Best Lesbian Fiction Novels

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This list of must-read LGBTQ fiction books is sponsored by Amazon Publishing and The Fever King by Victoria Lee.
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LGBTQ fiction is having a boom right now. Novels about the queer community are filling the bookshelves of homes, libraries, and stores – information I find both moving and comforting, as it wasn’t so long ago that it was still a challenge to find these books.
In the documentary film The Celluloid Closet (based on the must read non-fiction book by Vito Russo), the narrator explains, “Hollywood…taught straight people what to think about gays and gay people what to think about themselves.”
The quote still regularly floats through my brain. It remains vitally important to have well-rounded portrayals of the queer community, because there are still assumptions and biases directed toward us even today. These LGBTQ fiction books are our stories – whether set in the U.S., Canada, the Northeast of England or South Africa – and they continue to educate, comfort and remind us.
I have focused on adult fiction because you can already find many YA specific lists on this site and others, though I did add a few YA at the end because they are ones that I recommend even to readers who would normally not pick up a title in the teen section.
For LGBTQ fiction titles coming out this year, visit here. For a handful of my other favourites of this sub-genre, visit my reader’s advisory.
How many lives can one person lead in a single lifetime? When Hero de Vera arrives in America, disowned by her parents in the Philippines, she’s already on her third. Her uncle, Pol, who has offered her a fresh start and a place to stay in the Bay Area, knows not to ask about her past. And his younger wife, Paz, has learned enough about the might and secrecy of the De Vera family to keep her head down. Only their daughter Roni asks Hero why her hands seem to constantly ache. America Is Not the Heart is a sprawling, soulful telenovela of a debut novel.
Five disparate voices inhabit Ali Smith’s dreamlike Hotel World, set in the luxurious anonymity of the Global Hotel, in an unnamed northern English city. The disembodied yet interconnected characters include Sara, a 19-year-old chambermaid who has recently died at the hotel; her bereaved sister, Clare, who visits the scene of Sara’s death; Penny, an advertising copywriter who is staying in the room opposite; Lise, the Global’s depressed receptionist; and the homeless Else who begs on the street outside.
You are a failed novelist about to turn fifty. A wedding invitation arrives in the mail: your boyfriend of the past nine years is engaged to someone else. On your desk are a series of invitations to half-baked literary events around the world.
QUESTION: How do you arrange to skip town?
The Price of Salt is story of Therese Belivet, a stage designer trapped in a department-store day job, whose salvation arrives one day in the form of Carol Aird, an alluring suburban housewife in the throes of a divorce. They fall in love and set out across the United States, pursued by a private investigator who eventually blackmails Carol into a choice between her daughter and her lover.
Valencia is the fast-paced account of one girl’s search for love and high times in the drama-filled dyke world of San Francisco’s Mission District. Through a string of narrative moments, Tea records a year lived in a world of girls: there’s knife-wielding Marta, who introduces Michelle to a new world of radical sex; Willa, Michelle’s tormented poet-girlfriend; Iris, the beautiful boy-dyke who ran away from the South in a dust cloud of drama; and Iris’s ex, Magdalena Squalor, to whom Michelle turns when Iris breaks her heart. Valencia conveys a blend of youthful urgency and apocalyptic apathy.
Ijeoma comes of age as her nation does; born before independence, she is eleven when civil war breaks out in the young republic of Nigeria. Sent away to safety, she meets another displaced child and they, star-crossed, fall in love. They are from different ethnic communities. They are also both girls. When their love is discovered, Ijeoma learns that she will have to hide this part of herself. But there is a cost to living inside a lie.
When oral historian Ellen Margolis and her girlfriend decide to get married, Ellen realizes that she can’t go through with a wedding until she tells her grandmother. There’s only one problem: her grandmother is dead. As the two young women beat their own early path toward marriage equality, Ellen’s longing to plumb that voluminous silence draws her into a clandestine entanglement with a wily Holocaust survivor–a woman with more to hide than tell–and a secret search for buried history. If there is to be a wedding Ellen must decide: How much do you need to share to be true to the one you love?
Woman or man? This internationally acclaimed novel looks at the world through the eyes of Jess Goldberg, a masculine girl growing up in the McCarthy era and coming out as a young butch lesbian in the pre-Stonewall gay drag bars of a blue-collar town. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.
‘The longest and most charming love letter in literature’, playfully constructs the figure of Orlando as the fictional embodiment of Woolf’s close friend and lover, Vita Sackville-West. Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth’s England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Constantinople, awakes to find that he is a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.
