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Flann O’Brien is still the funniest thing to hail from Ireland since sectarian violence, in his infancy a fearless innovator and pioneer of the Russian doll structures lapped up by postmodernists. Although At Swim-Two-Birds has still to charm me senseless, I have not laughed harder at a novel since The Poor Mouth and been more impressed by surreal footnoted antics since The Third Policeman. The essay in here praises his early novels and goes in hard on his final two which although more conventional still make magic. Guy Davenport was new to me, and this overview looks at his somewhat elitist novels: their delightful utopias, love of knowledge and underage boys, their fabulist qualities. The first man to write a doctorate on Joyce, his work is cursed with erudition, left to the brainiacs to sniff and sample. I hope to sniff his brains very soon. Aldous Huxley, before his heavy mystical philosophising period, wrote scathing drawing-room novels, designed to épater la bourgeoisie (a phrase only middle-class people will understand), among them the sublime Crome Yellow and Point Counter Point. His work as a poet, philosopher, seer, pot smoker, and speculative writer is also covered. Solid issue.
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