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Book description
This is a very readable sort-of survey of landscape art since the Renaissance. Its sort-of a survey, because its organized by theoretical developments which in general hue to chronology but not always. Andrews includes lots of quotes from artists, writers, and leading historians on landscape and landscape theory, while providing numerous examples. Some themes include the frame of landscape, idealization of Nature, the sublime, politics, nature as picture or as process, and finally, the change from landscape as a separating device between the artist and nature to landscape as encompassing/including the artist and the spectator. Andrews doesnt skimp on theory, but he also makes it completely relevant to his arguments and very understandable. I actually wish hed expanded some sections, but then the book might not have been as manageable as it is.
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