Baldwin’s haunting and controversial second novel is his most sustained treatment of sexuality, and a classic of gay literature. In a 1950s Paris swarming with expatriates and characterized by dangerous liaisons and hidden violence, an American finds himself unable to repress his impulses, despite his determination to live the conventional life he envisions for himself. After meeting and proposing to a young woman, he falls into a lengthy affair with an Italian bartender and is confounded and tortured by his sexual identity as he oscillates between the two.
It’s the summer of 1990 and Crystal Beach has lost its beloved, long-running amusement park, leaving the lakeside village a virtual ghost town. It is back to this fallen community that Starla Mia Martin must return to live with her overbearing mother after dropping out of university and racking up significant debt. But an economic downturn, mother-daughter drama, and Generation X disillusionment soon prove to be to be the least of Starla’s troubles. A mysterious and salacious force begins to dog her; inexplicable sounds in the night and indescribable sights spotted in the periphery. Soon enough, Starla must confront the unresolved traumas that haunt Crystal Beach.
Prior is a man living with AIDS whose lover Louis has left him and become involved with Joe, an ex-Mormon and political conservative whose wife, Harper, is slowly having a nervous breakdown. These stories are contrasted with that of Roy Cohn (a fictional re-creation of the infamous American conservative ideologue who died of AIDS in 1986) and his attempts to remain in the closet while trying to find some sort of personal salvation in his beliefs.
It’s first the story of two women in the 1980s, of gray-headed Mrs. Threadgoode telling her life story to Evelyn, who is in the sad slump of middle age. The tale she tells is also of two women—of the irrepressibly daredevilish tomboy Idgie and her friend Ruth, who back in the thirties ran a little place in Whistle Stop, Alabama, a Southern kind of Cafe Wobegon offering good barbecue and good coffee and all kinds of love and laughter, even an occasional murder.
Binh, a Vietnamese cook, flees Saigon in 1929, disgracing his family to serve as a galley hand at sea. The taunts of his now-deceased father ringing in his ears, Binh answers an ad for a live-in cook at a Parisian household, and soon finds himself employed by Gertrude Stein and Alice B. Toklas.
Toklas and Stein hold court in their literary salon, for which the devoted yet acerbic Binh serves as chef, and as a keen observer of his “Mesdames” and their distinguished guests. But when the enigmatic literary ladies decide to journey back to America, Binh is faced with a monumental choice: will he, the self-imposed “exile,” accompany them to yet another new country, return to his native Vietnam, or make Paris his home?
On a spring day in 1968, eight-year-old Isabel Gold prepares tea for her mother, certain she will drink it and recover from her mysterious sadness. But the tea remains untouched. Not long after, her mother takes her own life. Struggling to understand the ghost her mother left behind, Isabel grows up trying on new identities. Her yearning for an emotional connection finds her falling in and out of love with various women, but it is not until Isabel learns how to reach deep within herself that she begins to listen to the truths of her own heart.
Nan King, an oyster girl, is captivated by the music hall phenomenon Kitty Butler, a male impersonator extraordinaire treading the boards in Canterbury. Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty’s dresser and the two head for the bright lights of Leicester Square where they begin a glittering career as music-hall stars in an all-singing and dancing double act. At the same time, behind closed doors, they admit their attraction to each other and their affair begins.
Keisha Lewis lived a quiet life with her wife, Alice, until the day that Alice disappeared. After months of searching, presuming she was dead, Keisha held a funeral, mourned, and gradually tried to get on with her life. But that was before Keisha started to see her wife, again and again, in the background of news reports from all over America. Alice isn’t dead, and she is showing up at every major tragedy and accident in the country.
Following a line of clues, Keisha takes a job as a long-haul truck driver and begins searching for Alice. She eventually stumbles on an otherworldly conflict being waged in the quiet corners of our nation’s highway system—uncovering a conspiracy that goes way beyond one missing woman.
This is the story of Jeanette, adopted and brought up by her mother as one of God’s elect. Zealous and passionate, she seems seems destined for life as a missionary, but then she falls for one of her converts. At sixteen, Jeanette decides to leave the church, her home and her family, for the young woman she loves. Innovative, punchy and tender, Oranges is a few days ride into the bizarre outposts of religious excess and human obsession.
Welcome to Montreal in the months before the 1995 referendum. Riot Grrl gets bought out and mass marketed as the Spice Girls, and gays are gaining some legitimacy, but the queers are rioting against assimilation; cocktail AIDS drugs are starting to work, and the city walls on either side of the Main are spray-painted with the words YES or NO. It’s been five years since the OKA crisis and the sex garage riots; revolution seems possible when you’re 18, like Eve. Eve is pining to get out of her parents’ house in Dorval and find a girl who wants to kiss her back. She meets Della: mysterious, defiantly non-monogamous, an avid separatist, and ten years older. Initially taken in by a mutual other-worldly sense of rapture, they hole up in Della’s apartment, trying to navigate spaces of jealousy. On the night of the 1995 referendum, politics and romance come to a head and Eve’s naiveté begins to fade. From naive teenager to hotshot rough girl, Eve decides her own fate.
