Escape From LA In Hindi Download Free In Torrent
samkenriEscape From L.A. In Hindi Download Free In Torrent
http://urllio.com/qzmldThe year is 2013 and Snake Plissken is back but this time it's L.A., which through the agency of earthquakes has become an island of the damned. But something has gone wrong in this new moral order, because the President's daughter has absconded to L.A. with a detonation device, and Snake is commandeered to retrieve it. But just below the surface there is a coiled Snake ready to strike.
The year is 2013. Like New York, Los Angeles has been turned into a prison island for the United State's most undesirable criminals, like New York, Los Angeles is surrounded by a wall so no convict can escape from L.A and once deported to L.A. you can never return to the American mainland which has become a moral society. 16-years after he escaped from New York, One-Eyed former soldier Snake Plissken now the United State's most wanted outlaw is once again given another job for his freedom by the new President and L.A's security commander Malloy. Snake is sent into L.A. to recover a doomsday device that shuts all power sources on Earth from brutal terrorist Curevo Jones and the President's runaway daughter Utopia who has been brainwashed by Curveo into stealing the doomsday device, and the President personally wants Snake to eliminate Utopia for betraying her country. Like New York, Snake is injected with a engineered virus which will kill him in 9 hours if Snake fails the mission, if Snake succeeds in completing the mission, he will be given the antidote. Entering L.A, now inhabited by criminals, runaway teenagers, prostitutes and brutal gangs. Snake sets out to recover the doomsday device and kill Utopia, as Curevo and his army of terrorists prepares to invade the United States and can Snake escape from L.A. before the virus kills him in 9 hours?
The film exults in its imagination of the greater Los Angeles area as a ruined metropolis, with the Santa Monica Freeway well underwater and the Universal Studios theme park beset by real sharks instead of the Spielberg variety. In the action climax, Disneyland--stripped of its familiar branding following a corporate bankruptcy--is invaded from the skies as Plissken drops in, gun blazing. (It's not the movie of a man who's entirely happy with the machinations of Hollywood studios.) Carpenter later said he wanted the scene to be reminiscent of The Wizard of Oz, which figures. With its aggressively whimsical dream logic, the only way this movie really makes sense is if Snake wakes up in Kansas in the final reel.What's memorable are the film's gaudy visions of excess. Escape from L.A. has a brighter and more colorful look than the resolutely dim Escape from New York, which may have been a deliberate decision to embrace a sunny Southern California palette, though I'm guessing it also had something to do with the presence of cinematographer Gary Kibbe, rather than the wizard Dean Cundey, behind the camera. The friendlier look goes conceptually with the picture's more overtly jokey approach.Escape from L.A. is at least partially model-led on westerns-- Plissken is actually described at one point as a "gunfighter"-Pam Grier plays Hershe--it's pronounced like "Hershey," thus it's an insistent play on race as well as gender. See, Hershe is a trans-woman with hairy 'pits and an uncharacteristically deep voice who used to be a buddy of Snake's known as Carjack Malone. When Snake finds her, he gets in close, runs his hand up her thigh to her crotch and declares, "The more things change, the more they stay the same," before intimidating "Carjack" with the gun he found there. When she insists, "I'm no longer Carjack Malone," he hisses in response, "I don't give a f'ck what you are." Yes, Plissken has story reasons for threatening Hershe. But, absent that greater context, the film plays here exactly as though Snake is threatening a hate crime.The surprisingly character-driven script, too, wouldn't fly today. Rather than focus on elaborate set pieces and action sequences, Carpenter, Hill, and Russell give their actors ample time to talk and double-cross each other.The most satisfying payoff of seeing Escape From L.A. today is in realizing that 1996 imagined 2013 so as to fantasize about regressing.
The film has been critized unfairly as cosmetic remake of "Escape from New York". I don't share this viewpoint. There is something new in "Escape from LA". In the movie America is a high-tec ultraconservative Christian society. In addition to banning cigarette smoking, the society threw atheists and Moslins into the same garbage can as prostitutes and drug addicts.The other camp,'the enemy' is led by a Che Guevara-like type called Cuervo and he reminds of a typical image of a traditional Latin American 'liberator'. but he is as ruthless and cruel as his counterpart in Latin America.There is no bad guy and no good guy only the human race.I like particularly the final scene of the movie as a western like music was playing in the background Plissken finds a packet of cigarette with the suggestive name 'spirit of America',lights up a cigarette and finally inhales his Way out to Freemon,at least in his mind and says:<br/><br/>-Wellcome to the human race.
The movie is so cleverly entrenched in its sardonic style that Russell's toughest act must have been keeping a straight face. Escape From L.A. is surprisingly effective in picturing a former nirvana clenched in the twisted rubble of its own excess.
Director John Carpenter commented just before the release of Escape From L.A. (1996) that IF this movie was successful then he would consider a third movie and that the only place left for Snake to escape from would be Earth. "Escape From Earth" was just an idea - Carpenter never even gave that title, it's just something people assumed it would be called.<br/><br/>Escape From L.A. evidentley was not a commercial success and so the idea of a third movie went no further than Carpenter's comment. Depends on your point of view. Snake's decision is to essentially turn Earth's history back to the Victorian era, pre-electricity, where a man like him would flourish as a self-reliant gunfighter and despeardo. On the other hand it's suggested that humankind has deteriorated into tyranny so he essentially tears a corrupt society down and replaces it with a more egalitarian society 'Cabin in the Woods' style instead. a5c7b9f00b