Inescapable Tamil Dubbed Movie Download

Inescapable Tamil Dubbed Movie Download

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Inescapable Tamil Dubbed Movie Download

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Unknown to him, Syrian-Canadian Adib Abdul-Kareem's eldest daughter Muna, a photographer, has traveled to his homeland to find out more about her father, as he had never talked about his Syrian past to his family. He does learn about her travels only because she has gone missing in Damascus, most of her belongings still in her hotel room. Adib decides to head back to Damascus to find her, and enlists the help of his old girlfriend Fatima, a Canadian diplomat named Paul, and an old colleague Sayid to find Muna while he's in Damascus, some who seem to know more about Muna's disappearance than they initially let on to Adib. Adib does this all at his own personal risk as he used to work in the Syrian military secret service, and was convicted in absentia and sentenced to death for purportedly being an Israeli spy. Adib, who managed to get back into Syria on an illegal visa with Fatima's help, has to uncover why Muna has gone missing and if it has anything to do with his Syrian past. He also has to reconcile with Fatima, who long felt abandoned by Adib when he left the country thirty years ago.
Years after he left Damascus under suspicious circumstances, Adib Abdel Kareem must confront what he left behind when his daughter goes missing.
Inescapable is a low budget generic action thriller with a Taken vibe. It is set in a Syria before they had civil turmoil with the Assad regime.<br/><br/>Alexander Siddig is Adib Abdel Kareem a man who fled Syria some years earlier as he was accused of being an Israeli spy. He has made a new life for himself in Canada.<br/><br/>He receives news that his daughter Muna (Jay Anstey) has gone missing in Damascus and must return to Damascus many years later to confront his past.<br/><br/>Adib enlists the help of an his ex-fiancée Fatima (Marisa Tomei) to help him while he is in Syria. He gets help from the Canadian embassy Paul (Joshua Jackson) and tracks down old associates and rivals such as Sayid (Oded Fehr.)<br/><br/>The unusual setting of Syria which is reality a police state gives the film some intrigue as you always have the sense of being watched and betrayal not being far behind.<br/><br/>The plot however does feel like Taken without much of the action and violence. Siddig is very effective in a meaty role but not a lot happens as he looks for clues to track down his daughter and stay one step ahead of his pursuers and double crossers. Its tense and watchable enough, Marisa Tomei lends it a lot of credibility but I felt it should had been a lot better.
After reading some other reviews of this film online, I was expecting to be slightly disappointed...but was pleasantly surprised by it. Having been a fan of Ruba Nadda&#39;s other films, (and a general groupie of anything involving Alexander Siddig), I was eager to see her newest film as part of the CIFF.<br/><br/>The movie starts rather abruptly, and just dives in to the plot - A man, Adib (who is originally from Syria but has lived in Toronto for the past 25 years) goes to Damascus to search for his adult daughter who has gone missing while traveling there. This sudden, rather stark beginning is very different from Nadda&#39;s last major film, (the subtle and slow paced &quot;Cairo Time&quot;) but, it works: The story develops naturally in a somewhat frantic way (in keeping with the protagonists understandable anxiety) from this stark beginning, and we learn more and more about Adib&#39;s past and just why his daughter is in such danger. Marisa Tomei is also particularly convincing as the lover that Adib left behind suddenly some 2 decades ago, and Siddig is of course, flawless as always.<br/><br/>Without revealing too much of the plot, I will say (having traveled through Syria), that director Nadda has done a brilliant job of capturing the somewhat concerning climate of a police state, while also illuminating the rather conflicting general atmosphere of Damascus- haunting, beautiful, blue- tinted layers of history, coupled with this very brutal military presence.<br/><br/>This is a real departure for Nadda, shooting a political thriller as opposed to a romantic drama, but I think she succeeds simply for the fact that watching it, I felt like I WAS in Damascus...and she was able to convey this in a film she shot in only 29 days, in South Africa (the Syrian government obviously not having let her film there).<br/><br/>While there could have been slightly more character development in some cases, I found the film to be beautifully shot, and it kept its pace suitable to the subject matter.
The film spins its wheels for almost an hour until collapsing under the weight of exposition that renders the mystery nearly besides the point.
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