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The bright day is doneAnd we are for the dark.Antony and Cleopatra, Act V ,Scene IIRobert Aickman wrote 48 short stories between 1951 and 1985. Slow writing indeed. There is no-one else like him. His strange tales are neither supernatural nor psychological, but hover uneasily between the two genres. Pigeon-holed as a horror writer, he is actually one of the best short story writers of the last century. We Are For the Dark is a collaboration between Aickman and his then lover, Elizabeth Jane Howard. Aickman was finding it hard to get published, and Howard - - a best-selling writer at the time - - kindly offered to work with him. Howard, feted during her lifetime, has been unfairly neglected since. Her novel, The Long View, is a hypnotic portrait of a marriage, and it is on Hilary Mantels reading list for creative writing students. The six stories in this volume were originally published without attribution. Part of the fun in reading this volume is in guessing who wrote what. I frequently guessed wrong. The strange tales in this volume show a remarkable sympathy of tone: they are shocking, explicit, and frightening. In this volume, both writers use the fantastical and supernatural to illuminate human concerns: claustrophobic families, female friendship, depression, artistic freedoms, sexual jealousy. Perfect Love - I found this opening tale the weakest of the bunch: rambling, confusing, and implausible.The Trains - tight and understated, this takes quintessentially English obssessions with country walks, tea, and trains to a terrifying level.The Insufficient Answer - a brilliant title, poorly executed.Three Miles Up - the best of the collection: claustrophobic, perfectly paced, with a feminist message.The View - revolving around the fear of domesticity, fascination with ageing and impossible architectural spaces, this is a classic strange tale.Left Luggage - the most conventionally plotted of the tales, but the dialogue in this story is beautiful.Aickman went on to edit the Fontana books of Ghost Stories from 1964 to 1982, and he saw his strange tales as the need to escape from a mechanistic world...an antidote to daily living. Howard never returned to this genre, but went on to write, equally brilliantly, in the long form novel. This collection is an essential for anyone who is a fan of either writer, or those who would like to see the source of Aickmans later works. The Tartarus Press hardback edition is expensive, but a work of art in itself.
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