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This is a book which deserves pondering - I have settled on three stars because Im not sure how to give it both five and one.In this books preface, Paglia candidly admits that her goal is to be sensational. This is perhaps the only sentence beyond dispute in the entire book. It is a book of contradictions, even in the front cover. See the juxtapose of the regal visage of Queen Nefertiti and the concealing modesty of Emily Dickinson. Out of her many broad Nietzschean ukases on art history, most seem to be arranged the themes of eroticism and sexual desire in art. I cant attest as to any other literary critics have said these before, but she is a fierce writer. Out of the many fascinating and provocative chapters of literary criticism, she seems to come up with new insights on the seemingly worn topics of Spenser, Blake, or Dickinson. She digs her hands into the viscera of these artists, and comes up with pearls. Now this is a fine challenging book, but whats so bad about it? Well...A good deal of her criticism is shoehorned into this Apollonian/Dionysian framework. Her approach to art is not encompassing of many trends or actors, it is either Apollonian or Dionysian, with a few rearranged stock characters.Aside from this nonsensical theoretical background, theres also a sorry undercurrent of hideous stereotyping. It pretends to be transgressive, but has the stench of fatigue and cliche, like a teenage boy reeking of cheap bodyspray saying penis in public. Men must be this, women must be that, and the twain shall never meet. Men are swinging dicks, women are swamps, and a cigar is a penis. In many ways, it is dug-up moldy corpse of Freud-ism, dressed in new clothes. Paglias political views peek out from the text as well, and they are bizarre. They are not honorably conservative nor liberal, just skewed. Paglia casually refers to all manner of ugly statements about homosexuals or women or trans people. These are not a cause for anger, but for resignation, to see someone capable of such brilliance write such stupidity. As a model for feminist thought, I hear Paglia is now held in slightly more esteem than Phyllis Schlafly or Magda Goebbels. Her most recent writing in the Wall Street Journal, says (among some quite intelligent remarks) that women asking for employment will lead to the downfall of Western civilization.Paglia survives not from the calm rationality of her opinions, but of the art of controversy, and the ability to be brilliant and frustrating and even stupid within the span of multiple pages. Thats all that can be said. See for yourself if shes worth your time.
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