Hi, please tell me where The Spellcoats by Diana Wynne Jones apple portable book pocket writer

Book description

Book description
The Spellcoats is one of the first books I ever read by Diana Wynne Jones and is still one of my favorites. With her tenth published novel, she demonstrates a maturity that marks the rest of her career; as good as her previous works are, with The Spellcoats she plays with first person limited POV and the clash of cultures to create Dalemarks history in a way that perfectly fits what shes already established with Cart and Cwidder and the more complex Drowned Ammet.I didnt realize, back in the day, that this book was part of a series. I didnt have access to Drowned Ammet, and as The Spellcoats happens in pre-historic Dalemark, it wasnt obvious to me that it was set in the same world as Cart and Cwidder. Reading DWJs novels in chronological order makes a huge difference. The Spellcoats is good on its own, but so much better read as a prequel (and I am very fond of prequels).As usual, DWJ depends on the family structure to drive her plot. In this case, its Tanaqui and her four siblings at the storys center; their blondness and mysterious dead mother setting them apart from the dark-haired villagers, and worse, they look like the invading Heathens their people are at war with. Driven out of their home, they travel down the River to whatever lies at its mouth near the ocean, find a great evil, and travel back to the Rivers source to find a way to stop it. Theyre not a perfect family--this would not be a book by DWJ if they were. Tanaqui gets impatient with her siblings, especially her sister Robin; Hern is a rationalist who doesnt believe in magic (unfortunate, because it seems to surround them) and Duck gets all vague whenever trouble threatens. But this is exactly what makes the story work, because its the conflicts between them that create the conflict that drives the story. Their encounter with the evil Kankredin at the Rivers mouth goes both well and poorly because of who the children are and how they interact with each other.The main conceit of this book is that Tanaqui, a master weaver, is telling the story through weaving it into a giant rugcoat; those who know how can read it. DWJs skill makes this conceit hold together, as Tanaqui tells the story as if its all already happened (which it has) and the coats end and begin in places where Tanaqui would have the ability to weave--not a small thing.Tanaqui gets most of my sympathy because, as the POV character, she can put herself in the best light, but usually doesnt. Or, more accurately, shell admit later in her weaving things that she left out earlier. She sketches the others fairly but accurately, and I especially like how she admits to getting impatient with her sister when Robin is ill. Tanaqui also ends up having the most important role to play, even though its a role that leaves her ignored by history. (view spoiler)[The postscript, which describes archaeologists discovering her two rugcoats/spellcoats, is written centuries later and makes speculations about what the story might have meant. Of the five children, the girls are the ones who are overlooked: Robin disappears entirely, probably because she runs off with Tanamil, and Tanaqui is identified with a mythical figure that doesnt even have her name. History does tend to forget about its women. (hide spoiler)]
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Hi, please tell me where The Spellcoats by Diana Wynne Jones apple portable book pocket writer

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