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By Zoe Kleinman
Technology reporter, BBC News
US social media star Danielle Cohn has nearly four million followers on Instagram and 1.4 million on YouTube. She's also one of TikTok's biggest stars, with more than 13 million fans.
The young teenager's photographs and their captions are often provocative.
She wears bikinis, lingerie and figure-hugging dresses, and her photo locations include bedrooms, pool-sides, and in one case lying beside a waxwork figure of the late Playboy founder Hugh Hefner, while wearing bunny ears.
Her recent brand collaborations include a women's fashion label and an energy drink.
"What would u ask me if u knew my answer would be yes?" she wrote recently beside a picture of herself wearing a tight white dress, her hands above her head, in which she promoted a fashion brand.
But is this a good line of work for a teenager?
"Once on the internet, always on the internet," says Rohan Midha, co-founder of the influencer agency PMYB.
"She may need to get a normal job, like everyone else... all of this stuff will come up when an employer searches her name."
Mr Midha said he didn't think young teenagers were capable of making such a huge decision about creating a specific identity that would follow them into adult life.
"I believe that often it's an older relative or family member who has realised there is the opportunity to make some money in the short term and puts together a social strategy to grab the attention of the media," he said.
Under UK law the employment of children below the age of 18 is heavily regulated but social media companies have no such obligations because they are not employing the children who use their platform, explains Keely Rushmore, partner at British law firm SA Law.
How about the brands they collaborate with?
"In the UK children can potentially enter into contracts for services personally, but this can be problematic," she said.
"A way around this is to contract with the parents of the child instead, and I would expect that many brands choose this option in order to protect themselves."
And there's another issue - there's a continuing debate about how old Danielle actually is.
Last week a man who said he was her estranged father, Dustin Cohn, wrote a long Facebook post in which he said he was unhappy with her online activities and claimed that Danielle was just 13 years old.
He has previously released a document which he says is her birth certificate.
His intervention made headlines across the world, including in the UK's Sun newspaper, the New Zealand Herald, and Canada's Toronto Sun.
Danielle issued an angry response to her father's claims, saying she was "living her best life".
However, she did not mention her age.
According to Danielle's bio, and previous assertions by Danielle herself, she is 15.
When contacted for comment, her mother told the BBC: "I really think you guys need to leave it alone."
Whatever her true age, some of the suggestive images date back more than two years on Danielle's Instagram account.
She's also no stranger to controversy after a video which appeared to show her getting married and revealing a pregnancy were released this summer - this turned out to be a promotion for a music video.
Her mother argues that what her daughter is doing is for her own benefit.
She said previously: "You might not agree with what my daughter [posts] or what she does, but at this age she [is] setting up her life... she [can] become a millionaire at her age."
While Danielle Cohn appears to have a good relationship with her mother, who features in many of her YouTube videos, the comments left under them suggest not all viewers are entirely comfortable with Danielle's work.
"You're 13, stop it. Have a childhood while you can," wrote one below a video uploaded on Sunday.
Children's charity the NSPCC warns that even in the short term, there is no way of controlling what happens to an image once it is on the net.
"Parents should be aware there can be negative consequences of children sharing pictures of themselves on social media, as they will never be able to control where those images go," said a spokeswoman.
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Nintendo has unveiled its long-rumoured upgrade to the Switch, with a new model featuring a larger, better screen.
The Switch OLED Model's main feature is its OLED screen - a technology which offers deeper blacks and better colours than most LCD screens like those on the original Switch.
It will launch on 8 October, costing £50/$50 more than the current model.
But the new revision does not feature some of the rumoured improvements fans may have expected.
The so-called "Switch Pro" was widely expected to be announced ahead of or at this year's E3 gaming event in June.
Despite attempts by Nintendo to downplay expectations, some rumours suggested the new model would feature more processing power and advanced processing technology which would drastically improve its graphics.
But the OLED Model announced on Tuesday instead has a range of more minor improvements.
"I think this is disappointing for users who were expecting something more powerful," said Louise Shorthouse, a senior games analyst at Ampere Analysis.
The OLED screen, as well as offering better colours and sharper contrast then the previous LCD version, is also marginally larger - at seven inches, up from 6.2 inches.
It runs at the same 1280x720 resolution as its predecessor - far lower than most new consoles, but on a much smaller handheld device.
Despite the bigger screen, there is only the smallest difference - a few millimetres - in the size of the device itself. It is also very slightly heavier, though the average user is unlikely to notice the new weight.
There is also no improvement to battery life - but no reduction either, with the new device promising the same amount of playtime despite the larger screen.
The rest of the improvements appear to address small but consistent annoyances of the existing model.
A wider tabletop stand now runs the entire width of the console, replacing the flimsy and unstable kickstand which many users complained about in the original Switch.
That stand is also now adjustable - a tension in its design means it can be set to multiple angles, unlike the first version.
The console also has double the original's internal storage, jumping up to 64GB. Most gamers will still require an extra SD card to store more than a few games, however.
Nintendo is promising "enhanced audio" from the console's own speakers, though it is unclear whether the speakers have been upgraded at a hardware level or if software tuning is being used.
The dock - a key part of the Switch's unique design, which allows it to "switch" from portable to TV mode - is also getting an upgrade.
The new version will have a built-in LAN port for wired network cables. Competitive gamers such as those in the Super Smash Bros fighting game community have long complained about the Switch's reliance on Wi-Fi, which is less optimal for online gaming than a wired connection.
That is the only upgrade aimed at "docked" players, Louise Shorthouse said - all the other improvements in the screen, speakers, and stand "explicitly support the handheld/tabletop play-style".
"This is primarily a model for new adopters," she said. "For many existing users, especially those who play in docked mode, I think the upgrade is not quite substantial enough to warrant purchasing the new device."
The incremental upgrades continue a pattern of updating models Nintendo has followed before for its handheld devices.
The Nintendo 3DS, for example, went through several different revisions - including a larger model and one which dropped the 3D feature entirely in favour of being more affordable.
The Switch already has one revision, the Switch Lite, which removed the "dock" capability for players who prefer to play in handheld mode all the time, at a lower cost.
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