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A cabaret singer takes up with a millionaire to pay for her gravely ill husband's operation.
American chemist Ned Faraday marries a German entertainer and starts a family. However, he becomes poisoned with Radium and needs an expensive treatment in Germany to have any chance at being cured. Wife Helen returns to night club work to attempt to raise the money and becomes popular as the Blonde Venus. In an effort to get enough money sooner, she prostitutes herself to millionaire Nick Townsend. While Ned is away in Europe, she continues with Nick but when Ned returns cured, he discovers her infidelity. Now Ned despises Helen but she grabs son Johnny and lives on the run, just one step ahead of the Missing Persons Bureau. When they do finally catch her, she loses her son to Ned. Once again she returns to entertaining, this time in Paris, and her fame once again brings her and Townsend together. Helen and Nick return to America engaged, but she is irresistibly drawn back to her son and Ned. In which life does she truly belong?—Gary Jackson
Cary Grant said that Josef von Sternberg directed him not really much during the filming, but taught him the most important thing. On the first day Grant came on the set, von Sternberg looked at him and said, "Your hair is parted on the wrong side." So Grant parted it on the other side and kept it that way the rest of his career.
Check is shown on screen written to Helen Jones. This is her stage name so not sure how she will cash the check.
Edward 'Ned' Faraday: Dr. Pierce, I have a rather peculiar request to make. I want to sell you my body.
Opening credits are shown with a background of water reflected at a swimming hole. As the credits end, we see women swimming in the swimming hole.
The original German release and some television prints of "Blonde Venus" exclude the opening scene, where Herbert Marshall encounters Marlene Dietrich and friends "skinny-dipping" in a lake.
Featured in The Love Goddesses (1965)
Treue Liebe Nur du allein
(uncredited)
Music by Friedrich Silcher
Played during opening credits and as background music several times
Billed as The BLONDE VENUS, a sultry German cabaret singer will do anything to save her sick husband and care for their child.
Acting under the flamboyant direction of her mentor, Josef von Sternberg, legendary Marlene Dietrich fascinates as a tender mother fiercely protecting her small child, who spends her evenings as a seductive stage siren, captivating audiences in America & France. She is equally good in both postures, her perfect face registering deep maternal love and sphinx-like allure. Dietrich is incredibly gentle crooning an old German lullaby at her son's bedside, while the contrasting image of her emerging from an ape suit to sing 'Hot Voodoo' in a nightclub is one of the Pre-Code Era's most bizarre images.
Two British actors compete for Marlene's attention. Distinguished Herbert Marshall, with a voice like liquid honey, is ideally cast as Dietrich's conflicted husband. Playing a chemist poisoned by radium, his face reveals his humiliation at having to be supported by his wife; later, he manifests pent-up rage when he discovers her 'betrayal.' Cary Grant, just on the cusp of becoming a major film star, plays a powerful political boss whose arrogance mellows as he pursues Dietrich's affections.
Little Dickie Moore, one of the OUR GANG members, is terrific as the infant son who is the bridge between Dietrich & Marshall. Here was a kid who could really act and tug at the viewer's heartstrings. Sidney Toler is amusing as a low-key detective. Gene Morgan, as a talent agent, and Robert Emmett O'Connor, as a theater owner, very realistically portray denizens from the sleazy underbelly of the entertainment world.
Movie mavens will spot some fine performers in unbilled cameos: silly Sterling Holloway as one of the student hikers in the first sequence who discovers Marlene skinny-dipping in the forest; Clarence Muse as a stuttering bartender; dear Mary Gordon as Marshall's informative landlady; big Dewey Robinson as a gruff greasy spoon owner; wonderful Hattie McDaniel as Dietrich's New Orleans maid; and prim Marcelle Corday as Marlene's maid in Paris.
Paramount gave the film lavish, and slightly decadent, production values. The live chickens flapping about in Dietrich's apartment during the French Quarter sequence are a nice touch.
