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First off, can I take a moment to describe why I love Graffs writing style? True to his philosophies about high/low intellectual discussion, hell always bring back down whatever theory or history hes talking about with quips and summaries that make me draw little smiley faces in the margins and the quote he includes from contemporaries often make their way onto my Facebook feed. Kind of a delight to read.Next Id like to say that in addition to being influencial, this book is quite useful. Graffs description of field covering in English studies and generally the way that the structure of an institution can shape the way disciplinary conflicts are highlighted (or not) (91) can apply to my own research. Im interested in this patterned isolation (L. Veyseys phrase)that he describes in terms of how we in English do research so distinct from each other.In a weaker sense, Im fascinated by this idea that New Criticism increased in part because there were more practicing poets joining English faculties and wanting to add their view of research.And heres a good quote: The boundaries that mark literary study off from creative writing, composition, rhetoric, communications, linguistics and film, philosophy, literature, and sociology each bespeak a history of conflict that was critical to creating and defining these disciplines yet has never become a central part of their context of study (258).The introduction includes a mea culpa on ignoring the history of composition (everyone complains about this in this book, but it doesnt offend me, largely because I see literary studies as quite a different discipline), and the idea that field coverage leads to a sort of safety valve for ideas to head for a new frontier (his word). Awesome.
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