Lucky and her husband, Krishna, are gay. They present an illusion of marital bliss to their conservative Sri Lankan–American families, while each dates on the side. It’s not ideal, but for Lucky, it seems to be working. She goes out dancing, she drinks a bit, she makes ends meet by doing digital art on commission. But when Lucky’s grandmother has a nasty fall, Lucky returns to her childhood home and unexpectedly reconnects with her former best friend and first lover, Nisha, who is preparing for her own arranged wedding with a man she’s never met.
That time is the period between the two World Wars, and Barnes’ novel unfolds in the decadent shadows of Europe’s great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O’Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes’ depiction of these characters and their relationships (Nora says, “A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own”) has made the novel a landmark of feminist and lesbian literature.
A gripping novel of love, loss, identity, and change chronicles the interlocking tales of a multicultural group of second-generation twenty-somethings living in urban Toronto and the secrets they are hiding from their families, including Tuyen, an avant-garde artist and lesbian daughter of Vietnamese parents; Carla, a biracial bicycle courier; and Oku, the poet son of Jamaican parents.
San Francisco, 1976. A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cut throat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous.
This is a collection of connected stories whose female narrators seek out lives for themselves amidst the lonely, breathtaking landscape of the Yukon. The young women in Ivan Coyote’s deeply personal stories are looking to make a break from their circumstances, but the North is in their bones: so is their connections to family, friends, and other women.
Jack Holmes and Will Wright arrive in New York in the calm before the storm of the 1960s. Coworkers at a cultural journal, they soon become good friends. Jack even introduces Will to the woman he will marry. But their friendship is complicated: Jack is also in love with Will. Troubled by his subversive longings, Jack sees a psychiatrist and dates a few women, while also pursuing short-lived liaisons with other men. But in the two decades of their friendship, from the first stirrings of gay liberation through the catastrophe of AIDS, Jack remains devoted to Will. And as Will embraces his heterosexual sensuality, nearly destroying his marriage, the two men share a newfound libertinism in a city that is itself embracing its freedom.
It’s not a happy novel, I will tell you that right now. George, a British man living in Malibu, is trying to deal with the loss of his partner in a car accident. Set over the course of one day in George’s life, the readers experiences moments of his day that are both big and small (breakfast, an awkward kiss with a close female friend). An intense, mesmerizing character study about starting over after the worst has happened.
Peter Paddington is 13, overweight, the subject of his classmates’ ridicule, and the victim of too many bad movie-of-the-week storylines. When Peter’s nipples begin speaking to him one day and inform him of their diabolical plan to expose his secret desires to the world, Peter finds himself cornered in a world that seems to have no tolerance for difference. Peter’s only solace is “The Bedtime Movies” — perfect-world fantasies that lull him to sleep every night. But when the lines between Peter’s fantasy world and his reality begin to blur, no one is safe from the depths of Peter’s imagination — especially Peter himself.
At turns whimsical and wry, “Salt Fish Girl” intertwines the story of Nu Wa, the shape-shifter, and that of Miranda, a troubled young girl living in the walled city of Serendipity circa 2044. Miranda is haunted by traces of her mother’s glamourous cabaret career, the strange smell of durian fruit that lingers about her, and odd tokens reminiscient of Nu Wa. Could Miranda be infected by the Dreaming Disease that makes the past leak into the present?
Twenty years ago Lucie Bowen left Marrow Island; along with her mother, she fled the aftermath of an earthquake that compromised the local refinery, killing her father and ravaging the island’s environment. Now, Lucie’s childhood friend Kate is living within a mysterious group called Marrow Colony—a community that claims to be “ministering to the Earth.” There have been remarkable changes to the land at the colony’s homestead. Lucie’s experience as a journalist tells her there’s more to the Colony—and their charismatic leader– than they want her to know, and that the astonishing success of their environmental remediation has come at great cost to the Colonists themselves. As she uncovers their secrets and methods, will Lucie endanger more than their mission? What price will she pay for the truth?
In a steam-filled diner in a college town, Flannery Jansen catches sight of something more beautiful than she’s ever seen: a graduate student, reading. The seventeen-year-old, new to everything around her—college, the East Coast, bodies of literature, and the sexual flurries of student life—is shocked by her desire to follow this wherever it will take her. When Flannery finds herself enrolled in a class with the remote, brilliant older woman, she is intimidated at first, but gradually becomes Anne Arden’s student—Baudelaire, lipstick colors, or how to travel with a lover—Flannery proves an eager pupil
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