The Criterion Channel’s February 2021 Lineup Includes Marlene Dietrich & Josef von Sternberg, Guy Maddin, Ghost Dog, and More
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It has an endearing lack of seriousness, and Vin Diesel has more than enough muscle for the starring role, but ultimately, XXX is a missed opportunity to breathe new life into the spy thriller genre. Read critic reviews
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Vin Diesel stars as former extreme sports athlete Xander "XXX" Cage, notorious for his death-defying public stunts. Betting he can succeed where other conventional spies have failed, Xander is recruited by NSA Agent Gibbons (Samuel L. Jackson) to become a different kind of undercover agent. Enlisted for a dangerous covert mission, he must use all his extreme skills to combat a clever, organized, and ruthless enemy far beyond the scope of his experience.
PG-13 (Language|Drug Content|Nonstop Action Sequences|Sensuality|Violence)
action, adventure, mystery & thriller
Dolby SR, DTS, Dolby Stereo, Surround, SDDS, Dolby A, Dolby Digital
Samuel L. Jackson
Agent Augustus Gibbons
Joel Hynek
Visual Effects Supervisor
Vin Diesel, every teen's fantasy action hero.
December 29, 2010 | Rating: 4/5 | Full Review…
If Dubya and Dick Cheney had made their very own post-9/11 patriotic propaganda movie for the teens they need as globalisation fodder, then this would be it.
Sporadically entertaining, this is nevertheless seriously hampered by a very choppy screenplay.
March 2, 2003 | Rating: 3/5 | Full Review…
Vin may not yet be a Bond, or a Terminator, or even Conan the Barbarian. But he's got presence and charisma.
November 19, 2002 | Rating: 3/5 | Full Review…
Diesel's a limited actor but a great performer - he just exudes cool. It's his charisma -- coupled with the raw sex appeal of Asia Argento's X girl -- that makes Rob Cohen's movie tick.
October 2, 2002 | Rating: 3/5 | Full Review…
The director piles on one expensive but impersonal action scene after another.
For every action sequence, there are shots dedicated to formulaic rips of the already tired spy subgenre.
November 9, 2020 | Rating: 3/10 | Full Review…
Groovy gadgets, deadpan quips and stunning set-piece stunts reign supreme in this expertly-made schlockbuster.
June 24, 2020 | Rating: 3/5 | Full Review…
Fun but deeply, ridiculously silly.
Despite the blatant rips, XXX's storyline remains entertaining enough.
September 8, 2009 | Rating: 3.5/5 | Full Review…
As an action director, Mr. Cohen is competent, but this film -- which is pretty much as non-stop as an action movie can get -- needed a director with a little more finesse.
July 14, 2007 | Rating: 2.5/4 | Full Review…
Okay, that's it. My summer of movies has been completely pissed on.
Vin Diesel, every teen's fantasy action hero.
December 29, 2010 | Rating: 4/5 | Full Review…
If Dubya and Dick Cheney had made their very own post-9/11 patriotic propaganda movie for the teens they need as globalisation fodder, then this would be it.
Sporadically entertaining, this is nevertheless seriously hampered by a very choppy screenplay.
March 2, 2003 | Rating: 3/5 | Full Review…
Vin may not yet be a Bond, or a Terminator, or even Conan the Barbarian. But he's got presence and charisma.
November 19, 2002 | Rating: 3/5 | Full Review…
For every action sequence, there are shots dedicated to formulaic rips of the already tired spy subgenre.
November 9, 2020 | Rating: 3/10 | Full Review…
Groovy gadgets, deadpan quips and stunning set-piece stunts reign supreme in this expertly-made schlockbuster.
June 24, 2020 | Rating: 3/5 | Full Review…
Fun but deeply, ridiculously silly.
Despite the blatant rips, XXX's storyline remains entertaining enough.
