previous statements and said "sadly, I think I'm done with [Hit-Girl]". In February 2015, Matthew Vaughn spoke optimistically about a "Hit-Girl" prequel. He stated "If that happens, I'm pretty sure I can persuade Aaron and Chloe to come back and finish the story of Kick-Ass." On 17 June 2015, Vaughn stated in an answer to Yahoo that he is working on a prequel on how Hit-Girl and Big Daddy became superheroes and plans to make Kick-Ass 3 after.
In June 2018, Vaughn announced his intention to set up Marv Studios, under which banner he will produce a reboot of the Kick-Ass series.
On 23 June 2019, it was announced that a third film is in development under Marv Studios, with Taylor-Johnson, Mintz-Plasse and Fonseca respectively set to reprise their roles as Dave Lizewski/Kick-Ass, Chris D'Amico and Katie Deauxma, respectively, with Moretz expressing doubt that she would reprise her role as Mindy Macready/Hit-Girl because of the way the sequel was handled; the third film is intended to be the last film of the original series before a reboot of the Hit-Girl & Kick-Ass series is produced.
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Включая результаты для ""kick ass" movies".
Показывать только результаты для Kick Ass Movie?
«Пипе́ц» — супергеройский фильм в жанре комедийного боевика, снятый режиссёром Мэттью Воном по мотивам одноимённого …
Дата выпуска: 26 мар. 2010 r. (Великобритания)
Хищные птицы: Потрясающая история Харли Квинн
Данные предоставлены: Wikipedia · Freebase
Текст из Википедии, лицензия CC-BY-SA
Перевести · 16.04.2010 · Kick-Ass: Directed by Matthew Vaughn. With Aaron Taylor-Johnson, …
https://en.m.wikipedia.org/wiki/Kick-Ass_(film)
Music by: John Murphy, Henry Jackman, Marius …
Produced by: Matthew Vaughn, Brad Pitt, Kris …
Release date: 12 March 2010 (SXSW), 26 March …
Starring: Aaron Johnson, Christopher Mintz …
Development
The rights to a film version of the first volume of the comic book series were sold before the first issue was published. Developed in parallel, the film writers took a different story direction, to reach many of the same conclusions. Comic book writer Mark Millar acknowledges the differences, explaining that a comic usually has eight acts, while a film usually has a three-act structure.
Vaughn …
Development
The rights to a film version of the first volume of the comic book series were sold before the first issue was published. Developed in parallel, the film writers took a different story direction, to reach many of the same conclusions. Comic book writer Mark Millar acknowledges the differences, explaining that a comic usually has eight acts, while a film usually has a three-act structure.
Vaughn said that, "We wrote the script and the comic at the same time so it was a very sort of collaborative, organic process. I met [Millar] at the premiere of Stardust. We got on really well. I knew who he was and what he had done but I didn't know him. He pitched me the idea. I said, 'That's great!' He then wrote a synopsis. I went, 'That's great, let's go do it now! You write the comic, I'll write the script.'" Jane Goldman one of the screenwriters, said that when she works with Vaughn she does the "construction work" and the "interior designing" while Vaughn acts as the "architect."
Millar said that screenwriters Goldman and Vaughn had made a "chick flick", having placed more emphasis on the character emotions, and particularly in having softened the character of Katie Deauxma. Millar stated that a film audience would have difficulty accepting Dave and Katie not being together, while a comic audience would more easily accept that idea. Frank Lovece of Film Journal International said that Katie is "much less Mean Girls" in the film than in the comic, and that the romance between Dave and Katie "proves a needed counterbalance to the otherwise pervasive sense of optimism being stripped away layer by layer, down below angry cynicism and headed straight down the hole to nihilism." Kenneth Turan of the Los Angeles Times said "the romance provides an appealing backdrop that the more unnerving aspects of the film play out against." Other changes included having Red Mist be known to be a secret antagonist from the start, as well as making him less outright villainous, and D'Amico's mob initially thinking Kick-Ass is the one slaughtering their men.
In the original comic-book, Big Daddy is characterised not as an ex-cop, but as a former accountant who had been motivated to fight crime by a desire to escape from his life and by his love of comic books. In the film, his purported origin and motivations are genuine: writer Mark Millar stated that the revelation about Big Daddy's background would not have worked in the film adaptation, and "would have ruined the movie."
The comic's artist, John Romita, Jr., stated that Big Daddy's story in the film "works better stopping short ... You love him better in the film".
The climax to the film differs significantly from the comics, with the use of the jetpack and rocket launcher: Millar called this "necessary" as "we're building up so much stuff that we needed some Luke Skywalker blowing up the Death Star moment". Comic writer Stephen Grant argued that the film "cheated" on its premise of a "real life" superhero by having these increasingly fantastic events and that this was "why it works. That's where much of the humor comes from ... when the film finally makes the notion [the fantasy] explicit we're already so deep into the magician's act that our instinct is to play along".
Vaughn initially went to Sony, which distributed Layer Cake, but he rejected calls to tone down the violence. Other studios expressed interest but wanted to make the characters older. In particular studios wanted to change Hit-Girl's character into an adult. Goldman said that while studio executives said that it would be less offensive to portray Hit-Girl as a teenager, Goldman argued that it would have been more offensive since, as a teenager, Hit-Girl would have been sexualized. Goldman said that Hit-Girl was not supposed to be sexualized.
Vaughn had a little trouble adapting to film, as the film had no studio. The big studios doubted the success of an adaptation as a violent superhero, which made the film be independently financed, but this gave him the freedom to make the film the way he imagined, without having to worry about high-censorship. Vaughn believed enough in the project to raise the money himself. Christopher Mintz-Plasse (Red Mist) said that the creators of the film were wondering whether a distributor would pick up the movie. On the set Vaughn jokingly referred to Kick-Ass as something that was going to be "the most expensive home movie I ever made
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Kick-Ass (2010) - IMDb
Kick-Ass (film) - Wikipedia
Kick-Ass 2 (2013) - IMDb
Kick-Ass (film) | Kick-Ass Wiki | Fandom
Kick-Ass (2010) - Plot Summary - IMDb
Kick-Ass (2010) - Full Cast & Crew - IMDb
Kick-Ass 2 (film) - Wikipedia
Kick Ass Movie
