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Book description
Because I loved reading William Faulkner in college, when I discovered in Louise Erdrich a similar depth of voice, honest characters and a consistent imaginative setting, I fell in love with her writing, too. (In the interest of disclosing bias, I grew up in the farming town of Valley Center near several Indian reservations. The relationship of Argus to Matchimanito is close to what it’s like around Palomar Mountain, but thats another story.) Tracks tells the history of Benign Neglect through the voices of two great but unreliable narrators: Pauline and Nanapush. As a homely Métis (mixed blood), Pauline succumbs to the worst of being someone caught between two cultures; its an invisible sickness that we would probably recognize today as Post Traumatic Stress Disorder (6). Not only does she throw herself into religion, she throws herself so hard she damages everything she touches. Erdrichs use of dramatic irony in the shaping of Pauline would be relentless were it not that in Pauline contemporary mistakes of The Church are recognizable (Apparently, such crimes are eternal). Likewise, Grandpa Nanapush represents a contemporary telling of the mythological Nanabozho who is so clever he tricks himself.In alternating chapters, Nanapush tells Lulu a story about her mother Fleur, a story intended to heal a rift, while Pauline tells one of the most perverse conversion stories ever. The paired voices of the narrators complement the plot of the novel that charts the near destruction of the tribe. This tribal point of view is perhaps Erdrichs greatest contribution. While it is true that Faulkner first attempted something like it with the Compson family in Sound & the Fury, Erdrichs use of the Métis reaches beyond the limits of a family and into the complications of ethnic identities. It’s through the polyphony of this tribal voice, including the Métis, that Erdrich has made a great contribution to literature. I need to refrain from praising Tracks by itself because it is part of a round, meaning that Erdich considers this novel part of a larger narrative that includes Love Medicine, Beet Queen and counting. In a meta-fictional passage from Tracks, Erdrich puts her apotheosis in the voice or Pauline, who says of a story told over and over by different storytellers, It comes up different every time, and has no ending, no beginning (31). The book is full of allusions to the terrible power of language that will also make Erdrich’s subsequent travelog Books and Islands in Ojibwe Country so poetic. For instance, the title “Tracks” seems to refer to language that leads back to our better selves. The quiet Fleur leaves tracks in the snow that change to the bear of her clan (12). Later, when Pauline goes on the death road with Fleur, there are no lines, no tracks (159). Paulines actions on this night will lead to a terrible split in the tribe that will take generations to return from. It will be in the tracks through the round of novels that the tribe survives.Ive tried to describe as little as possible so as not to spoil the story but still give a sense of how big this 226-page novel is. I have the same condition Grandpa Nanapush had when tea, lard and bread healed him from the silence of going half-windigo: Im pushing with too many of my own words (7). So let me back off and say Tracks got me started in the round of Erdrich’s wonderful novels. I hope the same for you.
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