September 8, 2009 | Rating: 3.5/5 | Full Review…
As an action director, Mr. Cohen is competent, but this film -- which is pretty much as non-stop as an action movie can get -- needed a director with a little more finesse.
July 14, 2007 | Rating: 2.5/4 | Full Review…
Okay, that's it. My summer of movies has been completely pissed on.
Not since the days when Joel Silver ruled Hollywood and musclebound subliterates vied for supremacy on the big screen has the industry spawned a phenomenon as garish and confounding as Vin Diesel.
With all the stimulating action sequences you can ask for, a touch of class and some fine comedic moments, you'll leave the theater wanting more.
July 5, 2005 | Rating: 4/5 | Full Review…
Basically this is an American James Bond film made for 12 year olds, Full of over the top action which I never really liked as it ruins the whole film for me, But it's pretty fun at times, Predictable but fun, Maybe the age certificate didn't help in the action scenes though, Although it's pretty poor acted and the one liners and dialogue were pretty awful Vin Diesel was fun to watch as he wasn't a morbid, Croaky bore like he usually is he actually looked like he wanted to be there for once, The plot is Ripped off from every Bond film so we know what's going to happen and when, If I reviewed this when I was 12 I'd of given it 5 stars but age and maturity kicked in and it gets a solid 3 stars just for being brain dead fun.
If any future filmmakers are looking for inspiration in the guilty-pleasure high octane action genre, xXx is exactly the film to look into. What's not to like about it? Heck, even the horribly awful things are entertaining. Back when Vin Diesel decided not to come back to the Fast & Furious franchise, he chose to join F&F 1 director Rob Cohen in taking on another ridiculous action extravaganza, xXx. Now, the Fast & Furious franchise has figured out the right balance of lighthearted humor, bada** action sequences, and developed characters who we actually care about. xXx certainly has fun action, but that's about it. The humor is there, but in no way do I believe it's intentionally funny. And the characters are pretty awful. Or, at least the dialogue coming out of their mouths is awful. But does a film like this really need to have great dialogue? I guess not. Especially when it contains countless one-liners that do nothing but put a smile on my face from ear to ear. Essentially, this is just another Fast & Furious movie. Fast cars, explosions, women in scantily clad attire, incoherent plots, over-the-top villains, and catchy music. All are staples of the franchise, and Xander Cage's first film outing is no different. The supporting characters are fittingly absurd and bizzare, led by a prototypical performance from Samuel L. Jackson & an equally clichéd turn from Marton Csokas. I think the bottom line is, this movie is so far-fetched and insane that it works as one of the best mindless action adventures of the last decade. No one would believe a guy like Xander Cage would be recruited as an undercover agent in any sort of organization, but that's not really the point. xXx sets out to entertain, and that it does. +One-liners +Full-throttle action +Over-the-top -Really, really awful dialogue -Cliched -Does anyone actually care about these characters? 6.4/10
Gawd all frickin' mighty. How do people like Vin Diesel in these films? A clear candidate for most annoying action hero of all time. This is complete crap.
Some of the action scenes are okay but the story is dull and Diesel is no James Bond with the ladies. The kissing scenes are way too much to bear and these are extended shots. Rob Cohen is far from a great filmmaker and you only need to see how the dialogue is delivered to know he isn't looking for anything with substance. The avalanche scene is probably the most memorable thing about this dull misfire that was looking to kickstart a new franchise. This film might appeal to the fast and furious crowds but anyone else will find nothing but boring Diesel attempts at being a central character. Riddick is the only character I've enjoyed. 07/07/2017.
I've been undercover here for two years.
Two years? What was your plan? To let them die of old age?
I want you to meet some people and find out whatever you can about them.
Dirty. Dangerous. Tattooed. Uncivilized. Your kind of people.
You've gotta be kidding me! You already broke me, you don't have to get cruel and unusual.
The percentage of Approved Tomatometer Critics who have given this movie a positive review
The percentage of users who rated this 3.5 stars or higher.
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