FULL The Roaring Nineties by Katharine Susannah Prichard txt online

FULL The Roaring Nineties by Katharine Susannah Prichard txt online

FULL The Roaring Nineties by Katharine Susannah Prichard txt online

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Book description

Book description
Basically Communist Deadwood, and great fun it is too. This engaging epic of Australias goldfields is written in straight-down-the-line socialist realism with a strong feminist tinge: the born upper class are twits, some redeemed by work, others not so much; good workers stand together and struggle, while some sell out and make the bosses fortunes for them in the process. The workers manage well enough when they are able to organise themselves; but the relentless march of global capitalism erodes their lives, along with the sense of justice, equality and freedom. The feminism of Prichard feels surprisingly modern - the women work both harder and smarter, fend off sexual assault and those who want to put them on a pedestal. There is a brilliantly written sequence as three of the respectable women visit a brothel, it is a hilarious sequence skewering the idea that these groups of women never meet, but always respectful to the sex workers. Theres a kinda odd cross-class-lines romance plot, which true to my possibly-pathological hatred of romance, annoyed me.Prichard was far ahead of her fellow white writers in portraying Indigenous peoples as thinking, feeling people, with rights, and perspectives over the landscape that are different to the white settlers. She starts the novel with the casual torture by white explorers/prospectors of an Indigenous woman - who promptly gets her revenge - and she consistently weaves in perspective of dispossession. Unfortunately, this doesnt mean she isnt racist. The Aboriginal characters are frequently compared with animals, and Prichard seems to see as completely fair the decision by a local black woman to act as an unpaid servant to the protagonist in return for occasional food supplies for her people. It is even portrayed as an act of inexplicable loyalty and devotion. The Afghans appear only as shadowy others, subject to collective punishment by the white matehood, who also, incidentally, protect those who massacre Indigenous people, even if they disapprove of the killings.Prichards view on this seems, so rarely compared with the rest of the book, to be uneasy. The discussions have a vague intellectual friction, with the downside of all this rampant mateship acknowledged, but not overly examined. This would contrast to the sexism of the matey crew, which is scrutinised and highlighted, making it clear how much more complicated life is for the women. I get the feeling that Prichard cant think herself into the shoes of the Indigenous women, despite the strength of the opening sequence. Instead, she retreats to glimpses, which raise shadows over the rest of the narrative. I cant say it is ineffective if you are looking, but it would be easy not to look. And that is possibly the whole history of Australian racism. The book rollicks along quickly, telling history in that fun and yet highly educational way great historical fiction manages. I know a great deal more about alluvial mining, and the history of Australias mining industry, than I could have imagined before. Fundamentally, this is a great holiday read. And It is easy with our ever-so-jaded-dystopian-fiction-only-please 21st century eyes to make fun of the passion and respect for working people and sheer hopefulness and fun of this book, but truthfully we could use of this genre, a genre which believes people can create good things together.
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